Emmerich Kálmán
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Emmerich Kálmán
Emmerich Kálmán ( hu, Kálmán Imre; 24 October 1882 – 30 October 1953) was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are '' Die Csárdásfürstin'' (1915) and ''Gräfin Mariza'' (1924). Influences on his compositional style include Hungarian folk music (such as the csárdás), the Viennese style of precursors such as Johann Strauss II and Franz Lehár, and, in his later works, American jazz. As a result of the ''Anschluss,'' Kálmán and his family fled to Paris and then to the United States. He eventually returned to Europe in 1949 and died in Paris in 1953. Biography Kálmán was born Imre Koppstein in Siófok, then in Austria-Hungary, on the southern shore of Lake Balaton, to a Jewish family. Kálmán initially intended to become a concert pianist, but because of early-onset arthritis, he focused on composition instead. He studied music theory and composition at th ...
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Kálmán Imre Cropped (Willinger Vilmos, 1924)
Kálmán is an ancient Germanic origin Hungarian surname and male given name. Outside Hungary, the name occurs sometimes in the form Kalman. It was derived from the Germanic name: Koloman, Coloman or Kolman. The Germanic name Coloman has been used by Germans since the 9th century. Kalman ( in Yiddish and Hebrew, occasionally spelled Calman in Roman letters) is also a Yiddish given name that is a short form of the Greco-Jewish name Kalonymos (, meaning "beautiful name", a reference to a miracle worked in God's name). Sometimes the long form and short forms are used together, as in the compound name Kalman Kalonymos. The Yiddish and Hungarian names are a convergence with separate origins (the Yiddish name first appearing in the Rhineland in the middle ages with the famed Kalonymos family). People with the name Kalman or Kálmán include: Surname * Attila Kálmán (born 1968), Hungarian organist and pianist * Charles Kálmán (1929–2015), Hungarian-Austrian Jewish composer ...
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Die Zirkusprinzessin
' (''The Circus Princess'') is an operetta in three acts by Hungarian composer Emmerich Kálmán to a German libretto by Julius Brammer and Alfred Grünwald. It premiered at the Theater an der Wien in Vienna on 26 March 1926 and went on to 344 performances there. Synopsis The plot revolves around a romantic intrigue with interpolated circus sequences. The mysterious "Mister X", a dashing circus performer, is hired by a disappointed suitor of Princess Fedora Palinska to pose as a nobleman and marry her. "Mister X" is in fact a nobleman, the disinherited nephew of a deceased prince. One of the work's most well-known arias, ' (Two fairy-tale eyes), has been recorded by several famous tenors, including Fritz Wunderlich, Charles Kullman, and Richard Tauber. International productions The operetta was swiftly performed in Hungary, in an adaptation by Ernő Kulinyi and Imre Liptai, at the Király Színház in Budapest, on 24 September 1926. Productions in Sweden (Stockholm, Vasa-Teate ...
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Gräfin Mariza
''Gräfin Mariza'' (''Countess Maritza'') is an operetta in three acts composed by Hungarian composer Emmerich Kálmán, with a German libretto by Julius Brammer and Alfred Grünwald. It premiered in Vienna on 28 February 1924 at the Theater an der Wien. English adaptations As ''Countess Maritza'', it made its New York City debut on 18 September 1926 at the Shubert Theatre, in an adaptation by Harry B. Smith, and with interpolated music by other composers, playing 318 performances, with Yvonne d'Arle in the title role on opening night. The show was staged by J. C. Huffman. As ''Maritza'', it opened in London at the Palace Theatre on 6 July 1938, with Mary Losseff in the title role. A London revival by New Sadler's Wells Opera opened at Sadler's Wells Theatre in February 1983, with a new English book and lyrics by Nigel Douglas, starring Marilyn Hill Smith (Maritza), Ramon Remedios (Tassilo), Laureen Livingstone (Lisa), Lynn Barber (Manja) and Tudor Davies (Zsupan) conducte ...
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Der Zigeunerprimas
''Der Zigeunerprimas'' (''The Gypsy Band Leader'', known as ''Sari'' and ''The Gypsy Virtuoso'' in English speaking countries) is a three-act operetta, which was composed by Emmerich Kálmán. The libretto was written by and Fritz Grünbaum. It premiered at the in Vienna on 11 October 1912. In 1929 it was adapted into a German silent film ''The Gypsy Chief'' directed by Carl Wilhelm. Roles Synopsis Pali Rácz, a thrice-widowed gypsy violinist, is adored by women and hailed widely as a virtuoso. His daughter Sari cares for their large family. His young son Laczi is also a violinist, but has chosen to forsake his father's playing style and study classical violin at the Academy of Music. Pali wants to marry his niece, Juliska, as a companion in his old age, but she prefers his son, Laczi, and Laczi, in turn, loves her. Pali criticizes Laczi's musical talent so much, and Laczi yearns so for Juliska, that he leaves home. Reunited in Paris, father and son reconcile after Countes ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Budapest
Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population of 1,752,286 over a land area of about . Budapest, which is both a city and county, forms the centre of the Budapest metropolitan area, which has an area of and a population of 3,303,786; it is a primate city, constituting 33% of the population of Hungary. The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241–42. Re-established Buda became one of the centres of Renaissance humanist culture by the 15th century. The Battle of Mohács, in 1526, was followed by nearly 150 years of Ottoman rule. After the reconquest of Buda in 1686, the ...
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The Gay Hussars
:''See also The Gay Hussar restaurant, and Tatárjárás (other)'' ''The Gay Hussars'' is an operetta in three acts by Emmerich Kálmán. The piece was Kalman's first operetta and a hit throughout Europe and America. The first version, in Hungarian, ''Tatárjárás'', with libretto by Karl von Bakonyi and Andor Gábor, premiered at the Vígszinház in Budapest on 22 February 1908. The German version, ''Ein Herbstmanöver'', with libretto by K. von Bakonyi and Robert Bodanzky, premiered in Vienna on 22 January 1909. It was so popular that it prompted Kalman to move to Vienna. English adaptations Its New York premiere, as ''The Gay Hussars'', adapted by Maurice Brown Kirby with lyrics by Grant Stewart, was at the Knickerbocker Theatre on 29 July 1909 with W. H. Denny. Another English adaptation played in London as ''Autumn Manoeuvres'', opening in 1912 at the Adelphi Theatre with Robert Evett. The piece then toured in Britain. Roles Selected recordings A ...
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Hans Von Koessler
Hans von Koessler (1 January 1853 – 23 May 1926) was a German composer, conductor and music teacher. In Hungary, where he worked for 26 years, he was known as János Koessler. Biography Koessler, a cousin of Max Reger, was born in Waldeck, Fichtelgebirge (now part of Kemnath, Upper Palatinate). He was taught the organ from 1874 to 1877 by Josef Rheinberger and attended the choir lessons of Franz Wüllner in Munich. Immediately after that, he moved to Dresden, where he was appointed director and teacher for music theory and choral music at the Dresden School of Music. From 1878, he was also conductor of the Dresdner Liedertafel orchestra. From 1882 to 1908, he initially taught organ and choir at the National Music Academy of Budapest in Hungary. Later, he also became professor for composition and was also given a peerage. His students became some of the best Hungarian composers of the time: Zoltán Kodály, Béla Bartók, Ernő Dohnányi; for more After his retirement in 1908 ...
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