Gazing At The Moonlight
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Gazing At The Moonlight
''Gazing at the Moonlight'' is the debut studio album by American rapper Hopsin. It was released on October 27, 2009, through Ruthless Records. This was Hopsin's only record released with Ruthless Records as the album created bitter tension between Ruthless and Hopsin, due to the lack of promotion and financial compensation for the album. ''Gazing at the Moonlight'' was supported by two singles: "Pans in the Kitchen" and "I'm Here". The title refers to "Gazing at the Moonlight" hoping and wishing on a dream to come true. The album stylistically incorporates elements of horrorcore, pop rap and comedy hip hop. In various interviews Hopsin discourages fans against buying the CD, due to its release on Ruthless, however, although the iTunes edition is widely available, the CD cannot be commonly found in music stores and is considered rare as the physical CD edition costs between $20–30. Background and recording In 2007, Hopsin signed a deal with Ruthless Records, and was hailed as ...
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Hopsin
Marcus Jamal Hopson (born July 18, 1985), known professionally as Hopsin, is an American rapper, songwriter, and record producer from Los Angeles. In 2007, he was signed to Ruthless Records, and had founded his own record label, Funk Volume, in 2009. He would then go on to found another record label, Undercover Prodigy, in 2016. Hopsin has released five studio albums, ''Gazing at the Moonlight'' through Ruthless Records, ''Raw'', ''Knock Madness'' and '' Pound Syndrome'' along with the collaborative project Haywire with SwizZz through Funk Volume and '' No Shame''. He is well known for his use of white colored eye contacts in music videos, performances, and interviews. Early life Marcus Hopson was born on July 18, 1985, in Los Angeles, and was raised in the largely Hispanic Panorama City neighborhood of Los Angeles. He attended James Monroe High School, where he was placed into special education classes. Hopsin has been an avid skateboarder since the age of twelve, and many ...
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ITunes
iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital multimedia, on personal computers running the macOS and Windows operating systems, and can be used to rip songs from CDs, as well as play content with the use of dynamic, smart playlists. Options for sound optimizations exist, as well as ways to wirelessly share the iTunes library. Originally announced by Apple CEO Steve Jobs on January 9, 2001, iTunes' original and main focus was music, with a library offering organization and storage of Mac users' music collections. With the 2003 addition of the iTunes Store for purchasing and downloading digital music, and a version of the program for Windows, it became a ubiquitous tool for managing music and configuring other features on Apple's line of iPod media players, which extended to the iPh ...
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2009 Debut Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Sputnikmusic
Sputnikmusic is an American music community website offering music criticism and music news alongside features commonly associated with wiki-style websites. The format of the website is unusual in that it includes both professional and amateur content, distinguishing it from professionally written music websites such as ''Pitchfork'' and ''Tiny Mix Tapes'', as well as collecting and presenting a wiki-style metadata database in a manner comparable to Rate Your Music and Discogs. Over time, the site came to be established as a credible source; it is now among the sources that Metacritic uses to compile "Critic Scores" and is used as a news source by other websites. As a general rule, the staff writers tended to focus on new releases; however, any user was welcome to submit a review of any album that has been officially released. All genres of music were covered by the site, with dedicated subsections for metal, punk, indie, rock, hip hop, and pop; an 'Other' section also caters ...
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SwizZz
Justin Ritter (born September 28, 1987), known professionally as SwizZz, is an American rapper and songwriter. He is best known for significantly collaborating with childhood friend Hopsin, and being signed to their record label Funk Volume, which was founded by Hopsin himself. He has released various singles and released two mixtapes including '' Haywire'' with Hopsin, and ''Good Morning SwizZzle''. Early life SwizZz initially met Hopsin in high school, where they were classmates and became close friends. After high school SwizZz got accepted into the University of California at Irvine, but after two years he decided to put his education on hold, while he would pursue a career in music. He was having a hard time figuring out what he wanted to major in, and he could not find anything he was passionate about in school. Musical career 2009–2012: Forming Funk Volume and ''Good Morning SwizZzle'' In 2009, Hopsin founded his own independent record label, Funk Volume, with Dami ...
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Funk Volume
Funk Volume was an American independent record label founded by American rapper Hopsin. The label was home to artists Dizzy Wright, Jarren Benton, SwizZz, and producers DJ Hoppa and Kato. The label is defunct due to a feud between co-founders Hopsin and Damien "Dame" Ritter in regards to financial alterations. Following the feud Hopsin decided to leave the label, resulting in all affiliated artists leaving Funk Volume. The label was shut down soon after. History Formation and success (2009-2015) Following an ill-fated record deal with Ruthless Records rapper Hopsin founded the independent record label Funk Volume, while Dame Ritter acted as business manager over all the artists and the label. To start the label Hopsin went on LegalZoom, set up the business, and got the papers in the mail. The first rapper to be signed to Funk Volume would be Damien Ritter's younger brother and high school friend of Hopsin, SwizZz. The first project released by Funk Volume would be a collabora ...
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Independent Record Label
An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN). Many of the labels started as producers and distributors of specific genres of music, such as jazz music, or represent something new and non-mainstream, such as Elvis Presley in the early days. Indies release rock, soul, R&B, jazz, blues, gospel, reggae, hip hop, and world music. Music appearing on indie labels is often referred to as indie music, or more specifically by genre, such as indie hip-hop. Overview Independent record labels are small companies that produce and distribute records. They are not affiliated with or funded by the three major records labels. According to Sound ...
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Pop Rap
Pop rap (also known as pop hip-hop, hip pop, melodic hip-hop or melodic rap) is a genre of music fusing the rhythm-based lyricism of hip hop music with pop music's preference for melodious vocals and catchy tunes. This genre gained mainstream popularity during the 1990s, though the influences and roots of pop rap can trace back to late-1980s hip hop artists such as Run-DMC, LL Cool J, and Beastie Boys. The lyrics are often lighthearted, with choruses similar to those heard in pop music. Characteristics AllMusic describes pop rap as "a marriage of hip hop beats and raps with strong melodic hooks, which are usually featured as part of the chorus section in a standard pop-song structure." Pop rap also tends to have less aggressive lyrics than street-level rap music. However, some 1990s artists fused pop rap with a more aggressive attitude to defuse backlash on their own accessibility. Music journalist Wilson McBee has strongly criticized pop rap, "A pop rapper is assumed to ...
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Horrorcore
Horrorcore, also called horror hip hop, horror rap, death hip hop, or death rap, is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, and psychological horror themes into their lyrics. Unlike most hardcore hip hop and gangsta rap artists, horrorcore artists often push the violent content and imagery in their lyrics beyond the realm of realistic urban violence, to the point where the violent lyrics become gruesome, ghoulish, unsettling, inspired by slasher films or splatter films. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. Some horrorcore artists eschew supernatural themes or exaggerated violence in favor of more subtle and d ...
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Horrorcore
Horrorcore, also called horror hip hop, horror rap, death hip hop, or death rap, is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, and psychological horror themes into their lyrics. Unlike most hardcore hip hop and gangsta rap artists, horrorcore artists often push the violent content and imagery in their lyrics beyond the realm of realistic urban violence, to the point where the violent lyrics become gruesome, ghoulish, unsettling, inspired by slasher films or splatter films. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. Some horrorcore artists eschew supernatural themes or exaggerated violence in favor of more subtle and d ...
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