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Gospels Of Otto III
The Gospels of Otto III (Munich, Bayer. Staatsbib., Clm. 4453) is considered a superb example of Ottonian art because of the scope, planning, and execution of the work. The book has 276 parchment pages (334 by 242 mm, 13.1 by 9.5 inches) and has twelve canon tables, a double page portrait of Otto III, portraits of the four evangelists, and 29 full page miniatures illustrating scenes from the New Testament. The cover is the original, with a tenth-century carved Byzantine ivory inlay representing the ''Dormition of the Virgin.'' Produced at the monastery at Reichenau Abbey in about 1000 CE., the manuscript is an example of the highest quality work that was produced over 150 years at the monastery. Description The cover of the book is a tribute to its contents; it is jeweled with a centerpiece consisting of a Byzantine ivory inlay of the ''Dormition of the Virgin''. The inlay was placed on the cover rather than inside the manuscript because the text of the four gospels does no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Dynasty
The Ottonian dynasty (german: Ottonen) was a Saxon dynasty of German monarchs (919–1024), named after three of its kings and Holy Roman Emperors named Otto, especially its first Emperor Otto I. It is also known as the Saxon dynasty after the family's origin in the German stem duchy of Saxony. The family itself is also sometimes known as the Liudolfings (), after its earliest known member Count Liudolf (d. 866) and one of its most common given names. The Ottonian rulers were successors of the Germanic king Conrad I, who was the only Germanic king to rule in East Francia after the Carolingian dynasty and before this dynasty. The Ottonians are associated with the notable military success that transformed the political situation in contemporary Western Europe: "It was the success of the Ottonians in molding the raw materials bequeathed to them into a formidable military machine that made possible the establishment of Germany as the preeminent kingdom in Europe from the tenth th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Books
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuthar Gospels
The Liuthar Gospels (also Gospels of Otto III or Ottonian Gospels) are a work of Ottonian illumination which are counted among the masterpieces of the period known as the Ottonian Renaissance. The manuscript, named after a monk called Liuthar, was probably created around the year 1000 at the order of Otto III at the Abbey of Reichenau and lends its name to the ''Liuthar Group'' of Reichenau illuminated manuscripts. The backgrounds of all the images are illuminated in gold leaf, a seminal innovation in western illumination. After the French Revolution, the manuscript fell to private property and was only returned in 1848. Today the Gospels belong to the Aachen Cathedral Treasury, and along with the Carolingian Gospels they form one of the two especially significant and valuable manuscripts kept there. In 2003 the manuscript was included by UNESCO in the Memory of the World Programme, along with other, later works of the Reichenau School. Description and Classification The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scriptorium
Scriptorium (), literally "a place for writing", is commonly used to refer to a room in medieval European monasteries devoted to the writing, copying and illuminating of manuscripts commonly handled by monastic scribes. However, lay scribes and illuminators from outside the monastery also assisted the clerical scribes. The functional outset When monastic institutions arose in the early 6th century (the first European monastic writing dates from 517), they defined European literary culture and selectively preserved the literary history of the West. Monks copied Jerome's Latin Vulgate Bible and the commentaries and letters of early Church Fathers for missionary purposes as well as for use within the monastery. In the copying process, there was typically a division of labor among the monks who readied the parchment for copying by smoothing and chalking the surface, those who ruled the parchment and copied the text, and those who illuminated the text. Sometimes a single monk wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedictines
, image = Medalla San Benito.PNG , caption = Design on the obverse side of the Saint Benedict Medal , abbreviation = OSB , formation = , motto = (English: 'Pray and Work') , founder = Benedict of Nursia , founding_location = Subiaco Abbey , type = Catholic religious order , headquarters = Sant'Anselmo all'Aventino , num_members = 6,802 (3,419 priests) as of 2020 , leader_title = Abbot Primate , leader_name = Gregory Polan, OSB , main_organ = Benedictine Confederation , parent_organization = Catholic Church , website = The Benedictines, officially the Order of Saint Benedict ( la, Ordo Sancti Benedicti, abbreviated as OSB), are a monastic religious order of the Catholic Church following the Rule of Saint Benedict. They are also sometimes called the Black Monks, in reference to the colour of their religious habits. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuthar
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Veronensis
The Codex Veronensis, designated by siglum b or 4 (in the Beuron system), is a 5th century Latin Gospel Book. The text, written on purple dyed vellum in silver and occasionally gold ink, is a version of the old Latin. The Gospels follow in the Western order.Bruce M. Metzger, ''The Early Versions of the New Testament'', Oxford University Press, 1977, p. 296. Description The manuscript contains the Latin text of the four Gospels. It has several lacunae (Matthew 1:1-11; 15:12-23; 23:18-27; John 7:44-8:12; Luke 19:26-21:29; Mark 13:9-19; 13:24-16:20). In this codex, several pages are missing, including, notably, the pages which contained John 7:44-8:11. Space-considerations show that the missing pages included John 7:53-8:11, the passage known as the Pericope Adulterae. In Luke 8:21 it reads αυτον instead of αυτους; the reading αυτον is supported by Papyrus 75, and Minuscule 705. In John 1:34 reads ὁ ἐκλεκτός together with the manuscripts 𝔓5, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Aureus Of Lorsch
The ''Codex Aureus of Lorsch'' or Lorsch Gospels (Biblioteca Apostolica Vaticana, Pal. lat. 50, and Alba Iulia, Biblioteca Documenta Batthyaneum, s.n.) is an illuminated Gospel Book written in Latin between 778 and 820, roughly coinciding with the period of Charlemagne's rule over the Frankish Empire. Both the manuscript and the carved ivory panels from the cover are rare and important survivals from the art of this period. The current location of the various original parts is: *Batthyaneum Library, Alba Iulia, Romania: Gospels of Matthew and Mark, and canon tables and preliminary matter *Vatican Library: Gospels of Luke and John, and the ivory panels from the rear cover *Victoria and Albert Museum, London: the ivory panels from the front cover (Inv.-Nr. 138–1866) History It was first recorded in Lorsch Abbey (Germany), for which it was presumably written, and where it was mentioned as ''Evangelium scriptum cum auro pictum habens tabulas eburneas'' in the catalogue of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quedlinburg
Quedlinburg () is a town situated just north of the Harz mountains, in the district of Harz in the west of Saxony-Anhalt, Germany. As an influential and prosperous trading centre during the early Middle Ages, Quedlinburg became a center of influence under the Ottonian dynasty in the 10th and 11th centuries. The castle, church and old town, dating from this time of influence, were added to the UNESCO World Heritage List in 1994 because of their exceptional preservation and outstanding Romanesque architecture. Quedlinburg has a population of more than 24,000. The town was the capital of the district of Quedlinburg until 2007, when the district was dissolved. Several locations in the town are designated stops along a scenic holiday route, the Romanesque Road. History The town of Quedlinburg is known to have existed since at least the early 9th century, when there was a settlement known as ''Gross Orden'' on the eastern bank of the River Bode. It was first mentioned as a to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalter
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art. The English term (Old English , ) derives from Church Latin. The source term is la, psalterium, which is simply the name of the Book of Psalms (in secular Latin, it is the term for a stringed instrument, from grc, ψαλτήριον ''psalterion''). The Book of Psalms contains the bulk of the Divine Office of the Roman Catholic Church. The other books associated with it were the Lectionary, the Antiphonary, and Responsoriale, and the Hymnary. In Late Modern English, ''psalter'' has mostly ceased to refer to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pericopes Of Henry II
The Pericopes of Henry II (german: Perikopenbuch Heinrichs II.; Munich, Bavarian State Library, Clm 4452) is a luxurious medieval illuminated manuscript made for Henry II, the last Ottonian Holy Roman Emperor, made 1002–1012 AD. The manuscript, which is lavishly illuminated, is a product of the Liuthar circle of illuminators, who were working in the Benedictine Abbey of Reichenau, which housed a scriptorium and artists' workshop that has a claim to having been the largest and artistically most influential in Europe during the late 10th and early 11th centuries. An unrivalled series of liturgical manuscripts was produced at Reichenau under the highest patronage of Ottonian society. (Other centers include scriptoria at Lorsch, Trier, and Regensburg.) Unlike a gospel book, gospel pericopes contain only the passages from the gospels which are to be read during the liturgical year, making it easier for the priest celebrating Mass to find the gospel reading. It is 425 mm by 32 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
