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Cinematic Soul
Cinematic soul is a genre of soul music with a "cinematic" style, combining traditional rock / soul arrangements with orchestral instruments. Style Cinematic soul builds on the foundations of soul music. The backing track can include drum kit, drums, bass guitar, Hohner Clavinet, clavinet and electric guitar played with a wah-wah pedal. On top of this are orchestral instruments including a string section and brass instrument, brass, similar to that heard on a movie soundtrack. History During their psychedelic soul period of 1968-73, The Temptations created what is described as "cinematic soul", songs, often long in length, with longer instrumental introductions and detailed orchestration. Two such examples are the Temptations' 1972 recording of "Papa Was a Rollin' Stone", and their follow-up single, "Masterpiece (The Temptations song), Masterpiece". Isaac Hayes' "Theme from Shaft, Theme from ''Shaft''" was considered another good example of cinematic soul, and subsequently influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music Genres
In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attestations reported in the ''Oxford English Dictionary'' are from the 8th century. In King Alfred's translation of ''De Consolatione Philosophiae'', it is used to refer to the immaterial, spiritual, or thinking aspect of a person, as contrasted with the person's physical body; in the Vespasian Psalter 77.50, it means "life" or "animate existence". The Old English word is cognate with other historical Germanic terms for the same idea, including Old Frisian ''sēle, sēl'' (which could also mean "salvation", or "solemn oath"), Gothic ''saiwala'', Old High German ''sēula, sēla'', Old Saxon ''sēola'', and Old Norse ''sāla''. Present-day cognates include Dutch ''ziel'' and German ''Seele''. Religious views In Judaism and in some Christian d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Adamson
Barry Adamson (born 11 June 1958) Discography Studio Albums Compilation Albums EPs Singles Soundtracks References External links * Adamson's art-house * {{DEFAULTSORT:Adamson, Barry 1958 births Living people People from Moss Side 20th-century Black British male singers English people of Scottish descent Buzzcocks members English rock bass guitarists Male bass guitarists English film score composers English male film score composers English rock singers British post-punk musicians Magazine (band) members Musicians from Manchester Nick Cave and the Bad Seeds members Mute Records artists 21st-century Black British male singers Visage (band) members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superfly (song)
"Superfly" is a song by Curtis Mayfield, the title track from his 1972 soundtrack album for the film of the same name. It was the second single released from the album, following " Freddie's Dead (Theme From ''Superfly'')", and reached #8 on the ''Billboard'' Hot 100 and #5 on the Best Selling Soul Singles chart. The lyrics celebrate the craftiness and determination of the film's main character. The song plays over the film's closing credits. The bassline and the rototom percussion break from the song's introduction (performed by Joseph "Lucky" Scott and "Master" Henry Gibson, respectively) have repeatedly been sampled in songs including Beastie Boys' "Egg Man", The Notorious B.I.G.'s "''Ready to Die'' Intro", Goldie Lookin Chain's "Pusherman" and Nelly's "Tilt Ya Head Back" featuring Christina Aguilera. Mayfield himself sampled the original song in "Superfly 1990", a duet he recorded with rapper Ice-T. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Mayfield
Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music.Curtis Mayfield , Rock and Roll Hall of Fame and Museum. "…significant for the forthright way in which he addressed issues of black identity and self-awareness. …left his imprint on the Seventies by couching social commentary and keenly observed black-culture archetypes in funky, danceable rhythms. …sounded urgent pleas for peace and brotherhood overextended, -funk tracks that laid out a fresh musical agenda for the new decade." Accessed 28 November 2006. Dubbed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stay (David Bowie Song)
"Stay" is a song by English musician David Bowie, released on his 1976 album ''Station to Station''. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on percussion. The track features prominent dual guitar work from Slick and Alomar, who mostly composed it in the studio. Based on the chord structure of "John, I'm Only Dancing (Again)", a funk reworking of "John, I'm Only Dancing" (1972), "Stay" emulates funk rock, soul and hard rock. Lyrically, the song is about a character who begs his lover to stay, fearing she will leave him for the last time. Bowie debuted the song on the variety show ''Dinah!'' on 3 January 1976. In July the same year, RCA Records released "Stay" as the B-side of "Suffragette City" and again as an A-side in edited form in the United States; both failed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme From Shaft
"Theme from ''Shaft''", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film ''Shaft''. The theme was released as a single (shortened and edited from the longer album version) two months after the movie's soundtrack by Stax Records' Enterprise label. "Theme from ''Shaft''" went to number two on the Billboard Soul Singles chart (behind "Inner City Blues (Make Me Wanna Holler)" by Marvin Gaye) and to number one on the ''Billboard'' Hot 100 in the United States in November 1971. The song was also well received by adult audiences, reaching number six on Billboard's Easy Listening chart. The song is considered by some to be one of the first disco songs. The following year, "Theme from ''Shaft''" won the Academy Award for Best Original Song, with Hayes becoming the first African American to win that honor – or any Academy Award in a non-acting category – as well as the first recipient of the award who both wrote an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Hayes
Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, actor, songwriter, and composer. He was one of the creative forces behind the Southern soul music label Stax Records, where he served both as an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. " Soul Man", written by Hayes and Porter and first performed by Sam & Dave, was recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by ''Rolling Stone'' magazine, and by the Recording Industry Association of America (RIAA) as one of the Songs of the Century. During the late 1960s, Hayes also be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masterpiece (The Temptations Song)
"Masterpiece" is a 1973 soul single written by Norman Whitfield and performed by American vocal group the Temptations. Background Whitfield, who also produced the track, entitled it "Masterpiece" because he felt it was a perfect blending of strings, horns, rhythm players, voices, studio tricks, and sweetening elements. However, the word 'masterpiece' does not appear in the song's lyrics, which do not point to anything obvious from which to draw a title. As with their Whitfield-produced hit from the previous year, "Papa Was a Rollin' Stone", the Temptations do not make their first appearance until after a long instrumental section. This added to already building tension between the group and Whitfield and led some music writers to start referring to the Temps as "the Norman Whitfield Choral Singers". Personnel * Lead and background vocals by Dennis Edwards, Richard Street, Damon Harris, Melvin Franklin (song verses), and Otis Williams (spoken introduction) * Instrumentation by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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