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Giuseppe Isola
Giuseppe (Tommaso Giuseppe) Isola (Genoa, April 7, 1808 – Genoa, July 21, 1893) was an Italian painter. Biography He was the son of Gaetano Isola and Maria Annunziata Rolleri, during his youth he displayed his works in his father's furniture shop. His talent was noticed by marquess Giancarlo Serra, who became his patreon and allowed him to study painting in the Accademia Ligustica di Belle Arti and afterwards to travel Tuscany, Latium and Lombardy to improve his skills. In Liguria, Giuseppe focused on learning the fresco styles commonly used by artists in the sixteenth and seventeenth centuries. His artistic debut took place in 1834, when he presented his portrait titled '' La Congiura di Gian Luigi Fieschi in the Accademia Ligustica.'' Giuseppe also presented ''Il conte di Carmagnola condannato a morte dal Senato di Venezia si congeda dalla famiglia'' and ''l'Assassinio di Alessandro de' Medici'' in1836. Maria Drago wrote a letter in 1838 to her son Giuseppe Mazzini, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Reale (Genoa)
The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. History Construction of the present structure began in 1618 for the Balbi family. From 1643 to 1655, work renewed under the direction of the architects Pier Francesco Cantone and Michele Moncino. In 1677, the palace was sold to the Durazzo Family, who enlarged the palace under the designs of Carlo Fontana. In 1823, the palace was sold to the Royal House of Savoy. From 1919, the palace has belonged to the state. Decor The palace contains much original furniture and decoration. Frescoes inside include the ''Glory of the Balbi Family'' by Valerio Castello and Andrea Sghizzi, ''Spring changing slowly to Winter'' by Angelo Michele Colonna and Agostino Mitelli, and ''Jove establishes Justice on the Earth'' by Giovanni Battista Carlone. It also contains canvases by Bernardo Strozzi, il Grechetto, Giovanni Battista Gaulli, Domenico Fiasella as well as Bassano, Tintoretto, Luca Giordano, Anth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo Varni
Santo Varni (1807 in Genoa – 1885) was an Italian sculptor active mainly in Liguria. He began his training at the Accademia Ligustica di Belle Arti, where he was a pupil of Giuseppe Gaggini. He moved to Florence, where he was a pupil of Lorenzo Bartolini . He is represented by more than forty works at the Monumental Cemetery of Staglieno in Genoa. These include the tomb of Bracelli Spinola (1864), the tomb of Andrea Tagliacane (1870), and the tomb of Asarta (1879). He began teaching at the Accademia Liguistica in Genoa in 1838, and when Gaggini left for Turin, Varni filled his post, serving until his death in 1885. His large collection of drawings and works of local artists was dispersed after his death. Among his pupils were Eugenio Baroni and Antonio Allegretti. Works * ''Madonna and Saints'', Basilica della Annunziata. * ''Triumph of Marcellus''. * ''Statue of Religion'' at the base of the Columbus Monument at Piazza Acquaverde, Genoa. * ''Laura Al Bagno'' (1858) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Dupré
Giovanni Dupré (1 March 1817 – 10 January 1882) was an Italian sculptor, of distant French stock long settled in Tuscany, who developed a reputation second only to that of his contemporary Lorenzo Bartolini. Biography Born in Siena, Dupré began in his father's carving workshop and that of Paolo Sani, where he was occupied with producing fakes of Renaissance sculptures. In an open contest run by the Accademia di Belle Arti, he won first prize with a ''Judgment of Paris'' and made his reputation with the life-size figure of the dead ''Abel'' (''illustration, right''), which was purchased for Grand Duchess Maria Nikolaievna, Duchess of Leuchtenberg (now at the Hermitage Museum, St. Petersburg) and was replicated in bronze, c. 1839, (now in the Galleria d'arte moderna, Palazzo Pitti, Florence). The raw naturalism of the figure, greeted with shock at the time, presaged the beginning of the end of Neoclassicism in Italian sculpture and gained Dupré the encouragement of Lorenz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Rosso
The Palazzo Brignole Sale or Palazzo Rosso is a house museum located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. The palace is part of the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. The rich art collection inside, along with the galleries of Palazzo Bianco and Palazzo Doria Tursi, is part of the Musei di Strada Nuova and consists of the works of artists of the caliber of Antoon van Dyck, Guido Reni, Paolo Veronese, Guercino, Gregorio De Ferrari, Albrecht Dürer, Bernardo Strozzi and Mattia Preti. History Built in 1675, Palazzo Rosso was not one of the 163 Palazzi dei Rolli of Genoa, the selected private residences where the notable guests of the Republic of Genoa were hosted during State visits, as the last of such list was completed in 1664, ten years before the construction of the palace. As a distinguished 17th-century palace in ''Strada Nuova'', however, on 13 luglio del 2006 it was included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Bianco
Palazzo Bianco ( en, White Palace) is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi (known at one time as ''Strada Nuova'', and before that, ''Via Aurea''). It contains the Gallery of the White Palace, one of the larger city art galleries, and together with those of its neighbors Palazzo Rosso and Palazzo Doria Tursi, it forms part of the Strada Nuova Museums, a cluster of museums at that end of the street. History Constructed between 1530 and 1540 by Luca Grimaldi, a member of the House of Grimaldi, one of the most important Genoese families, in 1658 the palace passed into the possession of the De Franchi Toso family, and in 1711 it was given by its inheritor Federico de Franchi Toso, to Maria Durazzo Brignole-Sale, his main creditor. The new owners, between 1714 and 1716, carried out a decisive restoration of the building, adapting it to the tastes of the age. It subsequently earned the name ''White'' for the clear color of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the University, universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners Perugia, University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
