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Francesco Quaino
Francesco Quaini (1611–1680) was an Italian painter of the Baroque period. Born in Bologna, he started as a pupil of the renowned quadratura master, Agostino Mitelli. Working together with Marcantonio Franceschini, In Bologna, Francesco painted in several public buildings, including the decoration of the Sala Farnese in the Palazzo Publico. He died at Bologna. His son Luigi Quaini also painted quadratura Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, an .... Marcantonio Chiarini was one of his pupils. References * * 1611 births 1680 deaths 17th-century Italian painters Italian male painters Painters from Bologna Italian Baroque painters Quadratura painters {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Mitelli
Agostino Mitelli (16 March 1609 – 2 August 1660) was an Italian painter of the Baroque period and best known as a fresco painter of ''quadratura'' or illusionistic perspectival architectural frameworks. He was born in Battedizzo, near Bologna and died in Madrid while working for the court of Philip IV of Spain. He was a pupil of Gabriello Ferrantini (''degli Occhiali'') and Girolamo Curti. He had a long and fruitful collaboration with Michelangelo Colonna in northern and central Italy; Colonna principally executed the figurative elements and Mitelli, the ''quadratura'' framework. Examples of his ''quadratura'' can be found at Bologna, Parma, Modena, Florence, Rome, and Genoa, testifying to the popularity of the style. Colonna and Mitelli even travelled to Madrid, in 1658, to help decorate the Royal Alcazar and the Palace of Buen Retiro. Mitelli died in Madrid. He also published some etchings in a manuscript entitled ''Freggi dell'architettura da Agostino Mitelli''. Through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Quaini
Luigi Quaini (1643–1717) was an Italian painter of the Baroque period. Biography He was born in Ravenna, and first learned the art of architectural perspective painting from his father, Francesco Quaini, a pupil of Agostino Mitelli. After some training with his father, he became a pupil of Guercino, then of Carlo Cignani (his cousin). There he met a fellow pupil, Marcantonio Franceschini. He became the brother-in-law of the latter, and closely collaborated with him in works at Bologna, Modena, Piacenza, Genoa and Rome. Franceschini supplied the figures and Quaini, the landscapes and architecture. He was named a professor of the Accademia Clementina in Bologna. He traveled to France and England, where he met Charles Le Brun and the engraver Edelinck.S. Muzzi; 1846, page 744. In Rome, he helped compose some of the designs for mosaics in the dome of St. Peter's Basilica. Quaini also completed several altarpieces, including a ''Visitation'' for the church of San Giuseppe at Bol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Chiarini
Marcantonio Chiarini (c. 1652–1730) was an Italian painter of the late-Baroque period. Born near Bologna, he trained with Francesco Quaino and Domenico Santi. He painted scenography for plays as well as quadratura in which Sigismondo Caula inserted figures. Active in Bologna and Milan, he also painted the quadratura of the Palazzo Mansi in Lucca, for which Giovanni Gioseffo dal Sole painted the main frescoes. Chiarini was employed by the architect Johann Lukas von Hildebrandt in the fresco decoration of the upper and lower Belvedere palaces near Vienna, work shared with Martino Altomonte, Gaetano Fanti, and Carlo Carlone Carlo Innocenzo Carlone or Carloni (1686–1775) was an Italian painter and engraver, active especially in Germany. Biography He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. H .... References * 1650s births 1730 deaths 17th-century Italian painters Italian male painters 18th- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1611 Births
Events January–June * February 27 – Sunspots are observed by telescope, by Frisian astronomers Johannes Fabricius and David Fabricius. Johannes publishes the results of these observations, in ''De Maculis in Sole observatis'' in Wittenberg, later this year. Such early discoveries are overlooked, however, and the first sighting is claimed a few months later, by Galileo Galilei and Christoph Scheiner. * March 4 – George Abbot is enthroned as Archbishop of Canterbury. * March 9 – Battle of Segaba in Begemder: Yemana Kristos, brother of Emperor of Ethiopia Susenyos I, ends the rebellion of Melka Sedeq. * April 4 – Denmark-Norway declares war on Sweden, then captures Kalmar. * April 28 – The ''Colegio de Nuestra Señora del Santísimo Rosario'' is established in Manila, the Philippines (later renamed Colegio de Santo Tomas, now known as the University of Santo Tomas). * May 2 – The Authorized King James Version of the Bible is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1680 Deaths
Year 168 ( CLXVIII) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Paullus (or, less frequently, year 921 ''Ab urbe condita''). The denomination 168 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius and his adopted brother Lucius Verus leave Rome, and establish their headquarters at Aquileia. * The Roman army crosses the Alps into Pannonia, and subdues the Marcomanni at Carnuntum, north of the Danube. Asia * Emperor Ling of Han succeeds Emperor Huan of Han as the emperor of the Chinese Han Dynasty; the first year of the ''Jianning'' era. Births * Cao Ren, Chinese general (d. 223) * Gu Yong, Chinese chancellor (d. 243) * Li Tong, Chinese general (d. 209) Deaths * Anicetus, pope of Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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