Rockit (song)
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Rockit (song)
"Rockit" is a composition recorded by American jazz pianist Herbie Hancock and produced by Bill Laswell and Michael Beinhorn. Hancock released it as a Single (music), single from his 1983 album ''Future Shock (Herbie Hancock album), Future Shock.'' The selection was composed by Hancock, Laswell, and Beinhorn. The track was driven by its deejay Scratching, scratch style, performed primarily by Grand Mixer DXT, DXT, and its music video created by Godley & Creme, which was put in high rotation on MTV. "Rockit" won a Grammy Award for Best R&B Instrumental Performance in 1983, and it won five MTV Video Music Awards in 1984. Recording "Rockit" was constructed and composed during the recording process, first at BC Studio in Gowanus, Brooklyn, with additional overdubs at RPM Studios in Manhattan, then Hancock's home studio in West Hollywood, and finally at Eldorado Recording Studios, Eldorado studio in Hollywood, Los Angeles. The production duo of Material (band), Material (bassist Bil ...
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Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ...
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Material (band)
Material was an American band formed in 1979 and operative through to 1999, led by producer and bassist Bill Laswell. The group began in 1978 coalescing at Giorgio Gomelsky's Zu House in Manhattan with at its core Laswell, Michael Beinhorn, Fred Maher, Cliff Cultreri and Kramer (musician), Kramer, acting as a house band for visiting European musicians, such as Daevid Allen. Laswell, Beinhorn, Maher and Cultreri evolved as Material in 1979 first releasing the ''Temporary Music'' Extended Play, EP, followed by two more albums ''Memory Serves'' and ''One Down'' with an ever-revolving list of contributors, including singers Nona Hendryx, Bernard Fowler and Whitney Houston. From 1982, the name would be used by Laswell and Beinhorn for many projects, including Herbie Hancock's ''Future Shock (Herbie Hancock album), Future Shock'' album and "Rockit (song), Rockit" single, Afrika Bambaataa, Timezone's "World Destruction" single, and from 1985 onward solely by Laswell such as on Sly an ...
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Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 will continue to maintain their separate identities as labels. History 1950–1971: Founding and early history Elektra was formed in 1950, as the ''Elektra-Stratford Record Corporation'', with a singles label called Stratford R ...
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Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ...
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Fab Five Freddy
Fred Brathwaite (born August 31, 1959), more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He was immortalized in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show ''Yo! MTV Raps''. Career In the late 1970s, Freddy became a member of the Brooklyn-based graffiti group the Fabulous 5, known for painting the entire side of New York City Subway cars. Along with other Fabulous 5 member Lee Quiñones, under his direction they began to shift from street graffiti to transition into the art world and in 1979 they both exhibited i ...
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Change The Beat
"Change the Beat" is a song written and recorded by Fab Five Freddy, and one of the most sampled songs in music history. It was recorded at Martin Bisi's OAO Studio in Brooklyn, New York, United States, (later, BC Studio) and released as a 12" single on the Celluloid label in 1982. This release and all subsequent pressings of the single feature two versions of the song, one on Side A and one on Side B. The official length of the tracks varies depending on the specific pressing of the single, with some releases mislabeling the running times entirely. The Side A version is 7:40 minutes in length and features Fab Five Freddy rapping in both English and French. He also performs the chorus of the song, utilizing a vocoder with a white noise carrier to achieve a gritty, robotic effect. The version of the song that appears on Side B is considerably shorter than the A-side track, clocking in at 3:42. Aside from the chorus, which, like the Side A, was performed by Fab Five Freddy thro ...
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Santería
Santería (), also known as Regla de Ocha, Regla Lucumí, or Lucumí, is an African diaspora religions, African diasporic religion that developed in Cuba during the late 19th century. It arose through a process of syncretism between the traditional Yoruba religion of West Africa, the Catholic Church, Roman Catholic form of Christianity, and Spiritism. There is no central authority in control of Santería and much diversity exists among practitioners, who are known as ''creyentes'' ("believers"). Santería is polytheism, polytheistic and revolves around deities called ''Orisha, oricha''. Deriving their names and attributes from traditional Yoruba divinities, they are equated with Roman Catholic saints. Each human is believed to have a personal link to a particular oricha who influences their personality. Various myths are told about these oricha, who are regarded as subservient to Olodumare, a transcendent creator deity. Olodumare is believed to be the ultimate source of ''Aá¹£á ...
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Batá Drum
The Batá drum is a double-headed drum shaped like an hourglass with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the yourba land and used for traditional and religious activities among the Yoruba. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land. Bata drums are made by fastening skin of goats with wires on an hollowed wood body.Bata drums are made from a solid wood log from the oma tree. The drum’s shells are carved by hands and assembled in traditionally. The drums are assembled without any metal parts, the playing heads ...
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Daniel Ponce
Daniel Ponce (July 21, 1953 – March 14, 2013) was a Cuban-American jazz percussionist. He was born in Havana, Cuba, and Ponce played locally in Havana from age 11, and played percussion in a group called Watusi. He was exiled from Cuba in 1980 and fled to New York City. The Gonzalez brothers heard him play in Central Park, and brought him on October 27, 1981 to Soundscape, 500 West 52nd Street, for their Latin Music Tuesdays. It was there that he met Paquito D'Rivera, another eminent Cuban musician who had come to the US via Spain, when he defected from Cuba. Soon after he was working there with D'Rivera, Jose Fajardo, Andy Gonzalez, Jerry Gonzalez, and Eddie Palmieri.Russ Girsberger, "Daniel Ponce". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld. In 1982, he played three batá drums as a session musician for the Herbie Hancock song " Rockit". Producer Bill Laswell said "Ponce essentially was a musician/priest, and all the rhythms he would play on ...
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Oberheim DMX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ...
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Cuepoint
Medium is an American online publishing platform developed by Evan Williams and launched in August 2012. It is owned by A Medium Corporation. The platform is an example of social journalism, having a hybrid collection of amateur and professional people and publications, or exclusive blogs or publishers on Medium, and is regularly regarded as a blog host. Williams, previously co-founder of Blogger and Twitter, initially developed Medium as a means to publish writings and documents longer than Twitter's 140-character (now 280-character) maximum. In March 2021, Medium announced a change in its publishing strategy and business model. The change is to its mix of paid journalists working on its own publications – this will be proportionally reduced – versus its support of independent writers, which will increase. History 2012 (launched) - 2016 Evan Williams, Twitter co-founder and former CEO, created Medium to encourage users to create posts longer than the then 140-character ...
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Roxy NYC
Roxy first opened in Dec. 1979 by Steven Bauman, Steven Greenberg and Richard Newhouse. Steve Haenel was the owner 1982-1985 The Roxy (sometimes Roxy NYC) was a popular nightclub located at 515 West 18th Street in New York City. Located in the Chelsea section of Manhattan, it began as a roller skating rink and roller disco in 1978, founded by Steve Bauman, Richard Newhouse and Steve Greenberg. It was acquired in 1985 by Gene DiNino. The Roxy shut down permanently in March 2007. Operation Beginning in the early 1980s, the owners began hosting dance nights. Referred to by many as the "Studio 54 of roller rinks", these parties thrived for several years. Then, as the popularity of skating began to fade, the space was revamped into a dance club in June 1982. The Roxy hosted a party for the famed Olympic gold medal-winning USA Ice Hockey team in 1980. Ruza Blue, nicknamed "Kool Lady Blue", founded an all-races dance club in June 1982 (formerly at Club Negril 1981 - 82) which fe ...
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