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Fürstenzell Abbey
Fürstenzell Abbey (German: ''Kloster Fürstenzell'', Latin: ''Abbatia Cella Principis'') is a former Cistercian abbey in Fürstenzell, in Bavaria, in the diocese of Passau. It was a daughter monastery of the Aldersbach Abbey, Aldersbach monastery from the filiation of the Morimond Abbey, Morimond primary abbey - Ebrach monastery. History The monastery, first dedicated to St. Laurentius and later to St. Mary, was founded in 1274 by Magister Hartwig, canon of Passau and court chaplain to Henry XIII, Duke of Bavaria, Duke Henry XIII of Lower Bavaria, with his help. The name "Fürstenzell" (Cella principis) also refers to Henry XIII. The first Cistercians arrived here from Aldersbach Abbey in Advent 1274. In May 1275, the monk Walter was elected the first abbot. The abbot from 1566 was Sebastian Peer, from Frontenhausen. He initially became administrator in 1562, after having been a monk in Gotteszell, and eventually died between December 16 and 26, 1570. In addition to the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldersbach Abbey
Aldersbach Abbey (german: Kloster Aldersbach) is a former Cistercian monastery in the community of Aldersbach in the Passau (district), district of Passau in the valley of the Vils (Danube), Vils, Lower Bavaria, Germany. History It was founded in 1127 by Saint Otto of Bamberg, Otto, Bishop of Bamberg, as a community of Augustinians, Augustinian Canons, on a site near a church consecrated in 880 by Englmar, Bishop of Passau, in honour of Simon Peter, Saint Peter. In 1146 Egilbert, the successor of Otto, gave the foundation and a new church of Our Lady to the Cistercians, and after the departure of the canons, Abbot Sefried, with monks from Ebrach Abbey, took possession. Under Cistercian rule Aldersbach flourished for more than six centuries. It was famous for the rigour of its religious discipline and exerted a wide influence. From here were founded the religious houses of Fürstenfeld Abbey, Fürstenfeld (1263), Fürstenzell (1274), and Gotteszell (1285). The monks cultivated the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Baptist Straub
Johann Baptist Straub (1 June 1704 (baptism) – 15 July 1784) was a German Rococo sculptor. Biography Straub was born in Wiesensteig, into a family of sculptors. His father Johann George Straub and his brothers Philipp Jakob, Joseph, and Johann Georg Straub were also sculptors, as was his nephew Franz Xaver Messerschmidt. J. B. Straub studied in Munich with the court sculptor Gabriel Luidl and then went to Vienna, where he worked from 1726 to 1734. In 1734 Straub returned to Munich. In 1737 he was appointed by Elector Karl Albrecht from Bavaria as the court sculptor. In the same year Straub married a daughter of the court engraver, Franz Xaver Späth. Straub worked primarily in Upper Bavarian churches and monasteries, frequently alongside some of the greatest Baroque artists of the day: the architect Johann Michael Fischer, the painter Johann Baptist Zimmermann, the Asam Brothers, the Tyrolian painter Johann Jacob Zeiller, and the stuccoists Franz Xaver and Johann M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Of Clairvaux
Bernard of Clairvaux, O. Cist. ( la, Bernardus Claraevallensis; 109020 August 1153), venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templars, and a major leader in the reformation of the Benedictine Order through the nascent Cistercian Order. He was sent to found Clairvaux Abbey at an isolated clearing in a glen known as the ''Val d'Absinthe'', about southeast of Bar-sur-Aube. In the year 1128, Bernard attended the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became an ideal of Christian nobility. On the death of Pope Honorius II in 1130, a schism arose in the church. Bernard was a major proponent of Pope Innocent II, arguing effectively for his legitimacy over the Antipope Anacletus II. In 1139, Bernard attended the Second Council of the Lateran and criticized Peter Abelard vocally. Bernard advocated crusades in general and convinced many to participate in the unsuccessful Second Crusade, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedict Of Nursia
Benedict of Nursia ( la, Benedictus Nursiae; it, Benedetto da Norcia; 2 March AD 480 – 21 March AD 548) was an Italian Christian monk, writer, and theologian who is venerated in the Catholic Church, the Eastern Orthodox Church, the Oriental Orthodox Churches, the Anglican Communion and Old Catholic Churches. He is a patron saint of Europe. Benedict founded twelve communities for monks at Subiaco, Lazio, Italy (about to the east of Rome), before moving to Monte Cassino in the mountains of central Italy. The Order of Saint Benedict is of later origin and, moreover, is not an "order" as is commonly understood but merely a confederation of autonomous congregations. Benedict's main achievement, his '' Rule of Saint Benedict'', contains a set of rules for his monks to follow. Heavily influenced by the writings of John Cassian, it shows strong affinity with the Rule of the Master, but it also has a unique spirit of balance, moderation and reasonableness (, ''epieíkeia''), whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immaculate Conception
The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth whose denial is heresy. Debated by medieval theologians, it was not defined as a dogma until 1854, by Pope Pius IX in the papal bull ''Ineffabilis Deus'', which states that Mary, through God's grace, was conceived free from the stain of original sin through her role as the Mother of God: We declare, pronounce, and define that the doctrine which holds that the most Blessed Virgin Mary, in the first instance of her conception, by a singular grace and privilege granted by Almighty God, in view of the merits of Jesus Christ, the Saviour of the human race, was preserved free from all stain of original sin, is a doctrine revealed by God and therefore to be believed firmly and constantly by all the faithful. While the Immaculate Conception ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rott (Inn, Neuhaus Am Inn)
The Rott is a river in Bavaria, Germany, left tributary of the Inn. Its source is in the municipality Wurmsham in Lower Bavaria, between Landshut and Waldkraiburg. It flows east through a rural area with small towns, including Neumarkt-Sankt Veit, Eggenfelden, Pfarrkirchen and Pocking. It flows into the Inn near Neuhaus am Inn, opposite of Schärding, on the border with Austria. See also *List of rivers of Bavaria A list of rivers of Bavaria, Germany: A * Aalbach *Abens * Ach * Afferbach * Affinger Bach * Ailsbach *Aisch * Aiterach *Alpbach *Alster * Altmühl *Alz * Amper * Anlauter * Arbach * Arbachgraben *Aschaff * Aschbach * Attel * Aubach, tributary of ... References Rivers of Bavaria Rivers of Germany {{Bavaria-river-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossing (architecture)
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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