Fountain De La Abundancia
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The Fountain of la Abundancia, or Fuente de la Abundancia, was located in the Plaza de la Cebada in
Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...
, for this plaza also was known by this name. It has retained several architectural elements and various
coats of arms A coat of arms is a heraldic visual design on an escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its wh ...
, which were saved from demolition work which took place in the 19th century, to be integrated into a new structure. Now part of it preserves in la Fuentecilla fountain, another fountain of monumental size, located on
Calle de Toledo The Calle de Toledo is a historic street in central Madrid, Spain, running across the Centro and Arganzuela districts. History and description Straddling along the Centro and Arganzuela districts, it starts at the Plaza Mayor and ends at the G ...
, which was built in 1815 as a tribute to King
Ferdinand VII , house = Bourbon-Anjou , father = Charles IV of Spain , mother = Maria Luisa of Parma , birth_date = 14 October 1784 , birth_place = El Escorial, Spain , death_date = , death_place = Madrid, Spain , burial_plac ...
. It has also remains a sculpture of a woman with a child, some researchers identify with la Abundance, the figure that named the fountain.


History and description

The Fountain of la Abundancia was designed in 1617 by the Madrilenian architect Juan Gómez de Mora, whom also built the Fuente de Orfeo in the Plaza de la Provincia, conceived almost simultaneously. Its implementation was entrusted to the builder master Pedro Pedrosa and stonemason master Martín de Gortayri. True to his office, Gómez de Mora opted for a more sculptural than architectural solution, in which there are clear
Herrerian The Herrerian style ( es, estilo herreriano or ''arquitectura herreriana'') of architecture was developed in Spain during the last third of the 16th century under the reign of Philip II (1556–1598), and continued in force in the 17th centur ...
influences, although odd concession to the emerging
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
trends of the moment. The fountain was formed by a quadrangular temple of classical nature. This was crowned in each of its four sides, with a triangular pediment and, at the top, with a
dome A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a m ...
, on which rested the sculptural group of the Abundance. As for the ornaments, the front were decorated with coats of arms, alluding to the City of Madrid and the Crown. But what was most striking across the open cavity in the middle of the main body, in which were staying four bears, throwing water, a clear reference to one of the symbols of the capital. The construction finally was performed made significant changes to the initial design. The structure planned to build was much slimmer, resting the bandstand on a stronger foothold, which had masks instead of coats of arms carved later. With regard to the coronation, the first idea that had Gómez de Mora was finish the set with a small obelisk, but eventually was placed on top the statue of the Abundance, that the Madrilenian council bought to the Italian merchant Ludovico Turchi in 1617. It represented a woman standing with a child on her right. It is not known very well about the whereabouts of this sculpture, after the destruction of the fountain in 1840.La antigua Fuente de la Abundancia de la Plaza de la Cebada en la porcelana del Buen Retiro: Las artes decorativas como fuente iconográfica y documental del antiguo Madrid
/ref> Although there is no confirmation about different authors argue that the figure of alabaster, from the collection of the Museo de Historia de Madrid (former Municipal Museum) is the Abundance that acquired Turchi in Italy. Near the place where was nailed this Baroque work, currently it stands a fountain of molten iron, comprising a circular vessel and a shaft, from which hang eight suppliers. It was inaugurated in 1999, in the
ensanche means "widening" in Spanish. It is used to name the development areas of Spanish cities around the end of the 19th century, when the demographic explosion and the Industrial Revolution prompted the tearing down of the old city wall and the const ...
formed in Calle de Toledo in its contact with the Plaza de la Cebada. Beyond sharing the name of Fuente de la Cebada, this modern building has nothing to do with the original structure designed by Gómez de Mora. And everything to do with an architectural standard widely used in the second half of the 19th and early 20th century, when iron architecture became popular.


La Fuentecilla

La Fuentecilla fountain was made in part with materials from different buildings. In the case of its prismatic granite body, seized almost entirely from the Fountain of la Abundancia. Of it also borrowed the triangular pediments and some coats of arms of the city of Madrid, from the fountain of La Abundancia. At the top of this fountain, was installed a sculpture, depicting a lion with two globes, referring to the overseas possessions of Spain. The figure of the animal was rescued from the Convent of the Premonstratensians, disappeared during the Napoleonic invasion. Although it serves as a public fountain, actually La Fuentecilla was erected as a memorial to celebrate the return of
Ferdinand VII , house = Bourbon-Anjou , father = Charles IV of Spain , mother = Maria Luisa of Parma , birth_date = 14 October 1784 , birth_place = El Escorial, Spain , death_date = , death_place = Madrid, Spain , burial_plac ...
, once concluded the War of Independence.


References

{{Coord, 40.4109, -3.7090, display=title Fountains in Madrid Demolished buildings and structures in Madrid Buildings and structures completed in 1617 1617 establishments in Spain Buildings and structures demolished in 1840