Giulio Avellino
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Giulio Avellino
Giulio Giacinto Avellino (c. 1645 – c. 1700) was an Italian painter of the Baroque period. He was born in Messina, and thus is known also as ''il Messinese''. Giulio died in Ferrara, where he mainly painted. He trained with Salvator Rosa, and painted landscapes with ruins and mythic figures in his master's style. His sibling, Onofrio Avellino (c. 1674–1741), was also a painter. Niccolò Cartissani Niccolò Cartissani (1670 – 1742) was an Italian painter, mainly of landscape subjects, during the late-Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europ ... is described as also a contemporary landscape painter from Messina. References * * * 1640s births 1700s deaths Painters from Messina 17th-century Italian painters Italian male painters 18th-century Italian painters Italian Baroque painters Painters of ruins Year of birth uncertain 18th-century Italian male artist ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Messina
Messina (, also , ) is a harbour city and the capital of the Italian Metropolitan City of Messina. It is the third largest city on the island of Sicily, and the 13th largest city in Italy, with a population of more than 219,000 inhabitants in the city proper and about 650,000 in the Metropolitan City. It is located near the northeast corner of Sicily, at the Strait of Messina and it is an important access terminal to Calabria region, Villa San Giovanni, Reggio Calabria on the mainland. According to Eurostat the FUA of the metropolitan area of Messina has, in 2014, 277,584 inhabitants. The city's main resources are its seaports (commercial and military shipyards), cruise tourism, commerce, and agriculture (wine production and cultivating lemons, oranges, mandarin oranges, and olives). The city has been a Roman Catholic Archdiocese and Archimandrite seat since 1548 and is home to a locally important international fair. The city has the University of Messina, founded in 1548 ...
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Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a major rol ...
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Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ...
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Onofrio Avellino
Onofrio Avellino (c. 1674 – 17 April 1741) was an Italian painter of the Baroque period. Biography Born in Naples, Giulio died in Ferrara or Rome, where he painted for the last twenty years of his life. He initially trained under Luca Giordano. His adherence to the pictorial manner of the master was such that some of his copies of Jordanian compositions (battles, above all) were sold as original works of the same Giordano. But in 1692, when the former left to work in Madrid, he entered the studio of the Neapolitan Francesco Solimena. He painted a ''Virgin and Child, with Angels and Saints in Glory'' for the church of the Carmelites in Sorrento. For a church of Vico, he painted a canvas of ''St Ciro and Giovanni and the Virgin''. He painted two canvases, one of a ''Miracle of St Dominic'' and the ''Apparition of the Virgin to the Shepherdess'', for the church of Rosariello delle Pigne, outside of the Porta di Gennaro. He also made copies of Giordano and Solimena for export.De ...
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Niccolò Cartissani
Niccolò Cartissani (1670 – 1742) was an Italian painter, mainly of landscape subjects, during the late-Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t .... Biography He was born in Messina, but died in Rome. He is described as the best landscape painter after of his day from Sicily after Giulio Avellino.Memorie de' pittori messinesi e degli esteri che in Messina
by Gaetano Grano and Philipp Hackert, (1821) page 203.


References

18th-century Italian pai ...
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1640s Births
Year 164 ( CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 '' Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoist (d. 244) * Yu Fan, Chinese scholar and official (d. ...
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1700s Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chris ...
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Painters From Messina
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ...
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