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Fantasia And Fugue In C Minor, BWV 562
The Fantasia and Fugue in C minor, BWV 562 is a relatively short piece written for the organ by Johann Sebastian Bach. Bach began the composition during his time in Weimar, and an unfinished fugue, probably by Bach, was added in his later life. The piece features a heavily appoggiatura-laden harmony.Decca Records Publication No. 443 485-2 Composition Bach was hired in 1708 by the ruling duke of Saxe-Weimar, Wilhelm Ernst, as an organist and member of the court orchestra; he was particularly encouraged to make use of his unique talents with the organ. During his tenure at Weimar his fame as an organist grew, and many students of the organ visited him to hear him play and to learn from his technique. The composer also wrote many of his greatest organ works during the period, including the Toccata and Fugue in D minor, BWV 565 and the Prelude and Fugue in E major, BWV 566. The ''Fantasia and Fugue in C minor'' was begun during this period, as a lone fantasia in the title key. The fug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar
Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its large cultural heritage and its importance in German history. The city was a focal point of the German Enlightenment and home of the leading figures of the literary genre of Weimar Classicism, writers Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, noted composers such as Franz Liszt made Weimar a music centre. Later, artists and architects such as Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appoggiatura
An appoggiatura ( , ; german: Vorschlag or ; french: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord. By putting the non-chord tone on a strong beat, (typically the first or third beats of the measure, in 4/4 time) this accents the appoggiatura note, which also delays the appearance of the principal, expected chord note. The added non-chord note, or auxiliary note, is typically one degree higher or lower than the principal note, and may be chromatically altered. An appoggiatura may be added to a melody in a vocal song or in an instrumental work. The term comes from the Italian verb , "to lean upon". The appoggiatura is often used to express emotional "yearning". It is also called a long appoggiatura to distinguish it from the short appoggiatura, the acciaccatura. An ascending appoggiatura was previously known as a forefall, while a descending appoggiatura was known as a backfall. Notatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Ernest, Duke Of Saxe-Weimar
William Ernest, Duke of Saxe-Weimar (19 October 1662 – 26 August 1728) was a duke of Saxe-Weimar. Life He was born in Weimar, the eldest son of Johann Ernst II, Duke of Saxe-Weimar and Princess Christine Elisabeth of Schleswig-Holstein-Sonderburg. When his father died in 1683, he succeeded him as duke; however, he was compelled to rule jointly with his younger brother Johann Ernst III. Because John Ernest III was alcoholic, William Ernest took full control of the government of the duchy and permitted John Ernest the nominal title of co-duke (''Mitherr'') until his death in 1707. After the death of his brother he made John Ernest's son, Ernest August I, co-duke, but with no real power. Six months after the death of his father (2 November 1683), William Ernest married in Eisenach with Charlotte Marie, his cousin and eldest surviving daughter of his uncle Bernhard II, Duke of Saxe-Jena, in order to secure the family lands. At that time, the guardian of Charlotte and his youn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata And Fugue In D Minor, BWV 565
The Toccata and Fugue in D minor, Bach-Werke-Verzeichnis, BWV 565, is a piece of organ repertoire, organ music written, according to its oldest extant sources, by Johann Sebastian Bach (1685–1750). The piece opens with a toccata section, followed by a fugue that ends in a coda (music), coda. Scholars differ as to when it was composed. It could have been as early as . Alternatively, a date as late as the 1750s has been suggested. To a large extent, the piece conforms to the characteristics deemed typical of the north German organ school of the baroque music, Baroque era with divergent stylistic influences, such as south German characteristics. Despite a profusion of educated guesswork, there is not much that can be said with certainty about the first century of the composition's existence other than that it survived that period in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (Toccata) And Fugue In E Major, BWV 566
Prelude (Toccata) and Fugue in (C or) E major, BWV 566 is an organ work written by Johann Sebastian Bach probably during his 4 month-stay at Lübeck or afterwards in the winter of 1705–1706. It comprises five sections and is an early work in grand form of Bach. Its compositional form resembles that of Praeludia by Danish-German composer Dieterich Buxtehude. The first section alternates manual or pedal cadenzas with dense suspended chords. The second is a charming fugue with much repetition following the circle of fifths. The third section is a brief flourish for manuals, ending with an even briefer pedal cadenza punctuated with 9-voice chords. The fourth section, in time, is a second fugue with a rhythmic subject resembling the theme of the first fugue immediately followed by the fifth and final section that opens with a virtuous pedal-solo. Bach also wrote a transposed version of the piece in C major (BWV 566a), to play on organs tuned in meantone where E major would sound di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasia (music)
A fantasia (; also English language, English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapuntal
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretto
In music, the Italian term ''stretto'' (plural: ''stretti'') has two distinct meanings: # In a fugue, ''stretto'' (german: Engführung) is the imitation of the subject in close succession, so that the answer enters before the subject is completed.Apel, Willi, ed. (1969). ''Harvard Dictionary of Music'', Second Edition, Revised and Enlarged. The Belknap Press of Harvard University Press, Cambridge, Massachusetts. . # In non-fugal compositions, a ''stretto'' (also sometimes spelled ''stretta'') is a passage, often at the end of an aria or movement, in faster tempo. Examples include the end of Franz Liszt's transcendental etude No.10, the end of the last movement of Beethoven's Fifth Symphony; measure 227 of Chopin's Ballade No. 3; measures 16, 17 and 18, of his Prelude No. 4 in E minor; and measure 25 of his Etude Op. 10, No. 12, "The Revolutionary." Fugal stretto The term ''stretto'' comes from the Italian past participle of '' stringere'', and means "n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Kibbie
James Kibbie (born March 13, 1949) is an American concert organist, recording artist and pedagogue. He is Professor of Organ at the University of Michigan. Biography Kibbie was born in 1949 in Vinton, Iowa, USA. He graduated from Davenport West High School in 1967. He holds a Bachelor of Music in Organ Performance from North Texas State University (Magna cum laude, 1971), the Master of Music in Organ Performance from North Texas State University (1972), and the Doctor of Musical Arts in Organ Performance from the University of Michigan (1981). He won the International Organ Competition of the Prague Spring Festival in the former Czechoslovakia in 1979 and the ''Grand Prix d'Intérpretation'' at the International Organ Competition "Grand Prix de Chartres" in France in 1980. He joined the University of Michigan organ faculty in 1981 and is currently Professor of Organ. The University of Michigan has endowed the James Kibbie Scholarship in perpetuity to support students majorin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
