Giacomo Adolfi
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Giacomo Adolfi
Giacomo Adolfi (1682–1741) was an Italian painter of the Baroque period, active in and around Bergamo. Biography Giacomo Adolfi was born in Bergamo, the older brother of the painter Ciro Adolfi, and was initially taught by his father Benedetto Adolfi. He completed a number of fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ... paintings in the churches and public buildings of Bergamo, including a ''Crowning of the Virgin'' for the church of Monastery del Paradiso and an ''Adoration of the Magi'' for Sant'Alessandro della Croce, Bergamo. References * 1682 births 1741 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Bergamo Italian Baroque painters 18th-century Italian male artists {{Italy-painter-1 ...
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Adolfi Suffragio
Adolfi is an Italian surname. Notable people with the surname include: * Ciro Adolfi (1683–1758), Italian painter * Giacomo Adolfi (1682–1741), Italian painter * John G. Adolfi John Gustav Adolfi (February 19, 1888 – May 11, 1933) was an American silent film director, actor, and screenwriter who was involved in more than 100 productions throughout his career. An early acting credit was in the recently restored 1912 fi ... (1888–1933), American film director, actor, and screenwriter {{surname Italian-language surnames Patronymic surnames Surnames from given names ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ...
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Ciro Adolfi
Ciro Adolfi (1683–1758) was an Italian painter of the Baroque period, active in and around Bergamo. Biography He was born in Bergamo, the younger brother of the painter Giacomo Adolfi, and was initially taught by his father Benedetto Adolfi. He completed a number of fresco paintings in the churches and public buildings of Bergamo, including a ''Four Evangelists'' for the church of for Sant'Alessandro della Croce; a ''Deposition from the cross'' for Santa Maria della Grazie, and a ''Decollation of St. John'' for the parish church of Colognola Colognola, located at is a quarter of the city of Bergamo. Geography The quarter of Colognola is in the south part of the side close to the motorway Milan Venice also named A4. History There has been a village in the Colognola area since th .... References * 1683 births 1758 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Bergamo Italian Baroque painters 18th-century ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Sant'Alessandro Della Croce, Bergamo
Sant'Alessandro della Croce is a Baroque architecture, Baroque style, Roman Catholic church located on Via Pignolo in Bergamo, region of Lombardy, Italy. History The church was erected in 1675 at the site of a prior church. The design is attributed to the Trezzini family. The church was complete by 1737, but the facade was not only complete until 1922, in a project by Virgilio Muzio. Among the works inside the church is a ''Coronation of the Virgin'' (1576) by Giovanni Battista Moroni, and canvases by Giovanni Paolo Cavagna and Enea Salmeggia (1621). A canvas of ''St Carlo Borromeo tending those afflicted with plague'' (1720) by Giovanni Battista Parodi. The decoration of the ''Chapel of Suffragio'' (1730) was painted by Sebastiano Ricci, who depicted ''St Gregory the Great intercedes with the Virgin''. The chapel was also has a canvas by Gianbettino Cignaroli, Cignaroli depicting ''Story of Judas Maccabee'' (1743). Cignaroli also painted a large ''Deposition'' (1745) located in th ...
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