Future Shock (Herbie Hancock Album)
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Future Shock (Herbie Hancock Album)
''Future Shock'' is the thirty-fifth album by American jazz pianist Herbie Hancock, released in August 1983 by Columbia Records. It was his first release from his electro-funk era and an early example of instrumental hip hop. Participating musicians include bass guitarist Bill Laswell (who co-produced), guitarist Pete Cosey and drummer Sly Dunbar. Background Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982, as a precursor to recording the follow-up album to Material's ''One Down'' album (on which Whitney Houston was the lead singer on a cover of the Soft Machine song "Memories"). Hancock was approached to collaborate on this recording that would go towards a postmodern direction, instead of his usual jazz-fusion. The result was a hip-hop influenced album, released under Hancock's name, which combined Hancock's keybo ...
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Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ...
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Instrumental Hip Hop
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop. Music production Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter or beat maker. In the studio, the hip hop producer often functions as both the composer and as a traditional record producer. They are sometimes called Orchestrators, P. Diddy is an example of one, and they are ultimately responsible for the fi ...
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Rockit (song)
"Rockit" is a composition recorded by American jazz pianist Herbie Hancock and produced by Bill Laswell and Michael Beinhorn. Hancock released it as a Single (music), single from his 1983 album ''Future Shock (Herbie Hancock album), Future Shock.'' The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay Scratching, scratch style, performed primarily by Grand Mixer DXT, DXT, and its music video created by Godley & Creme, which was put in high rotation on MTV. "Rockit" won a Grammy Award for Best R&B Instrumental Performance in 1983, and it won five MTV Video Music Awards in 1984. Recording "Rockit" was constructed and composed during the recording process, first at BC Studio in Gowanus, Brooklyn, with additional overdubs at RPM Studios in Manhattan, then Hancock's home studio in West Hollywood, and finally at Eldorado Recording Studios, Eldorado studio in Hollywood, Los Angeles. The production duo of Material (band), Material (bassist Bil ...
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Curtis Mayfield
Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music.Curtis Mayfield
, Rock and Roll Hall of Fame and Museum. "…significant for the forthright way in which he addressed issues of black identity and self-awareness. …left his imprint on the Seventies by couching social commentary and keenly observed black-culture archetypes in funky, danceable rhythms. …sounded urgent pleas for peace and brotherhood overextended, -funk tracks that laid out a fresh musical agenda for the new decade." Accessed 28 November 2006.
Dubbed t ...
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Turntablism
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists atypically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphon ...
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Grand Mixer DXT
Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, one of the earliest to use turntables as a musical instrument in the 1980s. Early in his career, he was known as Grand Mixer D.ST, a reference to Delancey Street on the Lower East Side of Manhattan, New York City. He was featured in the influential hip hop film ''Wild Style''. Widely recognized as a pioneer, Grand Mixer DXT is credited as being the first turntablist. He was the first person to establish the turntable as a fully performable and improvisational musical instrument (Alberts 2002). Especially important is his technique of altering the pitch of the note or sound on the record. He is also credited with helping to popularize DJing through his scratching on Herbie Hancock's single " Rockit", from the Bill Laswell and Material produced album ''Future Shock''. He is featured in the 2001 documentary, '' Scratch''. Discography With Ginger Baker * '' Horses & Trees'' (Celluloid, 1986) ...
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Postmodern Music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music. Postmodernists question the tight definitions and categories of academic disciplines, which they regard simply as the remnants of modernity. The postmodernist musical attitude Postmodernism in music is not a distinct musical style, but rather refers to music of the postmodern era. Postmodernist music, on the other hand, shares characteristics with postmodernist art—that is, art that comes after and reacts against modernism (see Modernism in Music). Rebecca Day, Lecturer in Music Analysis, writes "within music criticism, postmodernism is seen to represent a conscious move away from the perceptibly damaging hegemony of binaries such as aestheticism/formalism, subjec ...
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Soft Machine
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge (keyboards, 1966–1976), Robert Wyatt (drums, vocals, 1966–1971), Kevin Ayers (bass, guitar, vocals, 1966–1968) and Daevid Allen (guitar, 1966–1967). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Their varying line-ups have included former members such as Andy Summers (guitar, 1968), Hugh Hopper (bass, 1968–1973), Elton Dean (saxophone 1969–1972), Karl Jenkins (keyboards, saxophone, 1972–1978, 1980–1981, 1984) and Allan Holdsworth (guitar, 1973–1975), and currently consists of John Marshall (drums, 1972–1978, 1980–1981, 1984 and since 2015), John Etheridge (guitar, 1975–1978, 1984 and since 2015), Theo Travis (saxophone, flutes, keyboards since 2015), and Fred Thelonious Baker (bass since 2020). Though they achieved little commercial success, the Soft Machi ...
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Whitney Houston
Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American singer and actress. Nicknamed "The Voice", she is one of the bestselling music artists of all time, with sales of over 200 million records worldwide. Houston influenced many singers in popular music, and was known for her powerful, soulful vocals and vocal improvisation skills. She is the only artist to have had seven consecutive number-one singles on the ''Billboard'' Hot 100, from "Saving All My Love for You" in 1985 to "Where Do Broken Hearts Go" in 1988. Houston enhanced her popularity upon entering the movie industry. Her recordings and films generated both great success and controversy. She received numerous accolades throughout her career and posthumously, including two Emmy Awards, six Grammy Awards, 16 ''Billboard'' Music Awards, and 28 Guinness World Records, as well as induction into the Grammy, Rhythm and Blues Music, and Rock and Roll halls of fame. Houston began singing in chur ...
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One Down
''One Down'' is a 1982 album by the New York based no wave music group Material, produced by Material, recorded by indie producer/engineer Martin Bisi in Brooklyn and musician/engineer Robert Musso in Manhattan. The album sees the band reduced to a duo of keyboardist Michael Beinhorn and bassist Bill Laswell, collaborating with different musicians and singers on each track. Whitney Houston made her recording debut as a lead vocalist on this album, for a version of the song "Memories". Song background "Let Me Have It All" is a cover from Sly and the Family Stone's 1973 album ''Fresh''. "Memories" featured vocals by Whitney Houston accompanied by Archie Shepp on tenor saxophone. The track marks Houston's first appearance on record as a lead vocalist on an album, prior to her own albums and she would perform it at select dates during her first major tour in 1986, ''The Greatest Love World Tour''. The song was written by Hugh Hopper and originally recorded by The Wilde Flowers wi ...
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Michael Beinhorn
Michael Beinhorn is a North American record producer, composer, author and musician. He has produced albums for Red Hot Chili Peppers, Soundgarden, Hole, Violent Femmes and Marilyn Manson. Career 1977-1983: Early Years, Material, Herbie Hancock Beinhorn began his career as a Synthesist. His first instrument was a Moog Micromoog, after which he began working with a Sequential Circuits Prophet 5, an EMS Synthi AKS, Oberheim OB-Xa and Rhodes Chroma, as well as other instruments such as a Roland TR-808 drum machine, Roland SVC-350 Vocoder, Oberheim DMX drum machine and Oberheim DSX sequencer. Later, he began using such instruments as ARP 2600, as well as Moog modular and Serge Modular systems. He received formal training in synthesizer programming on the Buchla 200 series modular systems at Public Access Synthesizer Studio in New York City. In 1977, Beinhorn met bassist Bill Laswell and together, with his friends Fred Maher and Cliff Cultreri, they formed the Zu Band (so-named b ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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