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Extinct Kannada Literature
Extinct Kannada literature is a body of literature of the Kannada language dating from the period preceding the first extant work, ''Kavirajamarga'' (ca. 850 CE). Although no works of this period are available now, references to them are found in the Kavirajamarga and a handful of other extant works. While a few scholars may have expressed reservations regarding the extent of this literature, noted modern scholars such as A.K. Ramanujan,Ramanujan A.K. (1973), p. 11 K.A. Nilakanta Sastri,Sastri (1955), p. 355 R. S. Mugali,Mugali R.S. (2006), pp. 173-175 and A. K. Warder,Warder (1988), p. 240 to name a few, have hypothesized that a body of literature must have existed in an earlier period. Some early writings and forms The earliest available examples of a Kannada inscriptions are the Halmidi inscription, allegedly a Kadamba royal edict commonly dated to fifth or sixth century CE,Sahitya Akademi (1988), pp. 1717, 1474Kamath (1980), p. 10 the Tamatekallu inscription which has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Language
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulakesi II
Pulakeshin II (IAST: Pulakeśin, r. c. 610–642 CE) was the most famous ruler of the Chalukya dynasty of Vatapi (present-day Badami in Karnataka, India). During his reign, the Chalukya kingdom expanded to cover most of the Deccan region in peninsular India. A son of the Chalukya king Kirttivarman I, Pulakeshin overthrew his uncle Mangalesha to gain control of the throne. He suppressed a rebellion by Appayika and Govinda, and decisively defeated the Kadambas of Banavasi in the south. The Alupas and the Gangas of Talakadu recognized his suzerainty. He consolidated the Chalukya control over the western coast by subjugating the Mauryas of Konkana. His Aihole inscription also credits him with subjugating the Latas, the Malavas, and the Gurjaras in the north. The most notable military achievement of Pulakeshin was his victory over the powerful northern emperor Harshavardhana, whose failure to conquer the Chalukya kingdom is attested by the Chinese pilgrim Xuanzang. In the east, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sri Ponna
Ponna ( kn, ಪೊನ್ನ) (c. 945) was a noted Kannada poet in the court of Rashtrakuta Dynasty king Krishna III (r.939–968 CE). The emperor honoured Ponna with the title "emperor among poets" (''Kavichakravarthi'') for his domination of the Kannada literary circles of the time, and the title "imperial poet of two languages" (''Ubhayakavi Chakravarti'') for his command over Sanskrit as well. Ponna is often considered one among the "three gems of Kannada literature" (''Ratnatraya'', ''lit'' meaning "three gems"; Adikavi Pampa and Ranna being the other two) for ushering it in full panoply. According to the scholar R. Narasimhacharya, Ponna is known to have claimed superiority over all the poets of the time. According to scholars Nilakanta Shastri and E.P. Rice, Ponna belonged to Vengi Vishaya in Kammanadu, Punganur, Andhra Pradesh, but later migrated to Manyakheta (in modern Kalaburagi district, Karnataka), the Rashtrakuta capital, after his conversion to the J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Ganga Dynasty
Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 1000 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district. After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 75 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunavarma I
Gunavarma I was an early Kannada language poet who authored two ''Mahakavya'' (epic poems), the ''Shudraka'' and the ''Harivamsha'' around 900 CE. His works are considered extinct but are found referenced in later years. According to historians Kamath and Narasimhacharya (also a Kannada language expert), he was patronised by Western Ganga Dynasty Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 1000 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (m ... King Ereganga Neetimarga II (also called Ereyappa) in the late 9th century and early 10th century period.Narasimhacharya (1988), p18 Notes References * * Kannada-language writers 9th-century births 10th-century deaths 9th-century Indian poets 10th-century Indian poets {{india-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it as "the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asaga
Asaga was a 9th-century Digambara Jain poet who wrote in Sanskrit and Kannada language. He is most known for his extant work in Sanskrit, the ''Vardhamana Charitra'' (Life of Vardhamana). This epic poem which runs into eighteen cantos was written in 853 CE. It is the earliest available Sanskrit biography of the last tirthankara of Jainism, Mahavira. In all, he authored at least eight works in Sanskrit. In Kannada, none of his writings, including the ''Karnataka Kumarasambhava Kavya'' (an adaptation of Kalidas's epic poem ''Kumārasambhava'') that have been referenced by latter day poets (including Nagavarma II who seems to provide a few quotations from the epic poem in his ''Kavyavalokana''R S Hukkerikar (1955), p.88, ''Karnataka Darshana'', Popular Book Depot, 1955) have survived. His writings are known to have influenced Kannada poet Sri Ponna, the famous court poet of Rashtrakuta King Krishna III, and other writers who wrote on the lives of Jain Tirthankaras. Kesiraja, (aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), ''brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digambara
''Digambara'' (; "sky-clad") is one of the two major schools of Jainism, the other being ''Śvētāmbara'' (white-clad). The Sanskrit word ''Digambara'' means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Digambara and Śvētāmbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important. Digambara monks cherish the virtue of non-attachment and non-possession of any material goods. Monks carry a community-owned ''picchi'', which is a broom made of fallen peacock feathers for removing and thus saving the life of insects in their path or before they sit. The Digambara literature can be traced only to the first millennium, with its oldest surviving sacred text being the mid-second century ''Ṣaṭkhaṅḍāgama'' "Scripture in Six Parts" of Dharasena (the Moodabidri manuscripts) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durgasimha
Durgasimha () was the minister of war and peace (''Sandhi Vigrahi'') of Western Chalukya Empire, Western Chalukya King Jayasimha II (Western Chalukya dynasty), Jayasimha II (also known as Jagadekamalla, r. 1018–1042).Sahitya Akademi (1988), p. 1122 Durgasimha adapted the well-known set of fables, ''Panchatantra'' ("The five stratagems"), from Sanskrit language into the Kannada language in ''champu'' style (mixed prose and verse). The Kannada-language version, whose central theme has a strong Jainism, Jain bent, contains 60 fables, 13 of which are original stories. All the stories have morality as their theme and carry a summary section (''Katha Shloka''). The Kannada version is the earliest Indian vernacular version, and the author, being a minister, not surprisingly, chose to write a book on political science (''Rajniti'').Sahitya Akademi (1988), p. 1253Shastri (1955), p. 357 The scholar R. Narasimhachar fixed the date of this work as c. 1025, but the modern Kannada poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amoghavarsha I
Amoghavarsha I (also known as Amoghavarsha Nrupathunga I) (r.814–878 CE) was the greatest emperor of the Rashtrakuta dynasty, and one of the most notable rulers of Ancient India. His reign of 64 years is one of the longest precisely dated monarchical reigns on record. Many Kannada and Sanskrit scholars prospered during his rule, including the great Indian mathematician Mahaviracharya who wrote ''Ganita-sara-samgraha'', Jinasena, Virasena, Shakatayan and Sri Vijaya (a Kannada language theorist). Amoghavarsha I was an accomplished poet and scholar. He wrote (or co-authored) the ''Kavirajamarga'', the earliest extant literary work in Kannada,Sastri (1955), p. 355. and ''Prashnottara Ratnamalika'', a religious work in Sanskrit. During his rule he held titles such as ''Nrupathunga'', ''Atishadhavala'', ''Veeranarayana'', ''Rattamarthanda'' and ''Srivallabha''. He moved the Rashtrakuta regal capital from Mayurkhandi in the Bidar district to Manyakheta in the Kalaburagi district ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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