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Denis Dufour
Denis Dufour (born 9 October 1953) is a composer of art music. Biography Born in Lyon, after studying the classics at the CRR in Lyons and the Paris Conservatoire (particularly with Pierre Schaeffer and Ivo Malec), Dufour is recognized as a composer in the field of instrumental as well as electronic creation for concert with more than a 180 works to his credit. As one of the pioneers of the 'morphological' and expressive approach to sonic writing, his works employ a wide spectrum of parameters in all sonic dimensions. Following Pierre Schaeffer and Pierre Henry, he contributed to the emergence of a genre that decisively connects artists and musicians. "The exploration of new structures of sound, the fluidity of a 'Baroque' style of phrasing, the mobility of his figures, and his love of the human voice and of certain dramatic narrative effects have fostered the emergence of a new kind of theatrical sound in his work, over and beyond his strictly musical discourse''. Despite his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music Journal
''Computer Music Journal'' is a peer-reviewed academic journal that covers a wide range of topics related to digital audio signal processing and electroacoustic music. It is published on-line and in hard copy by MIT Press. The journal is accompanied by an annual CD/DVD that collects audio and video work by various electronic artists. ''Computer Music Journal'' was established in 1977. According to the ''Journal Citation Reports'', the journal has a 2016 impact factor The impact factor (IF) or journal impact factor (JIF) of an academic journal is a scientometric index calculated by Clarivate that reflects the yearly mean number of citations of articles published in the last two years in a given journal, as ... of 0.405. References External links * Journal pageat publisher's website Music journals Publications established in 1977 MIT Press academic journals Quarterly journals English-language journals {{compu-journal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acousmonium
The Acousmonium is the sound diffusion system designed in 1974 by Francois Bayle and used originally by the Groupe de Recherches Musicales at the Maison de Radio France. It consists of 80 loudspeakers of differing size and shape, and was designed for tape playback. As Bayle wrote in a CD sleeve note in 1993, it was The process of distributing compositions of electroacoustic music or Musique concrète across an acousmonium is called ''diffusion''. This is done by the composer or a performer by controlling and adjusting the spatial distribution and volume of the music during playback. The Acousmonium has been in use more recently. It was, for example, used for a series of concerts held at the Institute of Contemporary Arts, London in May, 2006. See also *Acousmatic music Acousmatic music (from Greek ἄκουσμα ''akousma'', "a thing heard") is a form of electroacoustic music that is specifically ''composed'' for presentation using speakers, as opposed to a live performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spatial Music
Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon, as a component specific to new musical techniques the concept of spatial music (''Raummusik'', usually translated as " space music") was introduced as early as 1928 in Germany. The term ''spatialisation'' is connected especially with electroacoustic music to denote the projection and localization of sound sources in physical or virtual space or sound's spatial movement in space. Context The term "spatial music" indicates music in which the location and movement of sound sources is a primary compositional parameter and a central feature for the listener. It may involve a single, mobile sound source, or multiple, simultaneous, stationary or mobile sound events in different locations. There are at least three distinct categories when plural events are treated spatially: #essentially independent events separated in space, lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Technique
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality. Compositional technique is the ability and knowledge composers use to create music, and may be distinguished from instrumental or performance technique, which in classical music is used to realize compositions, but may also be used in musical improvisation. Extended techniques are distinguished from more simple and more common techniques. Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Class
A master class is a Class (education), class given to students of a particular Academic discipline, discipline by an expert of that discipline—usually music, but also science, painting, drama, games, or on any other occasion where skills are being developed. "Masterclass" is also used in a figurative sense to describe a display of great skill in a context where education was not the primary intention; e.g., “his last few laps were a ''masterclass'' in overtaking” (referencing a race around a track). Around music The difference between a normal class and a ''master class'' is typically the setup. In a master class, all the students (and often spectators) watch and listen as the master takes one student at a time. The student (typically intermediate or advanced, depending on the status of the master) usually performs a single piece (music), piece which they have prepared, and the master will give them advice on how to play it, often including anecdotes about the composer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Research
Research is "creativity, creative and systematic work undertaken to increase the stock of knowledge". It involves the collection, organization and analysis of evidence to increase understanding of a topic, characterized by a particular attentiveness to controlling sources of bias and error. These activities are characterized by accounting and controlling for biases. A research project may be an expansion on past work in the field. To test the validity of instruments, procedures, or experiments, research may replicate elements of prior projects or the project as a whole. The primary purposes of basic research (as opposed to applied research) are documentation, Discovery (observation), discovery, interpretation (philosophy), interpretation, and the research and development (R&D) of methods and systems for the advancement of human knowledge. Approaches to research depend on epistemology, epistemologies, which vary considerably both within and between humanities and sciences. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perpignan
Perpignan (, , ; ca, Perpinyà ; es, Perpiñán ; it, Perpignano ) is the prefecture of the Pyrénées-Orientales department in southern France, in the heart of the plain of Roussillon, at the foot of the Pyrenees a few kilometres from the Mediterranean Sea and the scrublands of the Corbières massif. It is the centre of the Perpignan Méditerranée Métropole metropolitan area. In 2016 Perpignan had a population of 121,875 (''Perpignanais(e)'' in French, ''Perpinyanés(a)'' in Catalan) in the commune proper, and the metropolitan area had a total population of 268,577, making it the last major French city before the Spanish border. Perpignan is also sometimes seen as the "Entrance" of the Iberian Peninsula. Perpignan was the capital of the former province and County of Roussillon (''Rosselló'' in Catalan) and continental capital of the Kingdom of Majorca in the 13th and 14th centuries. It has preserved an extensive old centre with its ''bodegas'' in the historic centre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boulogne-Billancourt
Boulogne-Billancourt (; often colloquially called simply Boulogne, until 1924 Boulogne-sur-Seine, ) is a wealthy and prestigious Communes of France, commune in the Parisian area, located from its Kilometre zero, centre. It is a Subprefectures in France, subprefecture of the Hauts-de-Seine Departments of France, department and thus the seat of the larger arrondissement of Boulogne-Billancourt. Boulogne-Billancourt includes two large islands in the Seine: Île Saint-Germain and Île Seguin. With a population of 121,334 as of 2018, it is the most populous commune in Hauts-de-Seine and most populous suburb of Paris, as well as one of the most densely populated municipalities in Europe. Boulogne-Billancourt is one of the wealthiest regions in the Parisian area and in France. Formerly an important industrial site, it has successfully reconverted into business services and is now home to major communication companies headquartered in the Val de Seine Central business district, business ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Education
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
