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Santa Maria Della Misericordia, Macerata
Santa Maria della Misericordia is a Renaissance-style, Roman Catholic basilica church and Marian shrine located on Piazza San Vincenzo Maria Strambi, next to the Cathedral, in the center of Macerata, region of Marche, Italy. History A votive chapel has existed at the site since 1447, erected in a single day, after the waning of a plague epidemic. It arose around a venerated icon of the '' Madonna della Misericordia'' (Our Lady of the Mercies). In 1497, the chapel was refurbished, and soon thereafter the main altarpiece became a canvas depicting the ''Madonna della Misericordia Surrounded by Saints Julian, Andrew, Roch and Sebastian'', which was painted on the wall surrounding the bishop's orchard. The painting has been attributed to Lorenzo Costa. In 1734, the present church was erected using designs by Luigi Vanvitelli. The interior space is richly decorated with frescoes, marble, and stucco. In the central Vanvitellian nave, the frescoes, painted by Francesco Mancini depic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
301MacerataMadonnaMisericordia
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Vanvitelli
Luigi Vanvitelli (; 12 May 1700 – 1 March 1773), known in Dutch as (), was an Italian architect and painter. The most prominent 18th-century architect of Italy, he practised a sober classicising academic Late Baroque style that made an easy transition to Neoclassicism. Biography Vanvitelli was born in Naples, the son of an Italian woman, Anna Lorenzani, and a Dutch painter of land and cityscapes (veduta), Caspar van Wittel, who also used the name Vanvitelli. He was trained in Rome by the architect Nicola Salvi, with whom he worked on the construction of the Trevi Fountain. Following his notable successes in the competitions for the facade of the Basilica di San Giovanni in Laterano (1732) and the facade of Palazzo Poli behind the Trevi Fountain, Pope Clement XII sent him to the Marche to build some papal projects. At Ancona in 1732, he devised the vast Lazaretto, a pentagonal building covering more than 20,000 square meters, built to protect the military defensive author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Marche
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Roman Catholic Church Buildings In Italy
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biagio Biagetti
Biagio Biagetti (21 July 1877 – 2 April 1948) was an Italian painter and art-restorer, mainly working with sacred subjects. Biography He was born in Porto Recanati and died in Macerata. He trained under Ludovico Seitz. In 1921, Pope Benedict XV appointed Biagetti to be Artistic Director for the Paintings Gallery and the Apostolic Palaces, a position he maintained through the papacy of Pius XII. There he worked on restorations of various works, including frescoes. He also worked on new mosaics and restorations. He was also a member of the Academy of St Luke, Rome. He retired in Recanati, in 1945 he was appointed to help with post-war Reconstruction. He also restored the old Academy of poetic "Disuguali", founded by Monaldo Leopardi. He painted one of the chapels in San Biagio, Pollenza San Biagio is a Neoclassical-style, Roman Catholic collegiate church located in the town of Pollenza, province of Macerata, region of Marche, Italy. History The church was designed in 1834 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "parochet, veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Conca
Sebastiano Conca (8 January 1680 – 1 September 1764) was an Italian painter. Biography He was born at Gaeta, then part of the Kingdom of Naples, and apprenticed in Naples under Francesco Solimena. In 1706, along with his brother Giovanni, who acted as his assistant, he settled in Rome, where for several years he worked only in chalk, to improve his drawing. He was patronized by the Cardinal Ottoboni, who introduced him to Clement XI, who commissioned him a well-received ''Jeremiah'' painted for the church of St. John Lateran. He also painted an ''Assunta'' for the church of Santi Luca e Martina in Rome. Conca was knighted by the pope. He collaborated with Carlo Maratta in the ''Coronation of Santa Cecilia'' (1721–24) in the namesake church of Santa Cecilia in Trastevere. In 1718 he was elected to the Accademia di San Luca, and was its director in 1729–1731, replacing Camillo Rusconi as ''Principe'' in 1732. He was also elected Principe in 1739–1741. His painting was str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Mancini (1679–1758)
] Francesco Mancini (24 April 1679–August 1758) was an Italian people, Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani. Biography A native of Sant'Angelo in Vado, he was a student of Carlo Cignani at Forlì and at Bologna and was introduced to academic painting in the manner of the Carracci; echoes of this style of painting can be seen in his juvenile works: the frescoes of the ''Libreria'' in the main hall of the ''Biblioteca Classense'' in Ravenna, and those in Foligno Cathedral depicting the ''Life of Angela di Foligno''. On the advice of the artist Marcantonio Franceschini, vice-prince of the ''Accademia Clementina'' in Bologna, he moved to Rome, where he made contact with Carlo Maratta, also a native of the Marche. This contact with Maratta's mature work, and with his pupils, is reflected by further developments in Mancini's painting. From this period are the frescoes in the Palazzo del Quirinale, those in the Chiesa N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Della Misericordia
The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary. It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait, and is also found in other countries and later art, especially Catalonia and Latin America. Usually the Virgin is standing alone, though if angels hold up the cloak, she is free to hold the infant Christ. She is typically about twice the size of the other figures. The people sheltered normally kneel, and are of necessity shown usually at a much smaller scale. These may represent all members of Christian society, with royal crowns, mitres and a papal tiara in the front rows, or represent the local population. The subject was often commissioned by specific groups such as families, confraternities, guilds or convents or abbeys, and then the figures represent these specific groups, as shown by their dress, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
