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Fountain De La Abundancia
The Fountain of la Abundancia, or Fuente de la Abundancia, was located in the Plaza de la Cebada in Madrid, for this plaza also was known by this name. It has retained several architectural elements and various coats of arms, which were saved from demolition work which took place in the 19th century, to be integrated into a new structure. Now part of it preserves in la Fuentecilla fountain, another fountain of monumental size, located on Calle de Toledo, which was built in 1815 as a tribute to King Ferdinand VII. It has also remains a sculpture of a woman with a child, some researchers identify with la Abundance, the figure that named the fountain. History and description The Fountain of la Abundancia was designed in 1617 by the Madrilenian architect Juan Gómez de Mora, whom also built the Fuente de Orfeo in the Plaza de la Provincia, conceived almost simultaneously. Its implementation was entrusted to the builder master Pedro Pedrosa and stonemason master Martín de Gortayri. ...
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Fuente De La Abundancia Cebada
Fuente, Spanish for "fountain" or "spring", may refer to: People * Claire dela Fuente (1958–2021), Filipino singer * José Manuel Fuente (1945–1996), Spanish road racing cyclist * Justin Fuente (born 1976), college football coach in U.S. * Luis La Fuente (born 1947), Peruvian football defender Places * Fuente-Álamo, Spain * Fuente Álamo de Murcia, Spain * Fuente Carreteros, Córdoba, Spain * Fuente de Cantos, Badajoz, Spain * Fuente de Oro, Colombia * Fuente de Pedro Naharro, Cuenca, Spain * Fuente de Piedra, Málaga, Spain * Fuente de Piedra Lagoon, a wetland in Málaga, Spain * Fuente de Santa Cruz, Segovia, Spain * Fuente del Arco, Badajoz, Spain * Fuente del Maestre, Badajoz, Spain * Fuente el Fresno, Ciudad Real, Spain * Fuente el Olmo de Fuentidueña, Segovia, Spain * Fuente el Olmo de Íscar, Segovia, Spain * Fuente el Saúz, Ávila, Spain * Fuente el Saz de Jarama, Spain * Fuente el Sol, Valladolid, Spain * Fuente Encalada, Zamora, Spain * Fuente la Lancha, Córdoba ...
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Ludovico Turchi
Ludovico () is an Italian masculine given name. It is sometimes spelled Lodovico. The feminine equivalent is Ludovica. Persons with the name Ludovico Given name * Ludovico D'Aragona (1876–1961), Italian socialist politician * Ludovico Ariosto (1474–1533), Italian poet * Ludovico Avio (1932–1996), Argentine football forward * Ludovico Baille (1764–1839), Italian historian * Ludovico Balbi (1540–1604), Italian composer * Ludovico Barassi (1873–1953), Italian jurist * Ludovico Barbo (1381–1443), Italian monastic life reformer * Ludovico Bertonio (1552–1625), Italian Jesuit missionary * Ludovico Bidoglio (1900–1970), Argentinian footballer * Ludovico Brea (c. 1450–c. 1523), Italian painter * Ludovico di Breme (1780–1820), Italian writer * Ludovico Ottavio Burnacini (1636–1707), Italian architect and stage designer * Ludovico Buti (c. 1560–after 1611), Italian painter * Ludovico Camangi (1903–1976), Italian politician * Lodovico Campalastro, Italian pa ...
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Buildings And Structures Completed In 1617
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Demolished Buildings And Structures In Madrid
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break through wo ...
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Fountains In Madrid
A fountain, from the Latin "fons" (genitive "fontis"), meaning source or spring, is a decorative reservoir used for discharging water. It is also a structure that jets water into the air for a decorative or dramatic effect. Fountains were originally purely functional, connected to springs or aqueducts and used to provide drinking water and water for bathing and washing to the residents of cities, towns and villages. Until the late 19th century most fountains operated by gravity, and needed a source of water higher than the fountain, such as a reservoir or aqueduct, to make the water flow or jet into the air. In addition to providing drinking water, fountains were used for decoration and to celebrate their builders. Roman fountains were decorated with bronze or stone masks of animals or heroes. In the Middle Ages, Moorish and Muslim garden designers used fountains to create miniature versions of the gardens of paradise. King Louis XIV of France used fountains in the Gardens of ...
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Peninsular War
The Peninsular War (1807–1814) was the military conflict fought in the Iberian Peninsula by Spain, Portugal, and the United Kingdom against the invading and occupying forces of the First French Empire during the Napoleonic Wars. In Spain, it is considered to overlap with the Spanish War of Independence. The war started when the French and Spanish armies invaded and occupied Portugal in 1807 by transiting through Spain, and it escalated in 1808 after Napoleonic France occupied Spain, which had been its ally. Napoleon Bonaparte forced the abdications of Ferdinand VII and his father Charles IV and then installed his brother Joseph Bonaparte on the Spanish throne and promulgated the Bayonne Constitution. Most Spaniards rejected French rule and fought a bloody war to oust them. The war on the peninsula lasted until the Sixth Coalition defeated Napoleon in 1814, and is regarded as one of the first wars of national liberation. It is also significant for the emergence of larg ...
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Convento De San Norberto
The Convento de Premonstratenses de San Norberto, also known as Convento de Mostenses or Convento de San Norberto, named after the founder of the Premonstratensian Order, is a religious building that disappeared. It was located on the ground of the current Plaza de Los Mostenses, next to the Gran Vía of Madrid (Spain). It was founded in 1611 by the community of the Fathers Canons Premonstratensians with the permission of Cardinal Archbishop of Toledo Bernardo de Rojas and financed by a benefactor, the Count of Miranda, Juan of Zúñiga, the then president of the Council of Castile. Today the site of the convent is occupied by a market built in the 19th century, known as Mercado de Los Mostenses. History The church had been rebuilt in 1754 by architect Ventura Rodríguez, having been previously ruined. It had a convex façade flanked by two towers but was a victim of the plan of the then king, Joseph Bonaparte to open up the plazas of the city. First, the convent was demolis ...
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Ensanche
means "widening" in Spanish. It is used to name the development areas of Spanish cities around the end of the 19th century, when the demographic explosion and the Industrial Revolution prompted the tearing down of the old city wall and the construction of neighborhoods under grid plans. Background The program of city extensions in Spain began simultaneously in 1860 with the plans for Barcelona by Ildefons Cerdà and Madrid by Carlos María de Castro, influenced by Haussmann's transformation of Paris from 1852 (and, in turn, have been said to have influenced Haussmann's later projects). Those extended cities beyond their traditional limits by demolishing city walls, transforming riverbanks and subdividing the – rural land outside the city walls. were generally based on principles articulated by Cerdà. These included reserving significant open space by requiring mid-block open space and whole block parks. The height of buildings was set by reference to the width of the adjac ...
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Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ...
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La Feria De Madrid En La Plaza De La Cebada (Manuel De La Cruz Vázquez)
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Spanish Baroque Architecture
Spanish Baroque is a strand of Baroque architecture that evolved in Spain, its provinces, and former colonies. History As Italian Baroque influences penetrated across the Pyrenees, they gradually superseded in popularity the restrained classicizing approach of Juan de Herrera, which had been in vogue since the late sixteenth century. As early as 1667, the facades of Granada Cathedral (by Alonso Cano) and Jaén Cathedral (by Eufrasio López de Rojas) suggest the artists' fluency in interpreting traditional motifs of Spanish cathedral architecture in the Baroque aesthetic idiom. In Madrid, a vernacular Baroque with its roots in Herrerian and in traditional brick construction was developed in the Plaza Mayor and in the Royal Palace of ''El Buen Retiro'', which was destroyed during the French invasion by Napoleon's troops. Its gardens still remain as Parque del Buen Retiro. This sober brick Baroque of the 17th century is still well represented in the streets of the capital in pala ...
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