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Gaudenzio Ferrari
Gaudenzio Ferrari (c. 1471 – 11 January 1546) was an Italian painter and sculptor of the Renaissance. Biography Gaudenzio was born to Franchino Ferrari at Valduggia in the Valsesia in the Duchy of Milan. Valduggia is now in the Province of Vercelli in Piedmont. He is said to have first learned the art of painting at Vercelli from Gerolamo Giovenone. He subsequently studied in Milan, in the school of the Cathedral artisan Giovanni Stefano Scotti, and perhaps alongside Bernardino Luini. Circa 1504 he proceeded to Florence. It was once thought that he later moved to Rome. He died in Milan. Gaudenzio was not related to Defendente Ferrari (c.1490–1535) a painter from Chivasso, nor to Eusebio Ferrari (1508–1533) the painter from Vercelli. Mature work His initial pictorial style may be considered as derived mainly from the old Milanese school, which had imbibed the classic influence of Leonardo and pupils such as Bramantino. However, the provincial impetus was also strong, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaudenzio Ferrari 002
Gaudenzio may refer to: * Basilica of San Gaudenzio *San Gaudenzio, Ivrea * Carlo Gaudenzio Madruzzo, Italian Catholic cardinal *Gaudenzio Bernasconi, Italian footballer *Gaudenzio Botti, Italian painter *Gaudenzio Ferrari, Italian painter *Gaudenzio Godioz, Italian skier *Gaudenzio Marconi, Italian photographer *Gaudenzio Meneghesso, Italian engineer *Gaudenzio Poli Gaudenzio Poli (1609–1679) was a Roman Catholic prelate who served as Bishop of Amelia (1643–1679). ''(in Latin)'' Biography Gaudenzio Poli was born in 1609 in Castello Scheggino, Italy and ordained a deacon in Jan 1643. On 23 Feb 1643, he .... Italian Catholic prelate {{Disambiguation, given name Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defendente Ferrari
Defendente Ferrari (c. 1480/1485 – c. 1540) was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region. Life and work Ferrari was born at Chivasso, near Turin. Here he trained and initially worked in the workshop of Giovanni Martino Spanzotti. Spanzotti had been the pre-eminent painter in western Piedmont after moving to Chivasso c. 1502. Many works previously thought to have been by Spanzotti are now attributed to Defendente.Riccardo Passoni. "Ferrari, Defendente." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 March 2016 Defendente achieved considerable success as a painter of polyptychs and altarpieces. He painted a number of nocturnal scenes such as the ''Nativity in Nocturnal Light'' (1510, Museo Civico d'Arte Antica, Turin). He left a number of signed and dated works. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Solario
Andrea Solari (also Solario) (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named ''Andre del Gobbo'', but more confusingly as ''Andrea del Bartolo'' a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo. His paintings can be seen in Venice, Milan, The Louvre and the Château de Gaillon (Normandy, France). One of his better-known paintings is the '' Madonna with the Green Cushion'' (c. 1507) in the Louvre. History Solario was born in Milan. He was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training whilst employed extensively on work at the Milan cathedral, and at the Certosa di Pavia. In 1490 he accompanied his brother to Venice, where he seems to have been strongly influenced by Antonello da Messina, who was then active in the city. The fine portrait of a Venetian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saronno
Saronno (; lmo, Saronn ) is a ''comune'' of Lombardy, Italy, in the province of Varese. It received the honorary title of city with a presidential decree in 1960. With an estimated population of 39,351 inhabitants, it is the most densely populated among the big municipalities in its province. The place is well known for its apricot kernel biscuits ( ''amaretti'') and liqueur ('' amaretto''), and is also a relevant manufacturing town. Main sights Madonna dei Miracoli The pilgrimage church of the ''Madonna dei Miracoli'', begun on 8 May 1498 by Vincenzo Dell'Orto, has a dome with very fine architecture on the outside. It was built at three times: the Renaissance part from 1498 to 1516; it includes the apse, the chancel, the dome and the bell tower; in 1556 the sacristy was added; in the end from 1570 to the beginning of the XVII century two other spans were added to the aisles and the facade was erected. During the same period, "l'Hostaria dell'Angelo” was built to restore pilgri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacro Monte Di Varallo
Giovanni d' Enrico, ''Ecce Homo ''(detail of the crowd calling for crucifixion), 1608-9. The Sacred Mountain of Varallo ( it, Sacro Monte di Varallo) is a '' Sacro Monte'' ("sacred mountain", a type of mountainside Christian devotional complex) overlooking the town of Varallo Sesia in the province of Vercelli, Piedmont, northern Italy. It is the oldest ''Sacro Monte'', founded in 1491 by Franciscan friar Bernardino Caimi. It is built on a natural terrace on the rocky slopes of Monte Tre Croci ("three crosses mountain"), on the left bank of the Sesia river where it leaves Val Mastallone. It is 600 m above sea level, 150 m above the historic centre of Varallo. Structures The Sacro Monte at Varallo comprises the minor basilica and 45 chapels, either isolated or inserted into the large monumental complexes ''Nazareth'', ''Bethlehem'', ''Pilate’s house'', ''Calvary'', ''Sepulchre'' and ''Parella’s house'' – populated by more than 800 life size painted statues, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varallo Sesia
Varallo Sesia (Piedmontese: ''Varal''), pronouciation (Vhuh-rahl-loh) commonly known as Varallo, is a ''comune'' and town in the province of Vercelli in the Piedmont region of Italy. It is situated in Valsesia, at above sea level and some north-northeast of Vercelli and northwest of Novara. Once called Varade, it is divided in two boroughs (Varallo Vecchia and Varallo Nuova) by the Mastallone stream. In 1971, Varallo was awarded the Golden Medal for Military Valor for the deeds of its population against the German occupation in the late stages of World War II. Geography The valley of the Sesia is very narrow at this point as it nears its source. Varallo lies on the left bank where the Mastallone flows into the Sesia. The town is surrounded by the foothills of the Alps and is not far from the Monte Rosa, which is visible from the surrounding hills. Main sights The churches of San Gaudenzio, Santa Maria delle Grazie, and Santa Maria di Loreto, all contain works by Gaudenz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Delle Grazie, Varallo
The Church of Our Lady of the Graces () is a Gothic-style, Roman Catholic church in Varallo Sesia, province of Vercelli, region of Piedmont, Italy. The church was built, together with the adjacent Franciscan convent, by padre Bernardo Caimi between 1486 and 1493. At this time, the construction of the Sacro Monte was also beginning. In December 1931, Pope Pius XI gave the church the title of Minor Basilica. History The interior is subdivided into spaces for the general public and for the friars, separated by a partition wall (), supported by three round arches. The central arch opens to a hall reserved for friars, while the two lateral arches lead to two chapels. The fresco cycle scheme of the wall is traditionally attributed to Bernardino of Siena, and painted in 1531 by Gaudenzio Ferrari. Similar decorative structures, with a partition wall entirely decorated with frescoes of the life of Jesus, were typical of the religious and artistic culture of the Friars Minor in Piedmont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Christ In Art
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects narrating the events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element. They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the choice of scenes for the remainder of the Middle Ages became largely settled in the Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars. The most common subjects were grouped around the birth and childhood of Jesus, and the Passion of Christ, leading to his Crucifixion and Resurrec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaudenzio Ferrari, Crucifixion, 1513, Fresco, S
Gaudenzio may refer to: * Basilica of San Gaudenzio *San Gaudenzio, Ivrea *Carlo Gaudenzio Madruzzo, Italian Catholic cardinal *Gaudenzio Bernasconi, Italian footballer *Gaudenzio Botti, Italian painter *Gaudenzio Ferrari, Italian painter *Gaudenzio Godioz, Italian skier *Gaudenzio Marconi, Italian photographer *Gaudenzio Meneghesso, Italian engineer *Gaudenzio Poli Gaudenzio Poli (1609–1679) was a Roman Catholic prelate who served as Bishop of Amelia (1643–1679). ''(in Latin)'' Biography Gaudenzio Poli was born in 1609 in Castello Scheggino, Italy and ordained a deacon in Jan 1643. On 23 Feb 1643, he .... Italian Catholic prelate {{Disambiguation, given name Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacro Monte Of Varallo
Giovanni d' Enrico, ''Ecce Homo ''(detail of the crowd calling for crucifixion), 1608-9. The Sacred Mountain of Varallo ( it, Sacro Monte di Varallo) is a '' Sacro Monte'' ("sacred mountain", a type of mountainside Christian devotional complex) overlooking the town of Varallo Sesia in the province of Vercelli, Piedmont, northern Italy. It is the oldest ''Sacro Monte'', founded in 1491 by Franciscan friar Bernardino Caimi. It is built on a natural terrace on the rocky slopes of Monte Tre Croci ("three crosses mountain"), on the left bank of the Sesia river where it leaves Val Mastallone. It is 600 m above sea level, 150 m above the historic centre of Varallo. Structures The Sacro Monte at Varallo comprises the minor basilica and 45 chapels, either isolated or inserted into the large monumental complexes ''Nazareth'', ''Bethlehem'', ''Pilate’s house'', ''Calvary'', ''Sepulchre'' and ''Parella’s house'' – populated by more than 800 life size painted statues, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bramantino
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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