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Engravings
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where it ...
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Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ...
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Petroglyph
A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. Outside North America, scholars often use terms such as "carving", "engraving", or other descriptions of the technique to refer to such images. Petroglyphs are found worldwide, and are often associated with prehistoric peoples. The word comes from the Greek prefix , from meaning "stone", and meaning "carve", and was originally coined in French as . Another form of petroglyph, normally found in literate cultures, a rock relief or rock-cut relief is a relief sculpture carved on "living rock" such as a cliff, rather than a detached piece of stone. While these relief carvings are a category of rock art, sometimes found in conjunction with rock-cut architecture, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric or nonliterate cultures. Some of these reliefs exploit the rock's nat ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ...
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Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image or ''matrix'' of images into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, wood engravings deteriorate less quickly than copper-plate engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally use ...
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Mapmaking
Cartography (; from grc, χάρτης , "papyrus, sheet of paper, map"; and , "write") is the study and practice of making and using maps. Combining science, aesthetics and technique, cartography builds on the premise that reality (or an imagined reality) can be modeled in ways that communicate spatial information effectively. The fundamental objectives of traditional cartography are to: * Set the map's agenda and select traits of the object to be mapped. This is the concern of map editing. Traits may be physical, such as roads or land masses, or may be abstract, such as toponyms or political boundaries. * Represent the terrain of the mapped object on flat media. This is the concern of map projections. * Eliminate characteristics of the mapped object that are not relevant to the map's purpose. This is the concern of generalization. * Reduce the complexity of the characteristics that will be mapped. This is also the concern of generalization. * Orchestrate the elements of the ...
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Jean-Pierre Norblin De La Gourdaine
Jean-Pierre Norblin de La Gourdaine ( pl, Jan Piotr Norblin; 15 July 1745 – 23 February 1830) was a Polish- French painter, draughtsman, engraver and caricaturist. Born in France, from 1774 to 1804 he resided in the Crown of the Kingdom of Poland, where he obtained citizenship. He is considered one of the most important painters of the Enlightenment in Poland. He achieved great success in Poland. Given many commissions from some of the most notable families of the country, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming '' fêtes galantes'' and '' fêtes champêtres'' with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish–Lithuanian Commonwealth. Life Born in Misy-sur-Yonne in 1745, Norblin sta ...
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National Museum, Warsaw
The National Museum in Warsaw ( pl, Muzeum Narodowe w Warszawie), popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art ( Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting ( Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects. The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplement ...
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Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officially estimated at 1.86 million residents within a greater metropolitan area of 3.1 million residents, which makes Warsaw the 7th most-populous city in the European Union. The city area measures and comprises 18 districts, while the metropolitan area covers . Warsaw is an Alpha global city, a major cultural, political and economic hub, and the country's seat of government. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th century, when Sigismund III decided to move the Polish capital and his royal court from Kraków. Warsaw served as the de facto capital of the Polish–Lithuanian Commonwealth until 1795, and subsequently as the seat of Napoleon's Duchy of Warsaw. Th ...
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Line Engraving
Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results. Steel engraving is an overlapping term, for images that in fact are often mainly in etching, mostly used for banknotes, illustrations for books, magazines and decorative prints, often reproductive, from about 1820 to the early 20th century, when the technique became less used. ''Copperplate engraving'' is another somewhat outdated term for engravings. With photography long established, engravings made today are nearly all artistic ones in printmaking, but the technique is not as common as it used to be; more than other printmaking techniques, engraving requires great skill and much practice, even for an experienced artist. Technique ...
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Security Printing
Security printing is the field of the printing industry that deals with the printing of items such as banknotes, cheques, passports, tamper-evident labels, security tapes, product authentication, stock certificates, postage stamps and identity cards. The main goal of security printing is to prevent forgery, tampering, or counterfeiting. More recently many of the techniques used to protect these high-value documents have become more available to commercial printers, whether they are using the more traditional offset and flexographic presses or the newer digital platforms. Businesses are protecting their lesser-value documents such as transcripts, coupons and prescription pads by incorporating some of the features listed below to ensure that they cannot be forged or that alteration of the data cannot occur undetected. A number of technical methods are used in the security printing industry. Security printing is most often done on security paper, but it can also occur on plastic mate ...
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