|
Endaro Mahanubhavulu
''Endaro Mahanubhavulu'' is a popular ''Kriti (music), kriti'' in Carnatic music composed by Tyagaraja, one of the Trinity of Carnatic music. Its lyrics are in Telugu language, Telugu; the music is set in the Sri Ragam and is in Aadi Talam. It is among the ''Pancharatna Kritis'' ("five gems") of Tyagaraja. Etymology The word ''Mahānubhāvulu'' is made up of two Sanskrit words, ''mahát'' and ''anubhava''. ''Mahát'' is a superlative term which means "great, important, high, eminent" and is related to the word ''mahadbhū'' which means "to become great or full (said of the moon)".Monier Monier Williamsमहत् Sanskrit English Dictionary with EtymologyMonier Monier Williams Sanskrit English Dictionary with Etymology The term ''anubhava'' refers to experience or knowledge derived from personal observation.Monier Monier Williams Sanskrit English Dictionary with Etymology Hence the word ''Mahānubhāvulu'' is referring to those devotees who have acquired extraordinary wisdom t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means Creation. Structure Conventional ''Kritis'' typically contain three parts #''Pallavi'', the equivalent of a refrain in Western music #'' Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or '' mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the '' ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oottukkadu Venkata Kavi and Muthuswami Dikshitar's compositions, are intentionally composed without a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman
Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine '' vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth, and considered to be an incarnation or son of Shiva in Shaivism. Hanuman is mentioned in several other texts, such as the epic ''Mahabharata'' and the various Puranas. Evidence of devotional worship to Hanuman is largely absent in these texts, as well as in most archeological sites. According to Philip Lutgendorf, an American Indologist, the theological significance of Hanuman and devotional dedication to him emerged about 1,000 years after the composition of the ''Ramayana'', in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent.Paula Richman (2010), ''Review: Lut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumburu
Tumburu ( sa, तुम्बुरु, translit=Tuṃburu) is the foremost among the gandharvas, the celestial musicians of Hindu mythology. He is described to perform in the courts of the deities Kubera and Indra, as well as sing the praises of Vishnu. He is said to lead the gandharvas in their singing. Legend Origin Tumburu is described as the son of Sage Kashyapa, and his wife, Pradha. Along with the other three gandharva sons of Kashayapa, Bahu, Haha, and Huhu, he is renowned for his sweet and pleasant speech. Tumburu is often described as the best among the gandharvas in his musical talent. A "mighty singer and musician", he sings in presence of the devas. Besides Narada and Gopa, he is also regarded as the king of songs. Rivalry with Narada The ''Bhagavata Purana'' considers Narada to be the teacher of Tumburu. The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira. Narada and Tumburu are said to sing the glories of Vishnu. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narada
Narada ( sa, नारद, ), or Narada Muni, is a sage divinity, famous in Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of mind-created children of Brahma, the creator god. He appears in a number of Hindu texts, notably the Mahabharata, regaling Yudhishthira with the story of Prahalada and the Ramayana as well as tales in the Puranas. A common theme in Vaishnavism is the accompaniment of a number of lesser deities such as Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or enjoy a close view of epochal events. He is also referred to as ''Rishiraja'', meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future. Hinduism In Indian texts, Narada travels to distant worlds and realms (Sanskrit: ''lokas''). He is depicted carrying a khartal (musical instrument) and the veena, and is generally regarded as one of the great ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlada
Prahlada () is an asura king in Hindu mythology. He is known for his staunch devotion towards the preserver deity, Vishnu. He appears in the narrative of Narasimha, the man-lion avatar of Vishnu, who rescues Prahlada by slaying his wicked father, Hiranyakashipu. Prahlada is described as a saintly boy, known for his innocence and bhakti to Vishnu. Despite the abusive nature of his father, Hiranyakashipu, he continues to worship Vishnu. He is considered to be a ''mahājana'', or great devotee, by followers of Vaishnava traditions. A treatise is accredited to him in the Bhagavata Purana, in which Prahlada describes the process of his loving worship towards Vishnu. The majority of stories in the Puranas regarding him are based on the activities of Prahlada as a young boy, and he is usually depicted as such in paintings and illustrations. Legend Prahlada was born to Kayadhu and Hiranyakashipu, an evil daitya king who had been granted a boon that he could not be killed off by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandra
Chandra ( sa, चन्द्र, Candra, shining' or 'moon), also known as Soma ( sa, सोम), is the Hindu god of the Moon, and is associated with the night, plants and vegetation. He is one of the Navagraha (nine planets of Hinduism) and Dikpala (guardians of the directions). Etymology and other names The word "Chandra" literally means "bright, shining or glittering" and is used for the "Moon" in Sanskrit and other Indian languages.''Graha Sutras'' by Ernst Wilhelm, published by Kala Occult Publishers p. 51 It is also the name of various other figures in Hindu mythology, including an asura and a Suryavanshi king. It is also a common Indian name and surname. Both male and female name variations exists in many South Asian languages that originate from Sanskrit. Some of the synonyms of Chandra include ''Soma'' (distill), ''Indu'' (bright drop), ''Atrisuta'' (son of Atri), ''Shashin'' or ''Shachin'' (marked by hare), ''Taradhipa'' (lord of stars) and ''Nishakara'' (the ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
