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Felipe De Guevara
Felipe de Guevara (died 1563) was a Spanish humanist, art writer and patron. Felipe was the illegitimate son of ambassador and art collector Diego de Guevara. He maintained close relations with people of the world of culture of his time. He was interested in various fields of knowledge such as numismatics, geography and history. Like his father, he also had a great passion for art. He had a great appreciation for the work in particular of Hieronymus Bosch, who was featured in his great work ''Comentarios de la pintura (Comments on Painting)''. He died in Madrid. His work remained as a manuscript until it was published in 1788 by Antonio Ponz. Sánchez Cantón felt it was probably written around 1560, shortly before his death. In his "Commentaries" Felipe devotes a section to fresco painting, the grotesques, painting on canvas, encaustic, lighting, mosaics, and oil. He refers to the writings of Pliny the Elder regarding the invention of painting in encaustic by Aristides (althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1563 Deaths
Year 1563 ( MDLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. Events January–June * February 1 – Sarsa Dengel succeeds his father Menas as Emperor of Ethiopia. * January 25 – In Italy, Instituto Bancario San Paolo di Torino, a major financial group of Sanpaolo IMI, is founded. * February 18 – Francis, Duke of Guise, is assassinated while besieging Orléans. * March 19 – The Edict of Amboise is signed at the Château d'Amboise by Catherine de' Medici, acting as regent for her son Charles IX of France, having been negotiated between the Huguenot Louis, Prince of Condé, and Anne, duc de Montmorency, Constable of France. It accords some toleration to the Huguenots, especially to aristocrats. It officially ends the first phase of the French Wars of Religion, and the combined Huguenot and royal armies then march north to besiege the English in Le Havre. * May 25 – Elizabeth Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitruvius
Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled ''De architectura''. He originated the idea that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"). These principles were later widely adopted in Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the ''Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior officer of artillery in charge of ''doctores ballistarum'' (artillery experts) and ''libratores'' who actually operated the machines. As an army engineer he specialized in the construction of ''ballista'' and '' scorpio'' artillery war machines for sieges. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxiteles
Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist. A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting ( Gérôme) to comic opera ( Saint-Saëns) to shadow play ( Donnay). Some writers have maintained that there were two sculptors of the name Praxiteles. One was a contemporary of Pheidias, and the other his more celebrated grandson. Though the repetition of the same name in every other generation is commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristides
Aristides ( ; grc-gre, Ἀριστείδης, Aristeídēs, ; 530–468 BC) was an ancient Athenian statesman. Nicknamed "the Just" (δίκαιος, ''dikaios''), he flourished in the early quarter of Athens' Classical period and is remembered for his generalship in the Persian War. The ancient historian Herodotus cited him as "the best and most honourable man in Athens", and he received similarly reverent treatment in Plato's Socratic dialogues. Biography Aristides was a member of a family of moderate fortune; his father's name was Lysimachus. Of his early life, it is only told that he became a follower of the statesman Cleisthenes. He first came to notice as ''strategos'' in command of his native tribe Antiochis at the Battle of Marathon, and it was no doubt in consequence of the distinction which he then achieved that he was elected ''archon eponymos'' for the ensuing year (489488). Pursuing a conservative policy to maintain Athens as a land power, he was one of the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pliny The Elder
Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ''Naturalis Historia'' (''Natural History''), which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. His nephew, Pliny the Younger, wrote of him in a letter to the historian Tacitus: Among Pliny's greatest works was the twenty-volume work ''Bella Germaniae'' ("The History of the German Wars"), which is no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus and Suetonius. Tacitus—who many scholars agree had never travelled in Germania—used ''Bella Germani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Humanism
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teachers and students of the humanities, known as the , which included grammar, rhetoric, history, poetry, and moral philosophy. It was not until the 19th century that this began to be called ''humanism'' instead of the original ''humanities'', and later by the retronym ''Renaissance humanism'' to distinguish it from later humanist developments. During the Renaissance period most humanists were Christians, so their concern was to "purify and renew Christianity", not to do away with it. Their vision was to return ''ad fontes'' ("to the sources") to the simplicity of the New Testament, bypassing the complexities of medieval theology. Under the influence and inspiration of the classics, humanists developed a new rhetoric and new learning. Some scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Javier Sánchez Cantón
Francisco Javier Sánchez Cantón (1891–1971) was a Spanish art historian, who from 1960 to 1968 was Director of the Museo del Prado. Life Born in Pontevedra, Galicia (Spain), on 14 July 1891, in 1913 he obtained a doctorate from the Central University, Madrid, with a thesis on ''Los pintores de cámara de los reyes de España'' (published in 1916). He started work at the Museo del Prado the same year. He was also attached to the Centro de Estudios Históricos (now Instituto Diego Velázquez of the Spanish National Research Council), and was for some years the editor-in-chief of the journal '' Archivo Español de Arte''. In 1929 he curated an exhibition of the work of Anton Raphael Mengs at the Prado. During the Spanish Civil War he was active in conserving the Prado's collections. In 1943 he became director of the Instituto Padre Sarmiento de Estudios Gallegos and editor-in-chief of its journal, '' Cuadernos de Estudios Gallegos''. In the same year, he was appointed to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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