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Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pirata
''Il pirata'' (''The Pirate'') is an opera in two acts by Vincenzo Bellini with an Italian libretto by Felice Romani which was based on a three-act ''mélodrame ''from 1826: ''Bertram, ou le Pirate'' (''Bertram, or The Pirate'') by Charles Nodier and Isidore Justin Séverin Taylor). This play was itself based upon a French translation of the five-act verse tragedy ''Bertram, or The Castle of St. Aldobrand'' by Charles Maturin which appeared in London in 1816. The original play has been compared with Bellini's opera and the influence of ''Il pirata'' on Gaetano Donizetti's ''Lucia di Lammermoor'' has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists chosen by the Naples opera management and the corresponding texts. In addition, 19th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabi Nelle Gallie
{{disambig, geo ...
Arabi may refer to: *Ibn Arabi (1165–1240), early medieval Muslim mystic and philosopher *Arabi (sheep) *Arabi, Iran (other), villages in Iran *Arabi, Ethiopia * Arabi, Georgia, United States *Ahmed ‘Urabi, a 19th-century Egyptian rebel and patriot *Arabi, Louisiana, United States, named for him *Arabi Island, Saudi Arabia See also * Al-Arabi (other) * Araby (other) * Arabic (other) An Arab is a member of the Arabic language, Arabic speaking nations in the Middle East and North Africa. It can also refer to someone who has citizenship of another country but is of Arab descent. Arab, Arabic, Ərəb or Arap may also refer to: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni David
Giovanni David (15 September 1790 in Naples – 1864 in Saint Petersburg) was an Italian tenor particularly known for his roles in Rossini operas. Overview David (also known as Davide) was the son of the tenor Giacomo David, with whom he studied. He made his operatic début in Siena in 1808 in ''Adelaide de Guesclino'' by Johann Simon Mayr. He is notable for the principal roles written for him by Gioachino Rossini, mostly for Domenico Barbaia's theatres in Naples: *Narciso in ''Il turco in Italia'' (1814) *Rodrigo in '' Otello'' (1816) *Ricciardo in ''Ricciardo e Zoraide'' (1818) *Oreste in ''Ermione'' (1819) *Uberto ( James IV of Scotland) in ''La donna del lago'' (1819) *Ilo in ''Zelmira'' (1822) He also created the roles of Fernando in the revised version of Bellini's ''Bianca e Fernando'' (1828) and Leicester in Donizetti's ''Il castello di Kenilworth'' (1829). David was noted for his vocal range of almost 3 octaves in performance (up to b′&prime). However, accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Nozzari
Andrea Nozzari (27 February 1776 – 12 December 1832) was an Italian tenor. Nozzari was born in Vertova and studied in Bergamo and Rome. He is notable for the principal roles written for him by Gioachino Rossini and mostly premiered in Domenico Barbaia's theatres in Naples. These were: *Leicester in ''Elisabetta, regina d'Inghilterra'' (1815) *Otello in ''Otello'' (1816) *Rinaldo in ''Armida'' (1817) *Osiride in ''Mosè in Egitto'' (1818) *Agorante in ''Ricciardo e Zoraide'' (1818) *Pirro in ''Ermione'' (1819) *Rodrigo in ''La donna del lago'' (1819) *Paolo Erisso in ''Maometto II'' (1820) *Antenore in ''Zelmira'' (1822) He also premièred the title roles in Giovanni Pacini's ''Alessandro nelle Indie'' (1824) and Donizetti's ''Alfredo il grande'', and roles in operas by Michele Carafa, Manuel García, Johann Simon Mayr, Saverio Mercadante, Nicola Antonio Manfroce and Stefano Pavesi. Nozzari's voice had a baritonal quality, and his intense acting was much valued by com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Nelle Indie
''Alessandro nelle Indie'' (''Alexander in India'') is an opera seria in two acts by Giovanni Pacini to a libretto by Andrea Leone Tottola and Giovanni Schmidt, based on ''Alessandro nell'Indie'' by Pietro Metastasio. It was premiered at the Teatro di San Carlo in Naples on 29 September 1824, and had a total of 38 performances in its first season. This opera is one of some 70 operatic works using Metastasio's text about Alexander the Great, most of which were written in the 18th century, starting with the work by Leonardo Vinci (1730). Roles Recording *2006: Laura Claycomb (Cleofide), Jennifer Larmore (Poro), Bruce Ford (tenor) (Alessandro Magno), Mark Wilde (Gandarte), Dean Robinson (Timagene); Geoffrey Mitchell Choir, London Philharmonic, David Parry (conductor). Recorded November 2006 at Henry Wood Hall, London. Label: Opera Rara ORC35Vasta, Stephen F. (June 2008)"Pacini: ''Alessandro nell'Indie''"(recording review). ''Opera News''. Retrieved 19 October 2015 . References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Schiava In Bagdad
''La schiava in Bagdad'' (The Slave Girl in Baghdad) is an opera in two acts composed by Giovanni Pacini to a libretto by Vittorio Pezzi. It premiered on 28 October 1820 at the Teatro Carignano in Turin. In the 20 years following its premiere it was performed throughout Italy as well as in Spain, Russia, and England. Set in Baghdad, the plot involves the efforts of a Syrian prince to rescue his beloved Zora who is being held as a slave girl in the city. The prince is assisted in his mission by a wily shoemaker who had once been his servant. Background and performance history Subtitled ''Il papucciaio'' (The Shoemaker), ''La schiava in Bagdad'' is a ''dramma giocoso'', a frequent genre in Pacini's early works. Pezzi's libretto was based on the story, but not the text, of an earlier libretto by Felice Romani, ''Il califo e la schiava'' (The Caliph and the Slave Girl) which was set by Francesco Basili and premiered at La Scala in 1819. Pacini's opera premiered at Turin's Teatro Cari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1832
Events January–March * January 6 – Abolitionist William Lloyd Garrison founds the New-England Anti-Slavery Society. * January 13 – The Christmas Rebellion of slaves is brought to an end in Jamaica, after the island's white planters organize militias and the British Army sends companies of the 84th regiment to enforce martial law. More than 300 of the slave rebels will be publicly hanged for their part in the destruction. * February 6 – The Swan River Colony is renamed Western Australia. * February 9 – The Florida Legislative Council grants a city charter for Jacksonville, Florida. * February 12 ** Ecuador annexes the Galápagos Islands. ** A cholera epidemic in London claims at least 3,000 lives; the contagion spreads to France and North America later this year. * February 28 – Charles Darwin and the crew of arrive at South America for the first time. * March 24 – In Hiram, Ohio, a group of men beat, tar and feather Mormon leader Joseph Smith. April ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'ultimo Giorno Di Pompei
''L'ultimo giorno di Pompei'' ("The last day of Pompeii") is an opera (''dramma per musica'') in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola. It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal. When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca. ''L'ultimo giorno di Pompei'' influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, '' The Last Day of Pompeii''. Background and performance history ''L'ultimo giorno di Pompei'' was the third of Pacini's operas to premiere at the Teatro San Carlo in Naples. It was commissioned to celebrate the name day of Queen María Isabella of the Two Sicilies. The librett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulietta E Romeo (Vaccai)
''Giulietta e Romeo'' (''Juliet and Romeo'') is an opera in two acts by the Italian composer Nicola Vaccai. The libretto, by Felice Romani, is based on the tragedy of the same name by Luigi Scevola and, ultimately, on the 1530 novella of the same name by Luigi Da Porto. It was first performed at the Teatro alla Canobbiana, Milan, on 31 October 1825. It was Vaccai's last major success, although he wrote another nine operas,Loewenthal 1978, columns 697–698. and is rarely performed in its full version today. The opera was also first performed in Barcelona on 26 May 1827, Paris on 11 September 1827, Lisbon in the autumn of 1828, London on 10 April 1832, and Mexico in July 1841. It was first performed in Graz (in a German translation by I. C. Kollmann) on 12 October 1833 and Budapest (also in Kollmann's translation) on 31 July 1845. On 27 October 1832, during a performance of Bellini's ''I Capuleti e i Montecchi'' in Bologna, the next to last scene of Vaccai's opera was subst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
