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Giovanni Di Paolo Rucellai
Giovanni di Paolo Rucellai (1403–1481) was a member of a wealthy family of wool merchants in Renaissance Florence, in Tuscany, Italy. He held political posts under Cosimo and Lorenzo de' Medici, but is principally remembered for building Palazzo Rucellai and the Rucellai Sepulchre, for his patronage of the marble façade of the church of Santa Maria Novella, and as author of an important '' Zibaldone''. He was the father of Bernardo Rucellai (1448–1514) and grandfather of Giovanni di Bernardo Rucellai (1475–1525). Life Giovanni di Paolo Rucellai was born on 26 December 1403 to Paolo Rucellai and Caterina di Filippo Pandolfini, one of three children born in the 40 months of their marriage before the early death of Paolo Rucellai. As a young man, Giovanni di Paolo entered the banking house of Palla di Noferi Strozzi and at the age of about 25 married his daughter Iacopa di Palla Strozzi. The couple had two sons and five daughters. Rucellai remained loyal to Strozzi after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonfaloniere Di Giustizia
Gonfaloniere of Justice () was a post in the government of medieval and early Renaissance Florence. Like Florence's Priori, it was introduced in 1293 when Giano Della Bella's Ordinances of Justice came into force. He was one of the nine citizens selected by drawing lots every two months, who formed the government, or Signoria. As he was the temporary standard-bearer of the Republic of Florence and custodian of the city's banner, which was displayed from the yardarm of a portable cross. Along with the voting rights of the other Priori, he was also in charge of the internal security forces and the maintenance of public order. To distinguish him from his other eight colleagues, his crimson coat, lined with ermine, was further embroidered with golden stars. Each of Florence's neighborhoods, or , had its own who might be selected to serve on the council, and its own selected from the first families of each quarter. History Prelude The gonfaloniere di giustizia in 1366 was N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Uccello
Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italians, Italian (Florentine) Florentine painting, painter and mathematician who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the The Battle of San Romano, three paintings representing the battle of San Romano, which were wrongly entitled the ''Battle of Sant'Egidio of 1416'' for a long period of time. Paolo worked in the International Gothic, Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Del Pollaiuolo
Piero del Pollaiuolo ( , , ; also spelled Pollaiolo; in Florence – 1496 in Rome), also known as Piero Benci, was an Italian Renaissance painter from Florence. His brother was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. Giorgio Vasari includes a biography of Piero del Pollaiuolo in his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. Works *'' Profile Portrait of a Young Woman'' (c. 1465) – oil on wood *''The Archangel Raphael and Tobias'' (c. 1465–1470) *'' Cardinal del Portogallo Altarpiece'' (1467–1668) – altarpiece * Seven Virtues (1469–1470; six painted by Pollaiuolo): *: ''Charity'' *: ''Faith'' *: ''Temperance'' *: ''Prudence'' *: ''Hope'' *: ''Justice'' *'' Portrait of a Young Woman'' (c. 1470) *''Apollo and Daphne'' (c. 1470–1480) *'' P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiderio Da Settignano
Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settignano, near Florence. Although his work shows the influence of Donatello, specifically in his use of low reliefs, it is most likely that he received his training in the large Florentine workshop run by Bernardo and Antonio Rossellino. Desiderio matriculated into the Arte dei Maestri di Pietra e Legname, Florence's guild of Stone and Woodworkers, in 1453 and shortly thereafter already was supplying cherub head medallions for the frieze running across the front of the Pazzi Chapel in the second cloisteryard of the Basilica of Santa Croce. It is rather surprising that he would have received such an important commission as the monumental tomb of Carlo Marsuppini so early in his career. Apparently, his design capabilities and sensitivity to the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Castagno
Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Life Early years Frescoes in the San Tarasio Chapel, San Zaccaria. Andrea del Castagno was born at Castagno, a village near Monte Falterona, not far from Florence. During the war between Florence and Milan, he lived in Corella, returning to his home after its end. In 1440 he moved to Florence under the protection of Bernadetto de' Medici. Here he painted the portraits of the citizens hanged after the Battle of Anghiari on the facade of the Palazzo del Podestà, gaining the nickname of ''Andrea degli Impiccati''. Little is known about his formation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pistoia
Pistoia (, is a city and ''comune'' in the Italian region of Tuscany, the capital of a province of the same name, located about west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries. History ''Pistoria'' (in Latin other possible forms are ''Pistorium'' or ''Pistoriae'') was a centre of Gallic, Ligurian and Etruscan settlements before becoming a Roman colony in the 6th century BC, along the important road Via Cassia: in 62 BC the demagogue Catiline and his fellow conspirators were slain nearby. From the 5th century the city was a bishopric, and during the Lombardic kingdom it was a royal city and had several privileges. Pistoia's most splendid age began in 1177 when it proclaimed itself a free commune: in the following years it became an important political centre, erectin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. is a city in Western Asia. Situated on a plateau in the Judaean Mountains between the Mediterranean Sea, Mediterranean and the Dead Sea, it is one of the List of oldest continuously inhabited cities, oldest cities in the world and is considered to be a holy city for the three major Abrahamic religions: Judaism, Christianity, and Islam. Both Israelis and Palestinians claim Jerusalem as their Capital city, capital, as Israel maintains its primary governmental institutions there and the State of Palestine ultimately foresees it as its seat of power. Because of this dispute, Status of Jerusalem, neither claim is widely recognized internationally. Throughout History of Jerusalem, its long history, Jerusalem has been destroyed at least twice, Sie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of The Holy Sepulchre
The Church of the Holy Sepulchre, hy, Սուրբ Հարության տաճար, la, Ecclesia Sancti Sepulchri, am, የቅዱስ መቃብር ቤተክርስቲያን, he, כנסיית הקבר, ar, كنيسة القيامة is a church in the Christian Quarter of the Old City of Jerusalem. According to traditions dating back to the 4th century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, at a place known as Calvary or Golgotha, and Jesus's empty tomb, which is where he was buried and resurrected. Each time the church was rebuilt, some of the antiquities from the preceding structure were used in the newer renovation. The tomb itself is enclosed by a 19th-century shrine called the Aedicule. The Status Quo, an understanding between religious communities dating to 1757, applies to the site. Within the church proper are the last four stations of the Cross of the Via Dolorosa, representing the final episodes of the Passion of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Pancrazio, Florence
San Pancrazio is a church in Florence, Italy, in Piazza San Pancrazio, behind Palazzo Rucellai. With the exception of the Rucellai Chapel, it is deconsecrated and is home to the museum dedicated to the sculptor Marino Marini. The Rucellai Chapel contains the Rucellai Sepulchre or Tempietto del Santo Sepolcro. Since February 2013 it has been possible to visit the chapel from within the Marini museum. Early history The church was built in the early Christian age, and is documented from 931; according to the historian Giovanni Villani, it was founded by Charlemagne. The adjoining Vallombrosian monastery was established in 1157. It was suppressed in 1808. The church was restored and enlarged from the 14th century. The cloister houses a fresco by Neri di Bicci. The Rucellai Chapel Giovanni di Paolo Rucellai commissioned Leon Battista Alberti to build him a tomb in the family chapel in the church. Giorgio Vasari wrote of it in 1568: Alberti's work on the Rucellai Chapel and on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
