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Dunciad
''The Dunciad'' is a landmark, mock-heroic, narrative poem by Alexander Pope published in three different versions at different times from 1728 to 1743. The poem celebrates a goddess Dulness and the progress of her chosen agents as they bring decay, imbecility, and tastelessness to the Kingdom of Great Britain. Versions The first version – the "three-book" ''Dunciad'' – was published in 1728 anonymously. The second version, the ''Dunciad Variorum'', was published anonymously in 1729. The ''New Dunciad'', in a new fourth book conceived as a sequel to the previous three, appeared in 1742, and ''The Dunciad in Four Books'', a revised version of the original three books and a slightly revised version of the fourth book with revised commentary was published in 1743 with a new character, Bays, replacing Theobald as the "hero". Origins Pope told Joseph Spence (in ''Spence's Anecdotes'') that he had been working on a general satire of Dulness, with characters of contemporary Grub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Pope
Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including '' The Rape of the Lock'', ''The Dunciad'', and ''An Essay on Criticism,'' and for his translation of Homer. After Shakespeare, Pope is the second-most quoted author in ''The Oxford Dictionary of Quotations'', some of his verses having entered common parlance (e.g. "damning with faint praise" or " to err is human; to forgive, divine"). Life Alexander Pope was born in London on 21 May 1688 during the year of the Glorious Revolution. His father (Alexander Pope, 1646–1717) was a successful linen merchant in the Strand, London. His mother, Edith (1643–1733), was the daughter of William Turner, Esquire, of York. Both parents were Catholics. His mother's sister was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulness
Dulness is the goddess who presides over Alexander Pope's ''The Dunciad''. She is the central character, introduced at the start of the work. Dulness is the daughter of Chaos and "eternal Night", and her mission is to convert all the world to stupidity ("To hatch a new Saturnian age, of Lead"). Her triumph is part of the (the inverse of the ). As "enlightenment" moves ever westward, darkness follows behind. In Pope's poem, she already has control of all political writing and seeks to extend her reign to drama. Hence, she chooses as a champion Lewis Theobald (''Dunciad A'') and Colley Cibber (''Dunciad B''). Pope presents the power of Dulness as inexorable and irresistible, and in Book IV of the ''Dunciad B'' he asks only that she pause a moment to let him write his poem before she takes "the singer and the song" into her oblivion. She is not motivated by any particular malice, and she even shows mercy at one point, if being reduced to insensibility is mercy, for, when a deflowere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Theobald
Lewis Theobald (baptised 2 April 1688 – 18 September 1744), English textual editor and author, was a landmark figure both in the history of Shakespearean editing and in literary satire. He was vital for the establishment of fair texts for Shakespeare, and he was the first avatar of Dulness in Alexander Pope's ''The Dunciad''. Life and work Lewis Theobald was the son of Peter Theobald, an attorney, and his second wife, Mary. He was born in Sittingbourne, Kent, and baptized there on 2 April 1688. When Peter Theobald died in 1690, Lewis was taken into the Rockingham household and educated with the sons of the family, which gave him the grounding in Greek and Latin that would serve his scholarship throughout his career. As a young man, he was apprenticed to an attorney and then set up his own law practice in London. In 1707, possibly while he was apprenticing, he published ''A Pindaric Ode on the Union of Scotland and England'' and ''Naufragium Britannicum.''. In 1708 his tragedy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grub Street
Until the early 19th century, Grub Street was a street close to London's impoverished Moorfields district that ran from Fore Street east of St Giles-without-Cripplegate north to Chiswell Street. It was pierced along its length with narrow entrances to alleys and courts, many of which retained the names of early signboards. Its bohemian society was set amidst the impoverished neighbourhood's low-rent dosshouses, brothels and coffeehouses. Famous for its concentration of impoverished "hack writers", aspiring poets, and low-end publishers and booksellers, Grub Street existed on the margins of London's journalistic and literary scene. According to Samuel Johnson's ''Dictionary'', the term was "originally the name of a street... much inhabited by writers of small histories, dictionaries, and temporary poems, whence any mean production is called grubstreet". Johnson himself had lived and worked on Grub Street early in his career. The contemporary image of Grub Street was popularise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Arbuthnot
John Arbuthnot FRS (''baptised'' 29 April 1667 – 27 February 1735), often known simply as Dr Arbuthnot, was a Scottish physician, satirist and polymath in London. He is best remembered for his contributions to mathematics, his membership in the Scriblerus Club (where he inspired both Jonathan Swift's ''Gulliver's Travels'' book III and Alexander Pope's ''Peri Bathous, Or the Art of Sinking in Poetry'', ''Memoirs of Martin Scriblerus,'' and possibly ''The Dunciad''), and for inventing the figure of John Bull. Biography In his mid-life, Arbuthnot, complaining of the work of Edmund Curll, among others, who commissioned and invented a biography as soon as an author died, said, "Biography is one of the new terrors of death," and so a biography of Arbuthnot is made difficult by his own reluctance to leave records. Alexander Pope noted to Joseph Spence that Arbuthnot allowed his infant children to play with, and even burn, his writings. Throughout his professional life, Arbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parodies
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Poem
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type. Some narrative poetry takes the form of a novel in verse. An example of this is ''The Ring and the Book'' by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the ''Romance of the Rose'' or Tennyson's '' Idylls of the King''. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Essay On Criticism
''An Essay on Criticism'' is one of the first major poems written by the English writer Alexander Pope (1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing" (frequently misquoted as "A little knowledge is a dang'rous thing"), and "Fools rush in where angels fear to tread". Composition The first fragmentary drafts of the work were written in Abberley in 1707. It was first published in May 1711. Many of the poem's ideas had existed in prose form since at least 1706. Composed in heroic couplets (pairs of adjacent rhyming lines of iambic pentameter) and written in the Horatian mode of satire, it is a verse essay primarily concerned with how writers and critics behave in the new literary commerce of Pope's contemporary age. The poem covers a range of good criticism and advice, and represents many of the chief literary ideals of Pope's age. Structure and themes The verse "essay" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scriblerians
The Scriblerus Club was an informal association of authors, based in London, that came together in the early 18th century. They were prominent figures in the Augustan Age of English letters. The nucleus of the club included the satirists Jonathan Swift and Alexander Pope. Other members were John Gay, John Arbuthnot, Henry St. John and Thomas Parnell. The group was founded in 1714 and lasted until the death of the founders, finally ending in 1745. Pope and Swift are the two members whose reputations and work have the most long-lasting influence. Working collaboratively, the group created the persona of Martinus Scriblerus, through whose writings they accomplished their satirical aims. Very little of this material, however, was published until the 1740s. Robert Harley, 1st Earl of Oxford and Mortimer occasionally joined the club for meetings, though he is not known to have contributed to their literary output. He, along with Henry St John, 1st Viscount Bolingbroke, contributed to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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