Faizi
Abu al-Faiz ibn Mubarak, popularly known by his pen-name, Faizi (20 September 1547 – 15 October 1595) was a poet and scholar of late medieval India whose ancestors ''Malik-ush-Shu'ara'' (poet laureate) of Akbar's Court. Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, pp.548–50 He was the elder brother of Akbar's historian Abul Fazl. Akbar highly recognised the genius in him and appointed him tutor for his sons and gave place to him among his decorative 'Navaratnas'. Life Faizi was born in Agra on 5 Sha'ban, AH 954 (20 September 1547), he was the eldest son of Shaikh Mubarak of Nagaur in Rajputana, India. His father, Shaikh Mubarak, was a scholar in the philosophy literature of Greece as well as in Islamic theology. He was educated mostly by his father. In AH 974 (1566–8), he reached Akbar's court. Akbar successively appointed him tutor for his princes, Salim, Murad and Daniyal. In AH 990 (1581), he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Faizi Represent His Work 'Nal Wa Daman' To Akbar
Abu al-Faiz ibn Mubarak, popularly known by his pen-name, Faizi (20 September 1547 – 15 October 1595) was a poet and scholar of late medieval India whose ancestors ''Malik-ush-Shu'ara'' (poet laureate) of Akbar's Court.Heinrich Blochmann, Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, pp.548–50 He was the elder brother of Akbar's historian Abu'l-Fazl ibn Mubarak, Abul Fazl. Akbar highly recognised the genius in him and appointed him tutor for his sons and gave place to him among his decorative 'Navaratnas'. Life Faizi was born in Agra on 5 Sha'ban, AH 954 (20 September 1547), he was the eldest son of Shaikh Mubarak of Nagaur in Rajputana, India. His father, Shaikh Mubarak, was a scholar in the philosophy literature of Greece as well as in Islamic theology. He was educated mostly by his father. In AH 974 (1566–8), he reached Akbar's court. Akbar successively appointed him tutor for his princes, Jah ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Navaratnas
Navaratnas (Sanskrit dvigu ''nava-ratna'', ) () or Nauratan was a term applied to a group of nine extraordinary people in an emperor's court in India. The well-known Nauratnas include the ones in the courts of the Hindu emperor Vikramaditya, the Mughal emperor Akbar, and the feudal lord Raja Krishnachandra. Vikramaditya's(Chandragupta II) Navaratnas Vikramaditya was a legendary emperor, who ruled from Ujjain; he is generally identified with the Gupta emperor Chandragupta II. According to folk tradition, his court had 9 famous scholars. The earliest source that mentions this legend is ''Jyotirvidabharana'' (22.10), a treatise attributed to Kalidasa. According to this text, the following 9 scholars (including Kalidasa himself) attended Vikramaditya's court: Another popular tradition mentions the astronomer Brahmagupta and the magician Vaitalik instead of Ghatkharpar and Vetala-Bhatta. Multiple scholars consider ''Jyotirvidabharana'' a literary forgery of a date later than ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Abu'l-Fazl Ibn Mubarak
Abu'l-Fazl ibn Mubarak, also known as Abul sharma, Abu'l Fadl and Abu'l-Fadl 'Allami (14 January 1551 – 22 August 1602), was the grand vizier of the Mughal emperor Akbar, from his appointment in 1579 until his death in 1602. He was the author of the ''Akbarnama'', the official history of Akbar's reign in three volumes, (the third volume is known as the '' Ain-i-Akbari'') and a Persian translation of the Bible.Abu al Fazl Biography and Works persian.packhum.org. He was also one of the Nine Jewels ( hi, script=Latn, Navaratnas) of Akbar's royal court and the brother of , the poet la ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nagaur
Nagaur is a city and municipal council in Nagaur district of the state of Rajasthan in India. It is the administrative headquarters of Nagaur District. The Nagaur city lies about midway between Jodhpur and Bikaner. Nagaur is famous for spices and sweets (mithai). Nagaur have huge mineral resources. Nagaur also has a temple of Maheshwari community Kuldevi in the name of Deresiya Mata Mandir. History The Nagaur Fort is of historical importance. Nagaur fort is the fort built by the ancient Kshatriya of India. The original maker of the fort is Naagvanshi Kshatriya. The Kshatriya rulers dominated Nagaur for a long period of time. Nagaur ruler were repeatedly forced to pay tribute to the Sisodias of Chittor while their lands were slowly annexed by the Rathore of Jodhpur. The ancient name of the city was Ahichhatrapur. In the medieval era, the town of Nagaur sat astride trade routes coming north from Gujarat and Sindh and those on the west crossing the Indus from Multan. With a d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nizami Ganjavi
Nizami Ganjavi ( fa, نظامی گنجوی, lit=Niẓāmī of Ganja, translit=Niẓāmī Ganjavī; c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was ''Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī'',Mo'in, Muhammad(2006), "Tahlil-i Haft Paykar-i Nezami", Tehran.: p. 2: Some commentators have mentioned his name as “Ilyas the son of Yusuf the son of Zakki the son of Mua’yyad” while others have mentioned that Mu’ayyad is a title for Zakki. Mohammad Moin, rejects the first interpretation claiming that if it were to mean 'Zakki son of Muayyad' it should have been read as 'Zakki i Muayyad' where izafe (-i-) shows the son-parent relationship but here it is 'Zakki Muayyad' and Zakki ends in silence/stop and there is no izafe (-i-). Some may argue that izafe is dropped due to meter constraints but dropping parenthood izafe is very strange and rare. So it is possible that Muayyad was a sobriquet for Zaki or part of his name (like Muayyad al-D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience. The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods. Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced. History In Ancient Rome, professional poets were generally sponsored by patrons, wealthy supporters including nobility and military officials. For inst ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Diwan (poetry)
In Islamic cultures of the Middle East, North Africa, Sicily and South Asia, a Diwan ( fa, دیوان, ''divân'', ar, ديوان, ''dīwān'') is a collection of poems by one author, usually excluding his or her long poems ( mathnawī). The vast majority of Diwan poetry was lyric in nature: either ghazals or ''gazel''s (which make up the greatest part of the repertoire of the tradition), or ''kasîde''s. There were, however, other common genres, most particularly the ''mesnevî'', a kind of verse romance and thus a variety of narrative poetry; the two most notable examples of this form are the ''Layla and Majnun'' (ليلى و مجنون) of Fuzûlî and the ''Hüsn ü Aşk'' (حسن و عشق; "Beauty and Love") of Şeyh Gâlib. Originating in Persian literature, the idea spread to the Arab and Turkish worlds, and South Asia, and the term was sometimes used in Europe, not always in the same way. Etymology The English usage of the phrase "diwan poetry" comes from the Arab ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nala
Nala (Sanskrit: नल) is a character in the ''Vana Parva'' book of the ''Mahabharata''. He was the king of Nishadha Kingdom and the son of Veerasena. Nala was known for his skill with horses and for his culinary expertise. He married princess Damayanti, of the Vidarbha Kingdom. He was blessed by goddess Kali. He was also a great cook and wrote the first-ever book on cookery, Pakadarpanam (Sanskrit: पाकदर्पण). Even today, a consistently good chef/cook is credited as someone with Nala-Bhagam to mean that their dish tastes as if Nala has prepared it. He is said to have been able to cook a full meal without lighting fire. Story Nala's story is told in the Vana Parva of the Mahabharata and was adapted into various versions. According to the 12th century text Nishadha Charita, one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature, written by Sriharsha, Nala, King of Nishadha, found a beautiful swan in a forest. The swan told him ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |