Double Trouble Two
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Double Trouble Two
''Double Trouble Two'' is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records. The title refers to the fact that the work was originally conceived as a double concerto for pianists Howard Riley and Alexander von Schlippenbach, joined by the combined forces of the London Jazz Composers' Orchestra and the Globe Unity Orchestra. An earlier recording of the work, '' Double Trouble'', was issued by Intakt in 1990. Reception In a review for AllMusic, Steve Loewy wrote that the album "is filled with remarkable moments, particularly the performances by pianists Irene Schweizer and Marilyn Crispell... The ensemble work borders on the spectacular, too... devotees of the group will want this in their collection." The authors of ...
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Barry Guy
Barry John Guy (born 22 April 1947, in London) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of th ...
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The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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1998 Albums
1998 was designated as the ''International Year of the Ocean''. Events January * January 6 – The ''Lunar Prospector'' spacecraft is launched into orbit around the Moon, and later finds evidence for frozen water, in soil in permanently shadowed craters near the Moon's poles. * January 11 – Over 100 people are killed in the Sidi-Hamed massacre in Algeria. * January 12 – Nineteen European nations agree to forbid human cloning. * January 17 – The ''Drudge Report'' breaks the story about U.S. President Bill Clinton's alleged affair with Monica Lewinsky, which will lead to the House of Representatives' impeachment of him. February * February 3 – Cavalese cable car disaster: A United States military pilot causes the deaths of 20 people near Trento, Italy, when his low-flying EA-6B Prowler severs the cable of a cable-car. * February 4 – The 5.9 Afghanistan earthquake shakes the Takhar Province with a maximum Mercalli intensity of VII (''Very strong''). With up to 4, ...
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Paul Lytton
Paul Lytton (born 8 March 1947, London) is an English free jazz and free improvising percussionist. Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 ('' Natives and Aliens'') and 1999 ('' After Appleby''). A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976. Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark ...
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Barre Phillips
Barre Phillips (born October 27, 1934, in San Francisco, California, United States) is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony. During the 1960s, he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as ''Journal Violone'' in the US, ''Unaccompanied Barre'' in England, and ''Basse Barre'' in France on Futura Records, is generally credited as the first solo bass record. A 1971 record with Dave Holland, ''Music from Two Basses'', was probably the first record of improvised double bass duets. In the 1970s, he was a member of the well-regarded and inf ...
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Philipp Wachsmann
Philipp John Paul Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom. Discography * ''Chamberpot'' with Richard Beswick, Simon Mayo, Tony Wren (Bead, 1976) * ''Sparks of the Desire Magneto'' with Richard Beswick, Tony Wren (Bead, 1977) * ''Improvisations Are Forever Now'' (Vinyl Records, 1978) * ''For Harm'' with Harry de Wit (Bead, 1979) * ''Hello Brenda!'' with Richard Beswick (Bead, 1981) * ''Writing in Water'' (Bead, 1985) * ''Ellispontos'' (J.n.d., 1986) * ''The Glider & The Grinder'' with Tony Oxley (Bead, 1987) * ''Eleven Years from Yesterday'' with Peter Jacobsen, Ian Brighton, Marcio Mattos, Trevor Taylor (Bead, 1988) * '' ...
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Paul Rutherford (trombonist)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvising trombonist. Biography Born in Greenwich, South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Slavic word for "spark"; it was the title of the ''Iskra'' re ...
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Marc Charig
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of " Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a ...
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Henry Lowther (musician)
Thomas Henry Lowther (born 11 July 1941) is an English jazz trumpeter who also plays violin. Biography Born in Leicester, England, Lowther's first musical experience was on cornet in a Salvation Army band. He studied violin briefly at the Royal Academy of Music but returned to trumpet by 1960, though he sometimes played violin professionally. In the 1960s, he worked with Mike Westbrook (beginning in 1963 and continuing into the 1980s), Manfred Mann, John Dankworth (1967–77), Graham Collier (1967), John Mayall (1968), John Warren (1968 and subsequently), Neil Ardley (1968), and Bob Downes (1969). Many of these associations continued into the 1970s. Lowther appeared for some time with the Keef Hartley Band, playing with him at Woodstock, the music festival held in New York in August 1969. In the 1970s he worked with Mike Gibbs (1970–76), Kenny Wheeler (from 1972), Alan Cohen (1972), Michael Garrick (1972–73), Kurt Edelhagen (1974), John Taylor (1974), Stan Tracey (1976 on ...
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Paul Dunmall
Paul Dunmall (born 6 May 1953) is a British jazz musician who plays tenor and soprano saxophone, as well as the baritone and the more exotic saxello and the Northumbrian smallpipes. He has played with Keith Tippett and Barry Guy. In the early 1970s Dunmall joined progressive rock band "Marsupilami" for their second album, ''Arena''. He toured with the band until it folded in September 1971 but played with the band on the Spirit of 1971 stage in 2011 at the Glastonbury Festival. He then became a member of the Divine Light Mission and toured the U.S. His first recording as sideman was as the saxophonist on the 1976 Johnny Guitar Watson album ''Ain't That a Bitch''. Discography As leader *1986 Soliloquy MATCHLESS MR 15 *1989/93 Folks Duo with Paul Rogers SLAMCD 212 *1990 The journey Mujician CUNEIFORM RUNE 42 *1991 The Bristol concert Mujician/The Georgian Ensemble WHAT DISC WHAT7CD *1992 Live in London Paul Dunmall/Tim Wells/Dave Alexander DUNS L.E.015 *1993 Quartet, Sext ...
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Trevor Watts
Trevor Charles Watts (born 26 February 1939) is an English jazz and free-improvising alto and soprano saxophonist. Biography Watts was born in York, England. He is largely self-taught, having taken up the cornet at age 12 then switched to saxophone at 18. While stationed in Germany with the RAF (1958–63), he encountered the drummer John Stevens and trombonist Paul Rutherford. After being demobbed he returned to London. In 1965, he and Stevens formed the Spontaneous Music Ensemble, which became one of the crucibles of British free improvisation. Watts left the band to form his own group Amalgam in 1967, then returned to SME for another stretch that lasted until the mid-1970s. Another key association was with the bassist Barry Guy and his London Jazz Composers' Orchestra, an association that lasted from the band's inception in the 1970s up to its disbandment in the mid-1990s. Though he was initially strongly identified with the avant-garde, Watts is a versatile musician ...
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Evan Parker
Evan Shaw Parker (born 5 April 1944) is a British tenor and soprano saxophone player who plays free improvisation. Recording and performing prolifically with many collaborators, Parker was a pivotal figure in the development of European free jazz and free improvisation. He has pioneered or substantially expanded an array of extended techniques. Critic Ron Wynn describes Parker as "among Europe's most innovative and intriguing saxophonists...his solo sax work isn't for the squeamish." Early influences Parker's original inspiration was Paul Desmond, and in recent years the influence of cool jazz saxophone players has again become apparent in his music — there are tributes to Warne Marsh and Lee Konitz on ''Time Will Tell'' (ECM, 1993) and ''Chicago Solo'' (Okka Disk, 1997). He soon discovered the music of John Coltrane, who would be the primary influence throughout his career. Other important early influences were Cecil Taylor, Albert Ayler and Jimmy Guiffre. Early career ...
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