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Eino Tamberg
Eino Tamberg (27 May 1930 – 24 December 2010) was an Estonian composer whose works are performed internationally. He composed operas such as ''Cyrano de Bergerac'', four symphonies, and several concertos. He taught composition for decades at the Estonian Academy of Music. Life Tamberg was born in Tallinn. He studied composition with Eugen Kapp at the Tallinn Conservatory, graduating in 1953. He worked as music director at the Tallinn Drama Theatre from 1952, and as sound engineer for the Estonian Radio from 1953 to 1957. As a composer, he first became known with his song cycle (1955) based on poetry by Sándor Petőfi, and with his ''Concerto Grosso'' (1956), for which he won a gold medal at an international music festival in Moscow. Tamberg was an important initiator of the anti-romantic composition movement of the late 1950s. His vision on music composition belonged to the so-called ''New Wave'' in Estonian music. He became more known outside Estonia from approximately 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tallinn Conservatory
The Estonian Academy of Music and Theatre (''Eesti Muusika- ja Teatriakadeemia'') began as a mixed choir of the Estonia Society Musical Department (EMD) on the eve of World War I. The assembly of the Estonia Society created the Tallinn Higher Music School on November 17, 1918. The opening ceremony took place on September 28, 1919. In 1923 the educational institution was renamed the Tallinn Conservatoire. In 1938 the State Drama School was opened. In 1993 the school was renamed the “Estonian Academy of Music”. In 1995 the Drama Faculty was renamed the Higher Theatre School. Some prominent graduates of the Estonian Academy of Music include singers Aile Asszonyi, Heli Lääts, and Ain Anger, conductors Roman Matsov, Tõnu Kaljuste, Olari Elts, Eri Klas, and Kristiina Poska, composers Arvo Pärt, Lepo Sumera, Erkki-Sven Tüür and Ardo Ran Varres, director Andres Puustusmaa, and actors Tõnu Aav, Heino Mandri, Elmo Nüganen, Ain Lutsepp, Margus Oopkaup, Jan Uuspõld, Tõnu Tepan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play ''Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy ''The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrano De Bergerac (play)
''Cyrano de Bergerac'' is a play written in 1897 by Edmond Rostand. There was a real Cyrano de Bergerac, and the play is a fictionalisation following the broad outlines of his life. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the ''dames précieuses'' glimpsed before the performance in the first scene. The play has been translated and performed many times, and it is responsible for introducing the word ''panache'' into the English language. The character of Cyrano himself makes reference to "my panache" in the play. The most famous English translations are those by Brian Hooker, Anthony Burgess, and Louis Untermeyer. Plot summary Hercule Savinien de Cyrano de Bergerac, a cadet (nobleman serving as a soldier) in the French Army, is a brash, strong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaan Kross
Jaan Kross (19 February 1920 – 27 December 2007) was an Estonian writer. He won the 1995 International Nonino Prize in Italy. Early life Born in Tallinn, Estonia, son of a skilled metal-worker, Jaan Kross studied at Jakob Westholm Gymnasium, and attended the University of Tartu (1938–1945) and graduated from its School of Law. He taught there as a lecturer until 1946, and again as Professor of ''Artes Liberales'' in 1998. In 1940, when Kross was 20, the Soviet Union invaded and occupied the three Baltic countries: Estonia, Latvia and Lithuania; imprisoned and executed most of their governments. In 1941, Nazi Germany invaded and took over the country. Kross was first arrested by the Germans for six months in 1944 during the German occupation of Estonia (1941–1944), suspected of what was termed "nationalism", i.e., promoting Estonian independence. Then, on 5 January 1946, when Estonia had been reconquered by the Soviet Union, he was arrested by the Soviet occupation a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epilogue
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bel Canto
Bel canto (Italian for "beautiful singing" or "beautiful song", )—with several similar constructions (''bellezze del canto'', ''bell'arte del canto'')—is a term with several meanings that relate to Italian singing. The phrase was not associated with a "school" of singing until the middle of the 19th century, when writers in the early 1860s used it nostalgically to describe a manner of singing that had begun to wane around 1830. Nonetheless, "neither musical nor general dictionaries saw fit to attempt definition f bel cantountil after 1900". The term remains vague and ambiguous in the 21st century and is often used to evoke a lost singing tradition. History of the term and its various definitions As generally understood today, the term ''bel canto'' refers to the Italian-originated vocal style that prevailed throughout most of Europe during the 18th and early 19th centuries. Late 19th- and 20th-century sources "would lead us to believe that ''bel canto'' was restricted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Concerto
A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments. These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Many post-W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon Concerto
A bassoon concerto is a concerto for bassoon accompanied by a musical ensemble, typically orchestra. Like bassoon sonatas, bassoon concerti were relatively uncommon until the twentieth century, although there are quite a few bassoon concerti from the classical period (music), Classical period. Some contemporary bassoon concerti are scored for solo bassoon and wind orchestra, wind or string orchestras. Baroque * Antonio Vivaldi, 39 Bassoon Concerti, RV 466-504 (RV 468 and 482 incomplete) * Johann Friedrich Fasch, Concerto in C Major * Caspar Foerster, Caspar Förster, Concerto * Johann Gottlieb Graun, Concerto in C Major * Christoph Graupner, Four Bassoon Concerti in C Major, GWV 301, C Minor, GWV 307, G Major, GWV 328, and B-flat Major, GWV 340 * Johann Wilhelm Hertel, Bassoon Concerti in A Minor, B-flat Major and E-flat Major * Franz Horneck, Concerto in E-flat Major * František Jiránek, Bassoon Concerti in G Minor and F Major * Antonín Jiránek, Four Bassoon Concerti * , Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet Concerto
A clarinet concerto is a concerto for clarinet; that is, a musical composition for solo clarinet together with a large ensemble (such as an orchestra or concert band). Albert Rice has identified a work by Giuseppe Antonio Paganelli as possibly the earliest known concerto for solo clarinet; its score appears to be titled "Concerto per il Clareto" and may date from 1733. It may, however, be intended for soprano chalumeau. There are earlier concerti grossi with concertino clarinet parts including two by Johann Valentin Rathgeber, published in 1728. Famed publishing house Breitkopf & Härtel published the first clarinet concerto in 1772. The instrument's popularity soared and a flurry of early clarinet concertos ensued. Many of these early concertos have largely been forgotten, though German clarinettist Dieter Klocker specialized in these "lost" works. Famous clarinet concertos of the Classical and early Romantic era include those of Wolfgang Amadeus Mozart, Carl Maria von Weber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Beethoven, Brahms, Bruch, Dvořák, Khachaturian, Mendelssohn, Mozart, Paganini, Prokofiev, Sarasate, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's ''L'estro armonico'', originally scored for four vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
