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Gil Blas (periodical)
''Gil Blas'' (or ''Le Gil Blas'') was a Parisian literary periodical named for Alain-René Lesage's novel ''Gil Blas''. It was founded by the sculptor Augustin-Alexandre Dumont in November 1879. ''Gil Blas'' serialized novels, such as Émile Zola's '' Germinal'' (1884) and ''L'Œuvre'' (1885), before they appeared in book form. Numerous Guy de Maupassant short stories debuted in ''Gil Blas''. The journal was also known for its opinionated arts and theatre criticism. Contributors included René Blum, Alexandru Bogdan-Pitești, and Abel Hermant. Théophile Steinlen and Albert Guillaume provided illustrations. ''Gil Blas'' was published regularly until 1914, when there was a short hiatus due to the outbreak of World War I. Afterwards, it was published intermittently until 1938."Gil Blas,"


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Théophile Steinlen
Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker. Biography Born in Lausanne , neighboring_municipalities= Bottens, Bretigny-sur-Morrens, Chavannes-près-Renens, Cheseaux-sur-Lausanne, Crissier, Cugy, Écublens, Épalinges, Évian-les-Bains (FR-74), Froideville, Jouxtens-Mézery, Le Mont-sur-Lausanne, Lugrin (FR-74), ..., Switzerland, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre, Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster, poster art for the cabaret owner ...
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World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdin ...
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Léon Bloy
Léon Bloy (; 11 July 1846 – 3 November 1917) was a French Catholic novelist, essayist, pamphleteer (or lampoonist), and satirist, known additionally for his eventual (and passionate) defense of Catholicism and for his influence within French Catholic circles. Biography Bloy was born on 11 July 1846 in Notre-Dame-de-Sanilhac, in the arondissement of Périgueux, Dordogne. He was the second of six sons of Jean-Baptiste Bloy, a Voltairean freethinker, and Anne-Marie Carreau, a stern disciplinarian and pious Spanish-Catholic daughter of a Napoleonic soldier. After an agnostic and unhappy youth in which he cultivated an intense hatred for the Catholic Church and its teaching, his father found him a job in Paris, where he went in 1864. In December 1868, he met the aging Catholic author Barbey d'Aurevilly, who lived opposite him in rue Rousselet and who became his mentor. Shortly afterwards, he underwent a dramatic religious conversion. Bloy was a friend of the author Joris-Karl Hu ...
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Émile Bergerat
Émile Bergerat (29 April 1845 – 13 October 1923) was a French poet, playwright and essayist. He used the pseudonyms l'Homme masqué (the masked man), Caliban and Ariel (the latter two drawn from '' The Tempest'' by William Shakespeare). A library in Neuilly-sur-Seine opposite his flat bears his name. Life Bergerat was born in Paris. An essayist for ''Voltaire'' and '' Figaro'', head of the ''La Vie moderne'' review under the editorship of Georges Charpentier and a member of the Académie Goncourt, he was the son in law of Théophile Gautier and the brother in law of Théophile Gautier (fils). Émile Bergerat married Estelle Gautier, daughter of Théophile Gautier, and they had one son, Théo Bergerat, director and radio essayist. Théophile wrote in a letter to Carlotta Grisi that Émile was Bergerat died in Neuilly-sur-Seine, aged 78. Works *''Les cuirassiers de Reichshoffen'' (Lemerre, 1871) *''A. Chateaudun'' (Lemerre, 1871) *''Poèmes de la guerre 1870-1871'' ( ...
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Jules Barbey D'Aurevilly
Jules-Amédée Barbey d'Aurevilly (2 November 1808 – 23 April 1889) was a French novelist and short story writer. He specialised in mystery tales that explored hidden motivation and hinted at evil without being explicitly concerned with anything supernatural. He had a decisive influence on writers such as Auguste Villiers de l'Isle-Adam, Henry James, Leon Bloy, and Marcel Proust. Biography Jules-Amédée Barbey — the d'Aurevilly was a later inheritance from a childless uncle — was born at Saint-Sauveur-le-Vicomte, Manche in Lower Normandy. In 1827 he went to the Collège Stanislas de Paris. After getting his baccalauréat in 1829, he went to Caen University to study law, taking his degree three years later. As a young man, he was a liberal and an atheist, and his early writings present religion as something that meddles in human affairs only to complicate and pervert matters. In the early 1840s, however, he began to frequent the Catholic and legitimist salon of Baroness Am ...
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Paul Arène
Paul-Auguste Arène (26 June 1843 – 17 December 1896) was a Provençal poet and French writer. Biography Arène was born in Sisteron, Alpes-de-Haute-Provence, the son of Adolphe, a clockmaker, and Reine, a cap presser. He studied in Marseille, then in Vannes. A short play which enjoyed some success at the Odéon, ''Pierrot héritier'', led him to leave the university, and journalism in 1865, aged 23. He started to contribute to '' Figaro littéraire'' and composed his first Provençal verses, which were published in the ''Almanach avignonnais'' by Joseph Roumanille. He died in Antibes. The subject of all of his Provençal pieces is the area, and particularly the countryside, around Sisteron: ''Fontfrediero'', ''Lis Estello negro'', ''Raubatori''. In French, Paul Arène published ''Parnassiculet'', in which he talked about his life, in the style of Parnassianism. Like his friend Octave Mirbeau in 1884, Paul Arène collaborated actively with Alphonse Daudet in the publishing of ...
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Salon D'Automne
The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.Salon d'automne; Société du Salon d'automne
Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif. Exposés au Petit Palais des Champs-Élysées, 1903
Perceived as a reaction against the conservative policies of the official Paris Salon ...
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Les Fauves
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ...
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ...
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Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ...
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Louis Vauxcelles
Louis Vauxcelles (born Louis Meyer; 1 January 187021 July 1943) was a French art critic. He is credited with coining the terms '' Fauvism'' (1905) and ''Cubism'' (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias. Fauvism Vauxcelles was born in Paris. He coined the phrase 'les fauves' (translated as 'wild beasts') in a 1905 review of the Salon d'Automne exhibition to describe in a mocking, critical manner a circle of painters associated with Henri Matisse. As their paintings were exposed in the same room as a Donatello sculpture of which he approved, he stated his criticism and disapproval of their works by describing the sculpture as "a Donatello amongst the wild beasts." Henri Matisse's '' Blue Nude (Souvenir de Biskra)'' appeared at the 1907 Indépendants, entitled ''Tableau no. III''. Vauxcelles writes on the topic of ''Nu bleu'': I admit to not understanding. An ugly nude woman is stretched out upon grass of an opaque ...
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