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Francesco Fernandi
Francesco Fernandi (1679–1740), also known as Imperiali, was an Italian painter of the late-Baroque or Rococo period. Biography Born in Milan, he initially apprenticed with the painter for the Borromeo family, Carlo Vimercati. After a spell in Palermo, of which little is known, he moved to Rome sometime around 1705. There he joined projects of the large studio of painters working with Carlo Maratta. He was patronized in Rome by the Cardinal Giuseppe Renato Imperiali, from whom he acquired the last name ''Imperiali''. We know little of his works for the Vatican and the Ottoboni family. In Rome, he gained an independent studio, and was apparently popular with visiting British painters, having mentored Allan Ramsay and William Hoare, among others. Among his Italian pupils is the little-known, Camillo Paderni and the more prominent Pompeo Batoni. In August 1723, he apparently backed the litigation and lobbying by the academic outsiders (non-members of the Accademia di San Luca i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viterbo Cathedral
Viterbo Cathedral ( it, Duomo di Viterbo, or ''Cattedrale di San Lorenzo'') is a Roman Catholic cathedral, and the principal church of the city of Viterbo, Lazio, central Italy. It is the seat of the Bishop of Viterbo and is dedicated to Saint Lawrence. The church is an imposing Romanesque structure situated high on the hill which the city climbs, but it lacks much of the spectacular decoration with which it was originally adorned, thanks to an ill-advised sixteenth-century reconstruction. History Site According to legend, the cathedral was built on the site of an Etruscan temple of Hercules. Etruscan and Roman foundations can be seen on several of the buildings facing the Piazza di San Lorenzo where the cathedral is situated. Before the 12th century, a parish church dedicated to Saint Lawrence had occupied the site of the cathedral. Even as this church was constructed, the town was already spreading northwards down the hill, leaving the plaza somewhat isolated on the highes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Pittoni
Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Venetian painter of the late Baroque or Rococo period. He was among the founders of the Academy of Fine Arts of Venice, of which in 1758 he became the second president, succeeding Tiepolo. Biography Pittoni was born in Venice on 6 June 1687. He studied under his uncle Francesco Pittoni, a well-known but undistinguished painter of the Venetian Baroque; a ''Samson and Delilah'' at the Villa Querini in Visinale, near Pasiano di Pordenone, is signed by both painters. The theory of that Pittoni studied under Antonio Balestra is now generally discounted. Pittoni was unwilling to leave Venice and travelled little; although he received many foreign commissions, no journey in connection with any of them is documented, while from 1720 onwards records show that he was in Venice in every year. However, in 1720 he may have travelled to France with his uncle Francesco, together with Rosalba Carriera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Placido Costanzi
Placido Costanzi (1702–1759) was an Italian painter of the late-Baroque period. Placido Costanzi was born in 1702 to a family of gem-makers in Rome. He was exposed to art at a very young age, and became a pupil of Benedetto Luti and painted mainly historical and devotional subjects. He painted a ''St. Camillus'' in Santa Maria Maddalena in Florence, in which he has aspired to the imitation of Domenichino. Many of his works decorate Rome's churches. His ''Resuscitation of Tabitha'' in Santa Maria degli Angeli e dei Martiri replicates a mosaic in St. Peter's Basilica. He also painted in fresco the ceilings of the tribunes in Santa Maria in Vallicella and San Gregorio, and was much employed in painting figures in the landscapes of other artists, particularly in those of Jan Frans van Bloemen (also known as "Orizzonte", which means horizon in Italian). In Rome he became a member of the prestigious Academy of Saint Luke, in which he served also as director (''Principe'') since 175 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Trevisani
200px, ''Portrait of Cardinal Pietro Ottoboni ''by Francesco Trevisani. The Bowes Museum, Barnard Castle, County Durham">Barnard_Castle.html" ;"title="Bowes Museum, Barnard Castle">Bowes Museum, Barnard Castle, County Durham, England. Francesco Trevisani (April 9, 1656 – July 30, 1746) was an Italians, Italian painter, active in the period called either early Rococo or late Baroque (''barochetto''). Life Born in Capodistria, Istria (modern Koper now in Slovenia, then part of the Republic of Venice), he was the son of Antonio Trevisani, an architect, by whom he was instructed in the first rudiments of design. He then studied in Venice under Antonio Zanchi. He moved to Rome, where he remained until his death, in 1746. His brother, Angelo Trevisani remained a prominent painter in Venice. In Rome, he was supported by Cardinal Pietro Ottoboni. He was strongly influenced by Carlo Maratta, as it is manifest in his masterpiece, the frescoes in San Silvestro in Capite (1695–1696 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Lemoyne
François Lemoyne or François Le Moine (; 1688 – 4 June 1737) was a French rococo painter. He was a winner of the Prix de Rome, professor of the Académie de peinture et de sculpture, and ''Premier peintre du Roi'' to Louis XV. He was tutor to Charles-Joseph Natoire and François Boucher. Throughout his career, Lemoyne sought to be seen as the heir to Charles Le Brun and the leading painter of his generation, titles also vied for by his rival Jean-François de Troy (1679–1752). Lemoyne's work and talent, notably plied in Versailles, earned him the esteem of his contemporaries and the name of the "new Le Brun". He collaborated with or worked alongside other artists of the era, including Nonotte, Gilles Dutilleul, Charles de La Fosse, and Coypel. He took his own life in 1737, at the height of his career. With his death, the fashion of large allegorical ceilings disappeared. Biography Lemoyne was born in Paris in 1688 and studied under Louis Galloche until 1713. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of La Granja
The Royal Palace of La Granja de San Ildefonso (Spanish: ''Palacio Real de La Granja de San Ildefonso''), known as La Granja, is an early 18th-century palace in the small town of San Ildefonso, located in the hills near Segovia and north of Madrid, within the Province of Segovia in central Spain. It became the summer residence of the Kings of Spain from the 1720s during the reign of Philip V. The palace is in a restrained Baroque style, surrounded by extensive gardens in the formal Jardin à la française style with sculptural fountains. It is now open to the public as a museum. History The area was a favourite hunting grounds for many Castilian kings, due to its location on the forested northern slopes of the Sierra de Guadarrama. In the 15th century, Henry IV of Castile built the first hunting lodge on the site, along with a small shrine dedicated to San Ildefonso (saint Ildephonsus of Toledo), which gave this place its first name. Isabella I of Castile granted both b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Juvarra
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter * Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Milita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viterbo
Viterbo (; Viterbese: ; lat-med, Viterbium) is a city and ''comune'' in the Lazio region of central Italy, the capital of the province of Viterbo. It conquered and absorbed the neighboring town of Ferento (see Ferentium) in its early history. It is approximately north of GRA (Rome) on the Via Cassia, and it is surrounded by the Monti Cimini and Monti Volsini. The historic center of the city is surrounded by medieval walls, still intact, built during the 11th and 12th centuries. Entrance to the walled center of the city is through ancient gates. Apart from agriculture, the main resources of Viterbo's area are pottery, marble, and wood. The town is home to the Italian gold reserves, an important Academy of Fine Arts, the University of Tuscia, and the Italian Army's Aviation Command headquarters and training centre. It is located in a wide thermal area, attracting many tourists from the whole of central Italy. History The first report of the new city dates to the eighth century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vetralla
Vetralla is a town and ''comune'' in the province of Viterbo, in central Italy, south of that city, located on a shoulder of Monte Fogliano. History Vetralla's dominating fortified position in the heart of Etruscan territories has been continuously occupied since the Early Middle Ages. The Roman site, two kilometers distant, was a posting station on the Via Cassia; some ruins of walls and paving at S. Maria di Forcassi still mark the Roman Forum Cassii. The site was depopulated in the later Empire, when a smaller population retreated to the present strategic position commanding the valley, where it remained exposed to attack, in spite of the imposing walls that encircled it. The little fortress had been incorporated into the Papal States from their historic beginnings with the Lombard king Liutprand's Donation of Sutri (728) to Pope Gregory II, but the lords of Viterbo held it from 1110 to 1134. By 1145, Pope Eugene III was installed at Vetralla, safely removed from the viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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