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Francesco Mancini (1679–1758)
] Francesco Mancini (24 April 1679–August 1758) was an Italian people, Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani. Biography A native of Sant'Angelo in Vado, he was a student of Carlo Cignani at Forlì and at Bologna and was introduced to academic painting in the manner of the Carracci; echoes of this style of painting can be seen in his juvenile works: the frescoes of the ''Libreria'' in the main hall of the ''Biblioteca Classense'' in Ravenna, and those in Foligno Cathedral depicting the ''Life of Angela di Foligno''. On the advice of the artist Marcantonio Franceschini, vice-prince of the ''Accademia Clementina'' in Bologna, he moved to Rome, where he made contact with Carlo Maratta, also a native of the Marche. This contact with Maratta's mature work, and with his pupils, is reflected by further developments in Mancini's painting. From this period are the frescoes in the Palazzo del Quirinale, those in the Chiesa N ...
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Francesco Mancini Ruhe Auf Der Flucht Nach Ägypten
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people * Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena ...
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Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ...
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Crotone
Crotone (, ; nap, label= Crotonese, Cutrone or ) is a city and ''comune'' in Calabria, Italy. Founded as the Achaean colony of Kroton ( grc, Κρότων or ; la, Crotona) in Magna Graecia, it was known as Cotrone from the Middle Ages until 1928, when its name was changed to the current one. In 1992, it became the capital of the newly established Province of Crotone. , its population was about 65,000. History Croton's ''oikistes'' (founder) was Myscellus, who came from the city of Rhypes in Achaea in the northern Peloponnese. He established the city in c. 710 BC and it soon became one of the most flourishing cities of Magna Graecia with a population between 50,000 and 80,000 around 500 BC. Its inhabitants were famous for their physical strength and for the simple sobriety of their lives. From 588 BC onwards, Croton produced many generations of winners in the Olympics and the other Panhellenic Games, the most famous of whom was Milo of Croton. According to Herodotus (3.131), ...
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Niccolò Lapiccola
Niccolò Lapiccola (7 February 1727 – 3 February 1790) was an Italian painter. He was born in Crotone and took lessons at Rome from Francesco Mancini. He supplied the designs for the mosaics for one of the chapels of St. Peter's Basilica. One of his pupils is the engraver Stefano Tofanelli and Bernardino Nocchi. He later became an academician in 1766 and later honorary member of Accademia di San Luca. He died in Rome. His other paintings included ''Life of Psyche'', ''Stigmata of St. Francis'' (San Lorenzo in Panisperna The church of San Lorenzo in Panisperna is a Roman Catholic church on Via Panisperna, Rome, central Italy. It was previously known as "San Lorenzo in Formoso". It was erected on the site of its dedicatee's martyrdom. It is one of several church ...) and decoration of the golden hall with mythological scenes at Palazzo Chigi, Rome. References *Schearjashub Spooner ''A Biographical History of the Fine Arts'' (1865), Shearjashub, p. 456 * External li ...
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Domenico Corvi
Domenico Corvi (1721–1803) was an Italian painter at the close of the 18th century, active in an early Neoclassic style in Rome and surrounding sites. Biography Corvi was born in Viterbo. After some early works in Viterbo and Palestrina, Corvi moved on to Rome to work under Francesco Mancini, working in a Roman milieu where late-Rococo of Pompeo Batoni and the incipient Neoclassicism of Anton Raphael Mengs coexisted, and fashioned a style in between. His first major set of independent works in Rome were a series of canvases completed in 1758 and currently in Vedana, commissioned by the Cardinal Domenico Amedeo Orsini and including the altarpiece of ''St Michael Archangel'' for the church of Trinità dei Monti. In 1756, along with Vincenzo Strigelli and Anton Angelo Falaschi, he frescoed the Viterbese ''Oratorio del Gonfalone''.
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Sebastiano Ceccarini
Sebastiano Ceccarini (1703–1783), born in Fano, was an Italian Baroque painter. He was a student of Francesco Mancini and the teacher of his nephew Carlo Magini. Biography He painted in Rome during the papacy of Pope Clement XII, painting an altarpiece for a chapel the Quirinale, belonging to the Swiss. he retired with a stipend paid by the town of Fano. He painted an altarpiece, depicting the ''Madonna and Child with St Francis and St Sebastian and the Castle of Mondolfo in Background'', for the church of San Sebastiano in Mondolfo Mondolfo is a ''comune'' (municipality) in the Province of Pesaro e Urbino in the Italian region Marche, located about northwest of Ancona and about southeast of Pesaro, on the Adriatic Sea. Mondolfo borders the following municipalities: .... Works * ''Portrait of a Noblewoman'' (ca. 1750), Walters Art Museum, Baltimore * ''Assumption'' (ca. 1750), Church of Ss. Sergius and Bacchus, Rome * Allegory of the Five Senses', 1748, Mila ...
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Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ...
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Pantheon, Rome
The Pantheon (, ; la, Pantheum,Although the spelling ''Pantheon'' is standard in English, only ''Pantheum'' is found in classical Latin; see, for example, Pliny, '' Natural History'36.38 "Agrippas Pantheum decoravit Diogenes Atheniensis". See also ''Oxford Latin Dictionary'', s.v. "Pantheum"; ''Oxford English Dictionary'', s.v"Pantheon" "post-classical Latin ''pantheon'' a temple consecrated to all the gods (6th cent.; compare classical Latin ''pantheum'')". from Greek ''Pantheion'', " empleof all the gods") is a former Roman temple and, since 609 AD, a Catholic church (Basilica di Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated  126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the i ...
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Accademia Dei Virtuosi
The Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon is one of the Pontifical Academies under the direction of the Holy See. The complete Italian name of the academy, Pontificia Insigne Accademia di Belle Arti e Letteratura dei Virtuosi al Pantheon, includes the adjective ''insigne'' (illustrious), often omitted in official English translations. The term ''Virtuosi al Pantheon'' (virtuosos of the Pantheon) is also usually left untranslated, but, in any event, should not be taken in the English musical sense of “virtuoso” but rather “artists of great merit”. The Pantheon in Rome was the historical home of the academy. The term “academy” is meant in the Renaissance definition of the term as an association of learned persons and not an institution of instruction. History The academy was founded as the “Congregation of Saint Joseph of the Holy Land” in 1542 under the auspices of the Cistercian monk, Desiderio d’Adiutorio and was recognized by Po ...
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French Academy In Rome
The French Academy in Rome (french: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun and Gian Lorenzo Bernini. The Academy was from the 17th to 19th centuries the culmination of study for select French artists who, having won the prestigious Prix de Rome (Rome Prize), were honored with a 3, 4 or 5-year scholarship (depending on the art discipline they followed) in the Eternal City for the purpose of the study of art and architecture. Such scholars were and are known as ''pensionnaires de l'Académie'' (Academy pensioners). One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger. The Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. In 1803 Napoleon Bonaparte ...
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Rimini
Rimini ( , ; rgn, Rémin; la, Ariminum) is a city in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. It sprawls along the Adriatic Sea, on the coast between the rivers Marecchia (the ancient ''Ariminus'') and Ausa (ancient ''Aprusa''). It is one of the most notable seaside resorts in Europe with revenue from both internal and international tourism forming a significant portion of the city's economy. It is also near San Marino, a small nation within Italy. The first bathing establishment opened in 1843. Rimini is an art city with ancient Roman and Renaissance monuments, and is also the birthplace of the film director Federico Fellini. The city was founded by the Romans in 268 BC. Throughout Roman times, Rimini was a key communications link between the north and south of the peninsula. On its soil, Roman emperors erected monuments such as the Arch of Augustus and the Tiberius Bridge to mark the beginning and the end of the Decumanus ...
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Santa Maria Della Misericordia, Macerata
Santa Maria della Misericordia is a Renaissance-style, Roman Catholic basilica church and Marian shrine located on Piazza San Vincenzo Maria Strambi, next to the Cathedral, in the center of Macerata, region of Marche, Italy. History A votive chapel has existed at the site since 1447, erected in a single day, after the waning of a plague epidemic. It arose around a venerated icon of the '' Madonna della Misericordia'' (Our Lady of the Mercies). In 1497, the chapel was refurbished, and soon thereafter the main altarpiece became a canvas depicting the ''Madonna della Misericordia Surrounded by Saints Julian, Andrew, Roch and Sebastian'', which was painted on the wall surrounding the bishop's orchard. The painting has been attributed to Lorenzo Costa. In 1734, the present church was erected using designs by Luigi Vanvitelli. The interior space is richly decorated with frescoes, marble, and stucco. In the central Vanvitellian nave, the frescoes, painted by Francesco Mancini depic ...
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