First Impressionist Exhibition
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First Impressionist Exhibition
The First Impressionist Exhibition was an art exhibition held by the , a group of nineteenth-century artists who had been rejected by the official Paris Salon (Paris), Salon and pursued their own venue to exhibit their artworks. The exhibition was held in April 1874 at ''35 Boulevard des Capucines'', the studio of the famous photographer Nadar. The exhibition became known as the "Impressionist Exhibition" following a satirical review by the art critic Louis Leroy in the 25 April 1874 edition of ''Le Charivari'' entitled "s:Exhibition of the Impressionists, The Exhibition of the Impressionists". Leroy's article was the origin of the term Impressionism. History Background In mid-19th century France, artists depended on public exhibitions to connect them with patrons willing to buy their artworks. The most prestigious exhibition was the Salon (Paris), Salon in Paris. From the earliest Salons in the 17th century until the French Revolution in 1789, only members of the ''Académi ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Palais De L'Industrie
The Palais de l'Industrie (Palace of Industry) was an exhibition hall located in Paris between the Seine River and the Champs-Élysées, which was erected for the Exposition Universelle (1855), Paris World Fair in 1855. This was the last of several buildings with the same name erected on the same site. The first ''Palais de l'Industrie'' was built in 1839 and was replaced for subsequent exhibitions in 1844 and 1849. The 1855 building was mainly designed by the architect Jean-Marie-Victor Viel and the engineer Alexis Barrault. It was demolished in 1897 to make way for the Grand Palais of the Exposition Universelle (1900), World Fair in 1900. Emperor Napoleon III wished the World's Fair of 1855, which followed London's Great Exhibition by four years, to prove the superiority of the French by surpassing the British fair in every way. In particular, he desired a spectacular exhibition hall to rival The Crystal Palace. A competition held in 1852 was won by a plan by architect Jean-Mari ...
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Claude Monet, 1873-74, Boulevard Des Capucines, Oil On Canvas, 80
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder. ...
, a form of brainstem stroke syndrome {{disambig, geo ...
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School Of Thought
A school of thought, or intellectual tradition, is the perspective of a group of people who share common characteristics of opinion or outlook of a philosophy, discipline, belief, social movement, economics, cultural movement, or art movement. History The phrase has become a common colloquialism which is used to describe those that think alike or those that focus on a common idea. The term's use is common place. Schools are often characterized by their currency, and thus classified into "new" and "old" schools. There is a convention, in political and philosophical fields of thought, to have "modern" and "classical" schools of thought. An example is the modern and classical liberals. This dichotomy is often a component of paradigm shift. However, it is rarely the case that there are only two schools in any given field. Schools are often named after their founders such as the " Rinzai school" of Zen, named after Linji Yixuan; and the Asharite school of early Muslim philosophy, na ...
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Batignolles Group
The ''Batignolles group'' (Le groupe des Batignolles) was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.Rogers, Maria. (1970)959 "The Batignolles group: Creators of impressionism." pp. 194-220 in M. C. Albrecht, J. H. Barnett, et al. (eds) The Sociology of Art and Literature'. New York: Praeger. Background Édouard Manet (1832–1883) lived on Boulevard des Batignolles, and maintained his workshop on Rue Guyot (now renamed Rue Médéric). He achieved some success at the Salon in 1861 with '' The Spanish Singer'' (1860), which received accolades from writer Charles Baudelaire (1821–1867) and journalist and literary critic Théophile Gautier (1811–1872). This enhanced reputation also brought younger artists into ...
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Edmond Maître
Edmond Maître (April 23, 1840 – May 29, 1898) was a French writer, musician, and art collector, best known for his support and association with the Impressionists and his close friendship with Frédéric Bazille and Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R .... His partner, Rapha Maître, was a model for several works by Renoir. Davis, J., Leshko, J., & S. (2000). "Pierre-Auguste Renoir". In ''Smith College Museum of Art: European and American Painting and Sculpture, 1760–1960'' (1st ed., pp. 106–107). Hudson Hills. References 1840 births 1898 deaths Impressionism French art collectors {{France-bio-stub ...
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Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined ''J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his father die ...
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Frédéric Bazille
Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. His ...
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Café Guerbois
Café Guerbois, on Avenue de Clichy in Paris, was the site of late 19th-century discussions and planning amongst artists, writers and art lovers – the '' bohèmes'' (bohemians), in contrast to the ''bourgeois''. Centered on Édouard Manet, the group gathered at the café usually on Sundays and Thursdays. Émile Zola, Frédéric Bazille, Louis Edmond Duranty, Henri Fantin-Latour, Emmanuel Chabrier, Edgar Degas, Claude Monet, Pierre-Auguste Renoir and Alfred Sisley regularly joined in the discussions. Tinterow, Gary. Henri Loyrette (1994). Origins of Impressionism'. Metropolitan Museum of Art. p. 314. . . Sometimes Paul Cézanne and Camille Pissarro also joined them. The group is sometimes called the Batignolles Group and many of the members are associated with Impressionism. Conversations there were often heated. On one evening in February 1870, things became so heated that Manet, insulted by a review that Duranty wrote, wounded Duranty in a duel A duel is an arran ...
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Henri Fantin-Latour - A Studio At Les Batignolles - Google Art Project
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Batt ...
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Édouard Manet
Édouard Manet (, ; ; 23 January 1832 â€“ 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ...
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