Esteban March
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Esteban March
Esteban March (c,1610, Valencia - c.1668, Valencia) was a Spanish Baroque painter. Most of what is known about his life comes from writings by Antonio Palomino, who lived slightly later than March. Life and work His works may be compared, stylistically, to those of Pedro Orrente, which suggests that he may have studied with him during Orrente's stay in Valencia (1638-1645). A depiction of Moses crossing the Red Sea, at the Museo del Prado, which incorporates numerous figures and detailed animals, appears to owe a special debt to Orrente's style. Palomino indicates that he had a violent and extravagant temperament; based on anecdotes told by Juan Conchillos, one of his more prominent students. Some of this aggressive, nervous character is reflected in his battle paintings, which are his best known and most admired works. It is said that he had to work himself into a fury with martial music before beginning to paint. His interest in battlefields is also reflected in his paintings ...
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Esteban March, By Esteban March
Esteban () is a Spanish male given name, derived from Greek Στέφανος (Stéphanos) and related to the English names Steven and Stephen. Although in its original pronunciation the accent is on the penultimate syllable, English-speakers tend to pronounce it as a proparoxytone . People with the given name * Esteban Alvarado, Costa Rican goalkeeper * Esteban Andrés Suárez, Spanish football goalkeeper * Esteban Cambiasso, Argentine footballer * Esteban de la Fuente, Argentine basketball player * Esteban Fuertes, Argentine footballer * Esteban Granero, Spanish footballer * Esteban Guerrieri, Argentine racing driver * Esteban Gutiérrez, Mexican racing driver * Esteban Lazo Hernández, Cuban politician * Esteban Loaiza, Mexican retired baseball player * Esteban Navarro, Spanish novelist * Esteban Ocon, French racing driver * Esteban Pérez, Argentine basketball player * Esteban Solari, Argentine football player * Esteban Trapiello, Venezuelan businessman * Esteban Tuero, Argenti ...
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Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ...
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17th-century Spanish Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Painters From The Valencian Community
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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People From Valencia
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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1660 Deaths
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * The ...
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1590s Births
Year 159 (CLIX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time in Roman territories, it was known as the Year of the Consulship of Quintillus and Priscus (or, less frequently, year 912 ''Ab urbe condita''). The denomination 159 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place India * In India, the reign of Shivashri Satakarni, as King Satavahana of Andhra, begins. Births * December 30 – Lady Bian, wife of Cao Cao (d. 230) * Annia Aurelia Fadilla, daughter of Marcus Aurelius * Gordian I, Roman emperor (d. 238) * Lu Zhi, Chinese general (d. 192) Deaths * Liang Ji, Chinese general and regent A regent (from Latin : ruling, governing) is a person appointed to govern a state '' pro tempore'' (Latin: 'for the time being') because the monarch is a minor, absent, incapacitated or una ...
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José García Hidalgo
José García Hidalgo (1645 or 1646 – 1717 or 1719) was a Spanish painter, who wrote notes of his life, but omitted to state where and when he was born. Later research showed that he was born in Villena in 1646. He was named by the artists of the day ''El Castellano.'' Biography He studied in the city of Murcia under Mateo Gilarte and Nicolás de Villacis. After passing some years under those masters he went to Italy, and at Rome became a scholar of Giacinto Brandi, under whose tuition he made considerable progress. Pietro da Cortona, Salvator Rosa, and Carlo Maratti assisted him with their counsels; but the climate of Italy proving detrimental to his health, he returned to Spain, where he attached himself to Juan Carreño de Miranda, Carreño, and, though far advanced in the art, worked as a young pupil. In 1674 he went to Madrid, and was employed by Charles II of Spain, Charles II in a series of twenty-four pictures on the life of Augustine of Hippo, St. Augustine, for the c ...
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Raimon Casellas
Raimon Casellas i Dou (Barcelona, January 7, 1855 – Sant Joan de les Abadesses, November 2, 1910) was a Catalan journalist, art critic, ''modernisme'' narrator and collector. Author of ''Els sots feréstecs'' (1901), a work considered the first modernist novel in Catalan language and a forerunner of the current known as rural naturalism. Els sots feréstecs was translated to English by Alan Yates and published by Dedalus. He also wrote articles about aesthetics and art criticism for magazines like '' L'Avenç'', ''La Vanguardia'', ''L'Esquella de la Torratxa'' and '' Cucut!''. In 1899 he became the Chief Editor of the newspaper ''La Veu de Catalunya'', and his articles greatly influenced the Catalan artists of his time. ''Els sots feréstecs'', published in 1901 tells the story of father Llàtzer, a city bishop who is exiled to a rural parish for doctrinal heresy, and the upset that his arrival causes among the inhabitants of Sant Pau de Montmany. The premise of the story is a m ...
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Calvary
Calvary ( la, Calvariae or ) or Golgotha ( grc-gre, Γολγοθᾶ, ''Golgothâ'') was a site immediately outside Jerusalem's walls where Jesus was said to have been crucified according to the canonical Gospels. Since at least the early medieval period, it has been a destination for pilgrimage. The exact location of Calvary has been traditionally associated with a place now enclosed within one of the southern chapels of the multidenominational Church of the Holy Sepulchre, a site said to have been recognized by the Roman empress Helena, mother of Constantine the Great, during her visit to the Holy Land in 325. Other locations have been suggested: in the 19th century, Protestant scholars proposed a different location near the Garden Tomb on Green Hill (now "Skull Hill") about north of the traditional site and historian Joan Taylor has more recently proposed a location about to its south-southeast. Biblical references and names The English names Calvary and Golgotha ...
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Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's The Last Supper (Leonardo), late-1490s mural painting in Milan, Italy, being the best-known example. ''(Clickable image—use cursor to identify.)'' poly 550 2550 750 2400 1150 2300 1150 2150 1200 2075 1500 2125 1525 2300 1350 2800 1450 3000 1700 3300 1300 3475 650 3500 550 3300 450 3000 Bartholomew the Apostle, Bartholomew poly 1575 2300 1625 2150 1900 2150 1925 2500 1875 2600 1800 2750 1600 3250 1425 3100 1400 2800 1375 2600 James, son of Alphaeus, James Minor poly 1960 2150 2200 2150 2350 2500 2450 2575 2375 2725 2375 2900 2225 3100 2225 3225 1600 3225 1825 2700 1975 2450 1925 2300 Saint Andrew, Andrew poly 2450 2575 2775 2500 2700 2650 2800 2700 2600 3000 2600 3250 2300 3250 2200 3200 2300 3000 Saint Peter, Peter p ...
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Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Commissions Tempesta and the F ...
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