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Florence Kate Kingsford
Florence Kate Kingsford, Lady Cockerell (25 May 1871 – 18 September 1949), known variously as Florence Kingsford and Kate Cockerell, was a British illustrator and calligrapher who specialized in creating illuminated manuscripts. She worked with the Ashendene Press, the writer Olive Schreiner, and the archaeologist Flinders Petrie, among others. She is considered a leading illuminator of the British Arts and Crafts movement, with one authority holding that her originality as an illuminator was greater even than that of William Morris. She also designed some sets and costumes for opera and ballet. Education and family Florence Kate Kingsford was born in Canterbury, England, the daughter of Annie Harriette (Mosley) Kingsford and Charles Tomson Kingsford, a financial agent. She studied at the Central School of Arts and Crafts, where she learned techniques of medieval manuscript illumination, such as applying gold leaf to parchment. She further developed her technique by stud ...
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10268Ashendene 1000
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ...
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Elegy Written In A Country Churchyard
''Elegy Written in a Country Churchyard'' is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742. Originally titled ''Stanzas Wrote in a Country Church-Yard'', the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to preempt a magazine publisher from printing an unlicensed copy of the poem. The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard. The two versio ...
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Akhenaten
Akhenaten (pronounced ), also spelled Echnaton, Akhenaton, ( egy, ꜣḫ-n-jtn ''ʾŪḫə-nə-yātəy'', , meaning "Effective for the Aten"), was an ancient Egyptian pharaoh reigning or 1351–1334 BC, the tenth ruler of the Eighteenth Dynasty. Before the fifth year of his reign, he was known as Amenhotep IV ( egy, jmn-ḥtp, links=no, meaning "Amun is satisfied", Hellenized as ''Amenophis IV''). As a pharaoh, Akhenaten is noted for abandoning Egypt's traditional polytheism and introducing Atenism, or worship centered around Aten. The views of Egyptologists differ as to whether the religious policy was absolutely monotheistic, or whether it was monolatry, syncretistic, or henotheistic. This culture shift away from traditional religion was reversed after his death. Akhenaten's monuments were dismantled and hidden, his statues were destroyed, and his name excluded from lists of rulers compiled by later pharaohs. Traditional religious practice was gradually restored, not ...
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The Deserted Village
''The Deserted Village'' is a poem by Oliver Goldsmith published in 1770. It is a work of social commentary, and condemns rural depopulation and the pursuit of excessive wealth. The poem is written in heroic couplets, and describes the decline of a village and the emigration of many of its residents to America. In the poem, Goldsmith criticises rural depopulation, the moral corruption found in towns, consumerism, enclosure, landscape gardening, avarice, and the pursuit of wealth from international trade. The poem employs, in the words of one critic, "deliberately precise obscurity", and does not reveal the reason why the village has been deserted. The poem was very popular in the eighteenth and nineteenth centuries, but also provoked critical responses, including from other poets such as George Crabbe. References to the poem, and particularly its ominous "Ill fares the land" warning, have appeared in a number of other contexts. Background Goldsmith grew up in the hamlet of ...
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Oliver Goldsmith
Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Anglo-Irish novelist, playwright, dramatist and poet, who is best known for his novel ''The Vicar of Wakefield'' (1766), his pastoral poem ''The Deserted Village'' (1770), and his plays ''The Good-Natur'd Man'' (1768) and ''She Stoops to Conquer'' (1771, first performed in 1773). He is thought to have written the classic children's tale ''The History of Little Goody Two-Shoes'' (1765). Biography Goldsmith's birth date and year are not known with certainty. According to the Library of Congress authority file, he told a biographer that he was born on 10 November 1728. The location of his birthplace is also uncertain. He was born either in the townland of Pallas, near Ballymahon, County Longford, Ireland, where his father was the Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill House near Elphin in County Roscommon, where his grandfather Oliver Jones was a ...
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Alexander's Feast (Dryden Poem)
"Alexander's Feast, or the Power of Music" (1697) is an ode by John Dryden. It was written to celebrate Saint Cecilia's Day. Jeremiah Clarke set the original ode to music, but the score is now lost. Background In 1683 the Musical Society of London was formed for the purpose of commissioning and performing annually an ode in honour of Saint Cecilia, the patron saint of music. Dryden had previously written another ode, " A Song for St. Cecilia's Day", for the 1687 festival. "Alexander's Feast" was written for the 1697 festival.Endicott 2022 Analysis The main body of the poem describes the feast given by Alexander the Great at the Persian capital Persepolis, after his defeat of Darius in 331 BC. Alexander's bard Timotheus sings praises of him. Alexander's emotions are manipulated by the singer's poetry and music. Timotheus glorifies him as a god, puffing up Alexander's pride. He then sings of the pleasures of wine, encouraging Alexander to drink. Seeing Alexander becoming too b ...
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John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ...
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The Ancient Mariner
''The Rime of the Ancient Mariner'' (originally ''The Rime of the Ancyent Marinere'') is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–1798 and published in 1798 in the first edition of ''Lyrical Ballads''. Some modern editions use a revised version printed in 1817 that featured a gloss. Along with other poems in ''Lyrical Ballads'', it is often considered a signal shift to modern poetry and the beginning of British Romantic literature. ''The Rime of the Ancient Mariner'' recounts the experiences of a sailor who has returned from a long sea voyage. The mariner stops a man who is on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest’s reaction turns from bemusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style: Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, ...
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Samuel Taylor Coleridge
Samuel Taylor Coleridge (; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and ''Kubla Khan'', as well as the major prose work ''Biographia Literaria''. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime.Jamis ...
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Comus (Milton)
''Comus'' (''A Masque Presented at Ludlow Castle, 1634'') is a masque in honour of chastity, written by John Milton. It was first presented on Michaelmas, 1634, before John Egerton, 1st Earl of Bridgewater, at Ludlow Castle in celebration of the Earl's new post as Lord President of Wales. Known colloquially as ''Comus'', the masque's actual full title in its first publication is ''A Maske presented at Ludlow Castle, 1634: on Michaelmasse night, before the Right Honorable, John Earle of Bridgewater, Viscount Brackly, Lord President of Wales, and one of His Majesties most honorable privie counsell''. It was first performed for the Earl of Bridgewater on 29 September 1634. The performance also featured his two sons as the Elder Brother and Second Brother, and his daughter, Alice, as the Lady. ''Comus'' was printed anonymously in 1637, in a quarto issued by bookseller Humphrey Robinson; Milton included the work in his ''Poems'' of 1645 and 1673. Milton's text was later used for a ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Tam O' Shanter (poem)
"Tam o' Shanter" is a narrative poem written by the Scottish poet Robert Burns in 1790, while living in Dumfries. First published in 1791, at 228 (or 224) lines it is one of Burns' longer poems, and employs a mixture of Scots and English. The poem describes the habits of Tam, a farmer who often gets drunk with his friends in a public house in the Scottish town of Ayr, and his thoughtless ways, specifically towards his wife, who is waiting at home for him, angry. At the conclusion of one such late-night revel after a market day, Tam rides home on his horse Meg/Maggie while a storm is brewing. On the way he sees the local haunted church lit up, with witches and warlocks dancing and the Devil playing the bagpipes. He is still drunk, still upon his horse, just on the edge of the light, watching, amazed to see the place bedecked with many gruesome things such as gibbet irons and knives that had been used to commit murders and other macabre artifacts. The witches are dancing a ...
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