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Georg Gebel (the Younger)
Georg Gebel (25 October 1709 – 24 September 1753) was a German musician and composer. Gebel was born in Brieg, Silesia (present-day Brzeg, Poland) to Georg Gebel the Elder, also a musician and composer. He studied music under his father, and in 1729 became second organist at the church of St. Mary Magdalene in Breslau (present-day Wrocław), as well as '' Kapellmeister'' to the Duke of Oels. He joined Heinrich von Brühl's orchestra in Dresden in 1735, where he met Pantaleon Hebenstreit, the inventor of the pantalon, and learned to play that instrument. In 1747 he was appointed ''Kapellmeister'' to John Frederick, Prince of Schwarzburg-Rudolstadt. He died in Rudolstadt in 1753. Gebel was a prolific composer. While in Breslau, he wrote a variety of instrumental and vocal music, and while in Rudolstadt, wrote 12 operas, two Passions, two Christmas cantatas, sets of cantatas for several years, more than 100 orchestral symphonies, partitas, concertos, and so on. Works * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musician
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baker's Biographical Dictionary Of Musicians
''Baker's Biographical Dictionary of Musicians'' is a major reference work in the field of music, originally compiled by Theodore Baker, PhD, and published in 1900 by G. Schirmer, Inc. The ninth edition, the most recent edition, was published in 2001 — years after the first edition. Edition history Leading up to the initial publication of ''Baker's Biographical Dictionary of Musicians'', Baker had compiled and edited three editions of ''A Dictionary of Musical Terms'' — published 1895, 1896, and 1897, respectively, by G. Schirmer, Inc. First edition The first edition, published in 1900, has 647 pages plus an ''Appendix'' of 5 pages. It includes 300 portraits drawn in ink, from portraits or photographs, by Russian artist Alexander Gribayédoff (possibly a pseudonym for Valerian Gribayédoff). Fourth edition The fourth edition, published in 1940, has 1,234 pages. American and Latin-American musicians were more fully represented in this issue than in any English work of the ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veronika Winter
Veronika Winter (born February 2, 1965 in Limburg an der Lahn) is a German soprano. She is particularly noted for her recordings of Baroque music Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transiti .... References External links * German sopranos 1965 births Living people People from Limburg an der Lahn 21st-century German women singers {{Germany-opera-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Mertens
Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons while attending school. He studied music and pedagogy, and had his vocal training with Else Bischof-Bornes and Jakob Stämpfli (song, concert, oratorio) and with Peter Massmann (opera). After graduating with distinction he worked first as a school teacher.Klaus Mertens on bach-cantatas, 2009 
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Jan Kobow
Jan Kobow (born 1966) is a German classical tenor in concert, Lied, and Baroque opera. Professional career Jan Kobow was born and raised in Berlin. He was a singer and soloist of the ''Staats- und Domchor, Berlin'' with Christian Grube. He studied the organ at the Schola Cantorum in Paris and graduated in church music at the Hochschule für Musik und Theater Hannover in 1994. He continued to study singing at the Hochschule für Musik und Theater Hamburg with Sabine Kirchner, graduating in 1999. In the field of historically informed performance he has worked with Nikolaus Harnoncourt and took part in the ''Bach Cantata Pilgrimage'' of John Eliot Gardiner and the Monteverdi Choir. In 2002, he recorded several cantatas for Pentecost of Gottfried Heinrich Stölzel, conducted by Ludger Rémy, with one voice per part, the four soloists forming the choir. In 2003 he recorded Bach cantatas with Philippe Herreweghe and the Collegium Vocale Gent, Johannette Zomer, Ingeborg Danz and P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothee Mields
Dorothee Mields (born 15 April 1971) is a German soprano concert singer of Baroque and contemporary music. Career Mields was born in Gelsenkirchen. She studied at the University of the Arts Bremen with Elke Holzmann, Harry van der Kamp and Gabriele Schreckenbach. After graduation she continued studying in Stuttgart with Julia Hamari. Baroque music With the Collegium Vocale Gent and Philippe Herreweghe she recorded several Bach cantatas, his Magnificat in E-flat major, BWV 243a, ''Easter Oratorio'' and ''Ascension Oratorio''. In 2001 she recorded Joseph Schuster's opera ''Demofoonte'' on a libretto of Metastasio with La Ciaccona, conducted by Ludger Rémy. In 2002 she recorded several cantatas for Pentecost of Gottfried Heinrich Stölzel, a prolific contemporary of Bach, conducted by Ludger Rémy. The soloists, including Jan Kobow, also formed the choir. In January 2003 she sang Monteverdi’s ''Vespro della Beata Vergine'' on a tour with the Collegium Vocale Gent. In 2006 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludger Rémy
Ludger Rémy (4 February 1949 – 21 June 2017) was a German harpsichordist, conductor and musicologist. Biography Born in Kalkar, Ludger Rémy studied the harpsichord in Freiburg im Breisgau and continued his studies with Kenneth Gilbert in Paris. He was a teacher at several German academies including the Folkwang Hochschule and the Hochschule für Musik "Franz Liszt", Weimar. In 1998 he was appointed professor for Early music at the Hochschule für Musik Carl Maria von Weber Dresden.Ludger Rémy (Harpsichord, Conductor) Bach Cantatas Website His main interest was to research German music of the 17th and 18th century and to revive the discovered works in performances and recordings, taking into account their position in historic and literary context. In 1994 he founded the orchestra Les Amis de Philip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Kooy
Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin student. He came back to singing, with tuition from Max van Egmond at the Sweelinck Conservatorium in Amsterdam which led in 1980 to the award of the diploma for solo performance. His international career started in 1981 under the direction of Philippe Herreweghe, with La Chapelle Royale and the Collegium Vocale Gent, with whom he interpreted mainly Johann Sebastian Bach, and also performed Henri Dumont, Marc-Antoine Charpentier, Jean-Baptiste Lully, Heinrich Schütz and Jean Gilles. From the mid-1990s much of his career was dedicated to the recording of Bach's complete cantatas with the Bach Collegium Japan, directed by Masaaki Suzuki. In 2002 he founded together with Monika Frimmer, Christa Bonhoff and Dantes Diwiak a quartet ''Tanto C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kai Wessel (countertenor)
Kai Wessel (born 1964 in Hamburg) is a German countertenor and teacher at the Hochschule für Musik Köln. Professional career Kai Wessel started singing in school choirs and as a boy soprano at the Christus-Kirche of Hamburg-Wandsbek and received lessons on piano, organ and oboe. He studied to become a composer at the Lübeck Academy of Music but then concentrated on training his countertenor voice with Ute von Garczynski. He studied baroque performance practice at the Schola Cantorum Basiliensis with René Jacobs. His first concert was in Flensburg in 1984, his first opera appearance 1988 in the theatre of Freiburg im Breisgau. From 1994 to 2004, he was engaged at the theatre of Basel where he sang in productions of Herbert Wernicke in Handel's Theodora, Giulio Cesare and Israel in Egypt, among others. He took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. Composers such as Mauri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the ''Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
