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Giuseppe Fioravanti
Giuseppe Fioravanti ( 1795 – ?) was an Italian opera singer active during the first half of the 19th century. Although one of the most important and popular basso buffos of his generation, there is only a relatively small amount of information available about his life. He had a highly fruitful partnership with the Teatro Nuovo in Naples and is best known today for creating roles in the world premieres of numerous operas by Gaetano Donizetti. Kutsch, Karl-Josef and Riemens, Leo (2004). ''Großes Sängerlexikon'', 4th Edition, Vol. 4, . Walter de Gruyter. Biography Fioravanti was the son of opera composer Valentino Fioravanti (1764–1837) and the older brother of opera composer Vincenzo Fioravanti (1799–1877). His exact year of birth is unknown but it is likely that he was born sometime around 1795. Not much is known about his musical training, although he probably received some education from his father. Fioravanti's first known stage appearance was in 1817 at the Teatro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betly
''Betly, ossia La capanna svizzera'' ("Betly, or The Swiss Chalet") is a ''dramma giocoso'' in two acts (originally one) by the Italian composer Gaetano Donizetti. The composer wrote the Italian libretto after Eugène Scribe and Mélésville's libretto for Adolphe Adam's opéra comique '' Le chalet'', in its turn based on Goethe's Singspiel ''Jery und Bätely'' (1779). Performance history The opera premiered at the Teatro Nuovo in Naples on 24 August 1836.Albinati, Giuseppe (1912). ''Piccolo dizionario di opere teatrali, oratori, cantate, ecc.''"''Betly''" Milano: G. Ricordi & C. Retrieved 1 November 2015 .Cassaro, James P. (2009). ''Gaetano Donizetti: A Research and Information Guide''"''Betly, ossia La capanna svizzera''". Routledge. The initial performance was not well-received due to the vocal decline of Giuseppe Fioravanti, the performer of the baritone role. However, the revision prepared by Donizetti for subsequent performances was a marked success. This success prompted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Mesi In Due Ore
(''Eight Months in Two Hours or The Exiles in Siberia'') is an opera in three acts by Gaetano Donizetti to a libretto by Domenico Gilardoni. The original story comes from the 1806 novel, ''Elisabeth, ou Les exilés de Sibérie'' (''Elisabeth, or the Exiles of Siberia''), written by Sophie Ristaud Cottin. Luigi Marchionni's subsequent play, ''La figlia dell’esiliato, ossia Otto mesi in due ore'' (''The Daughter of the Exile, or Eight Months in Two Hours''), first performed in Italy in 1820, was the more immediate basis for Gilardoni's libretto. The opera has two later, substantially re-worked versions, ''Élisabeth ou la fille de l'exilé'' (''Elisabeth, or the daughter of the exile''), and ''Elisabetta'', both of which received their first performances some 150 years after Donizetti's death. Performance history 19th century The opera underwent many revisions and changes of title over the years, with a performance history nearly as convoluted as its plot. Its first versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia Di Liverpool
''Emilia di Liverpool'' (''Emilia of Liverpool''; also given as ''L'eremitaggio di Liverpool'') is a ''dramma semiserio'', ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. wrote the Italian libretto after the anonymous libretto for Vittorio Trento's ''Emilia di Laverpaut'', itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples. Composition history The libretto had a complex history. The original story by Scatizzi formed the basis of the first, anonymous libretto of 1824, which had the title of ''Emilia di Liverpool''. This first libretto included the introduction of the Count, a Neapolitan character, as comic relief per the theatrical tradition of the Teatro Nuovo. The changes to the cast of characters caused confusion among the relationships of the characters and ran contrary to the structure of the original play. The libretto revisions by Checcherini, circa 1828, removed much o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Fortunato Inganno
(''The Happy Deception'') is an opera buffa in two acts by Gaetano Donizetti, to a libretto by Andrea Leone Tottola. Composed in 1823, it was first given on September 3 of that year at the Teatro Nuovo in Naples. It was not a success, and has disappeared from the repertory. Composition Donizetti composed the opera during the summer of 1823, during which time his ''Alfredo il grande'' was in rehearsals at the Teatro San Carlo. It failed after three performances, and was not seen again for many years.Osborne 1994, p. 151. It was revived in 1998 by the Festival della Valle d'Itria, a performance which has been recorded. The opera's musical numbers are separated by spoken dialogue. Roles Plot The opera takes place in Italy, sometime during the nineteenth century. Lattanzio Lattrughelli's opera company is in the process of rehearsing a new work, with the usual mishaps. His wife's niece, Eugenia, is in love with a young cavalry lieutenant, Edoardo, who loves her back. But h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Zingara
''La zingara'' (''The Gypsy Girl'') is an opera semiseria in two acts by Gaetano Donizetti, set to a libretto by Andrea Leone Tottola after ''La petite bohémienne'' (''The Little Gypsy'') by Louis-Charles Caigniez, which was itself derived from a work of August von Kotzebue. It was Donizetti's first opera written for Naples, and the first performance of this "rescue opera" took place at the Teatro Nuovo on 12 May 1822. One critic reviewing the 2001 recording from the Festival della Valle d'Itria, made the following observations: Despite its moronic libretto, the opera was an enormous success at its premiere in Naples in 1822, and even Bellini wrote nice things about the second-act septet in which Donizetti mixes buffo and serious characters, as well as Neapolitan dialect (there are no recitatives; numbers are separated by spoken dialogue) with "pure" Italian, and the absurd plot is (sort of) held together by the clever Argilla, who under the guise of telling fortunes gains ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matilde Di Shabran
''Matilde di Shabran'' (full title: ''Matilde di Shabran, o sia Bellezza e Cuor di ferro''; English: ''Matilde of Shabran, or Beauty and Ironheart'') is a '' melodramma giocoso'' (''opera semiseria'') in two acts by Gioachino Rossini to a libretto by Jacopo Ferretti after François-Benoît Hoffman’s libretto for Méhul’s '' Euphrosine'' (1790, Paris) and J. M. Boutet de Monvel's play ''Mathilde''. The opera was first performed in Rome at the Teatro Apollo, 24 February 1821 Tom Kaufman 2007, "Rossini: ''Matilde di Shabran''" ''Opera Today'', 21 March 2007. (On operatoday.com) conducted by the violinist Niccolo Paganini. The premiere was followed by a street brawl "between Rossini's admirers and his detractors."Osborne, Charles 1994, p. 106 Versions Three authentic versions of ''Matilde di Shabran'' exist.Müller, Reto 2002 These are: the Rome version (24 February 1821); the Naples version (11 November 1821), and the Vienna version (7 May 1822). It is unlikely that Rossini p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Apollo
The Tor di Nona is a neighborhood in Rome's ''rione'' '' Ponte''. It lies in the heart of the city's historic center, between the ''Via dei Coronari'' and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once stood there and was later converted into one of the city's most important theatres, the Teatro Tordinona, later called the Teatro Apollo. History Early history The Torre dell'Annona was a medieval stronghold of the Orsini family and from the early 15th century acted as a pontifical prison. Prisoners included Benevenuto Cellini who experienced the dungeon's lightless cells, one of which was known as "the pit", Beatrice Cenci, and Giordano Bruno who was imprisoned here before being burned alive in Campo de' Fiori. In 1659-1660, it was used during the infamous Spana Prosecution.Monson, Craig A.: The Black Widows of the Eternal City: The True Story of Rome’s Most Infamous poisoners' Theatre When the New Prison (''Le Carceri Nuove'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Carafa
Michele Enrico Francesco Vincenzo Aloisio Paolo Carafa di Colobrano (17 November 1787 – 26 July 1872) was an Italian opera composer. He was born in Naples and studied in Paris with Luigi Cherubini. He was Professor of counterpoint at the Paris Conservatoire from 1840 to 1858. One of his notable pupils was Achille Peri. Life and work Michele Enrico was born the second son of Giovanni Carafa, prince of Colubrano and duke of Alvito, and princess Teresa Lembo. He was given a solid musical education. In 1802, he composed his first opera, ''Il Fantasma'', which was staged at the theater of his father-in-law, prince of Caramanico, in 1805. He moved in 1806 to Paris, where he was taught composition by Luigi Cherubini and piano by Friedrich Kalkbrenner. However, pressured by his father to give up music for a military career, he became a lieutenant of the hussars in Napoleon's army. Taken prisoner in the Battle of Campo Tenese in 1806, he was freed and participated in the war again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianca E Falliero
''Bianca e Falliero, ossia Il consiglio dei tre'' (English: ''Bianca and Falliero, or The Counsel of Three'') is a two-act operatic ''melodramma'' by Gioachino Rossini to an Italian libretto by Felice Romani. The libretto was based on Antoine-Vincent Arnault's play ''Les Vénitiens, ou Blanche et Montcassin''. Performance history The opera premiered on 26 December 1819 at La Scala. Giuseppe Fioravanti, a popular basso buffo of the day and the son of composer Valentino Fioravanti, sang in the premiere.Warrack & West 1992, pp. ? Carolina Bassi, Italian contralto considered one of the best in her day, also created a role in this opera. The work was performed thirty times during the initial season in Milan and was performed throughout Italy and elsewhere to some extent before largely disappearing into obscurity after 1846. It was revived at the Rossini Opera Festival in Pesaro in 1986 with Katia Ricciarelli, Marilyn Horne, and Chris Merritt. The opera is considered very dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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