François Tortebat
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François Tortebat
François Tortebat (1616—June 4, 1690) was a French portrait painter and engraver. Career Born to Louis Tortebat and Marguerite de Nameur, Tortebat joined the studio of Simon Vouet around 1631, and married his teacher's eldest daughter, Francoise, on November 9, 1643, with whom he had thirteen children. Tortebat is recorded as being in Rome between 1635 and 1640, making large copies of Raphael Cartoons as the result of a commission from Cardinal Antonio Barberini. Tortebat rejoined Vouet's studio upon his return to France. After Vouet's death in 1649, Tortebat collaborated with his teacher's other son-in-law, Michel Dorigny, gaining exclusive rights to reproduce Vouet's works in print form, and designing the sets for Louis XIV's return to Paris with his new wife Maria Theresa of Spain in 1660. Tortebat became a member of the Académie Royale de Peinture et de Sculpture in 1663, where his reception piece was a posthumous portrait of Vouet. Tortebat also published a series ...
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Gérard Edelinck
Gérard Edelinck (20 October 1640 (baptized) – 2 April 1707) was a copper-plate engraver and print publisher of Southern Netherlands, Flemish origin, who worked in Paris from 1666 and became a naturalized French citizen in 1675.Préaud 1998. Life Edelinck was born in Antwerp, where he received his early training under the engravers Gaspar Huybrechts (1619–1684) and Cornelius Galle the Younger. He went to Paris in 1666, where he worked with his fellow Fleming Nicolas Pitau the elder. To improve himself further he subsequently studied under François de Poilly, Robert Nanteuil, and Philippe de Champaigne. These masters likewise had soon done all they could to help him onwards, and Edelinck ultimately took the first rank among line engravers. His excellence was generally acknowledged; and having become known to Louis XIV of France, Louis XIV he was appointed, on the recommendation of Charles le Brun, Le Brun, teacher at the academy established at the Gobelins manufactory for ...
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Reception Piece
In art, a reception piece is a work submitted by an artist to an academy for approval as part of the requirements for admission to membership. The piece is normally representative of the artist's work, and the organization's judgement of its skill may or may not form part of the criteria for accepting a new entrant. The work itself is usually retained by the academy, and many academies have large and valuable collections acquired in this way. Alternative terms include ''diploma work'' at the Royal Academy in London (where some 18th and 19th century examples are on display), ''diploma piece'', and in France at the Académie royale de peinture et de sculpture, ''tableau de réception'' or ''morceau de réception''. The term masterpiece originated in the same way under the earlier system of guilds, including those for artists. Origins The requirement to submit a reception or diploma piece is closely related to the practice in the medieval period and later of requiring a craftsman ...
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17th-century French Engravers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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17th-century French Painters
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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Painters From Paris
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1690 Deaths
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life d ...
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1616 Births
Events January–June * January ** Six-year-old António Vieira arrives from Portugal, with his parents, in Bahia (present-day Salvador) in Colonial Brazil, where he will become a diplomat, noted author, leading figure of the Church, and protector of Brazilian indigenous peoples, in an age of intolerance. ** Officials in Württemberg charge astronomer Johannes Kepler with practicing "forbidden arts" (witchcraft). His mother had also been so charged and spent 14 months in prison. * January 1 – King James I of England attends the masque ''The Golden Age Restored'', a satire by Ben Jonson on fallen court favorite the Robert Carr, 1st Earl of Somerset, Earl of Somerset. The king asks for a repeat performance on January 6. * January 3 – In the court of James I of England, the king's favorite George Villiers, 1st Duke of Buckingham, George Villiers becomes Master of the Horse (encouraging development of the thoroughbred horse); on April 24 he receives the Order of the Gart ...
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JSTOR
JSTOR (; short for ''Journal Storage'') is a digital library founded in 1995 in New York City. Originally containing digitized back issues of academic journals, it now encompasses books and other primary sources as well as current issues of journals in the humanities and social sciences. It provides full-text searches of almost 2,000 journals. , more than 8,000 institutions in more than 160 countries had access to JSTOR. Most access is by subscription but some of the site is public domain, and open access content is available free of charge. JSTOR's revenue was $86 million in 2015. History William G. Bowen, president of Princeton University from 1972 to 1988, founded JSTOR in 1994. JSTOR was originally conceived as a solution to one of the problems faced by libraries, especially research and university libraries, due to the increasing number of academic journals in existence. Most libraries found it prohibitively expensive in terms of cost and space to maintain a comprehen ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Palazzo Magnani, Bologna
Palazzo Magnani is a Renaissance palace located on Via Zamboni number 20 in central Bologna, region of Emilia Romagna, Italy, built by the Magnani noble family with the same name. Construction on the palace began in 1577 under architect Domenico Tibaldi until his death in 1583. Floriano Ambrosini then took over the architectural duties. In 1797 the palace became a property of the Guidotti family. In the late 19th century they sold it to the Malvezzi Campeggi family whose coat of arms is still visible on the façade. The Palazzo Malvezzi Campeggi rises adjacent to this one, just northeast along Via Zamboni. Subsequently, Palazzo Magnani was inhabited by the Salem family. Currently it is the local office for the Unicredit (was a headquarter of Rolo Banca and Credito Romagnolo ). Among the most important artworks in the interior is the frescoed frieze of ''Histories of the Foundation of Rome'' executed in 1590 by the painters Ludovico, Annibale and Agostino Carracci in the salon ...
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The Carracci
The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the ''Accademia degli Incamminati'', and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion. Art theory The artistic and theoretical activity of the Carracci is recognized by critics and historians such as André Chastel and Giulio Carlo Argan to have decisively contributed to the formation of the figurative Baroque and to new pictorial solutions based on the recuperation of the classical and Renaissance tradition, renewed by study of nature. "Jointly they effected an artistic reform that ove ...
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ...
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