Acousmonium
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Acousmonium
The Acousmonium is the sound diffusion system designed in 1974 by Francois Bayle and used originally by the Groupe de Recherches Musicales at the Maison de Radio France. It consists of 80 loudspeakers of differing size and shape, and was designed for tape playback. As Bayle wrote in a CD sleeve note in 1993, it was The process of distributing compositions of electroacoustic music or Musique concrète across an acousmonium is called ''diffusion''. This is done by the composer or a performer by controlling and adjusting the spatial distribution and volume of the music during playback. The Acousmonium has been in use more recently. It was, for example, used for a series of concerts held at the Institute of Contemporary Arts, London in May, 2006. See also *Acousmatic music Acousmatic music (from Greek ἄκουσμα ''akousma'', "a thing heard") is a form of electroacoustic music that is specifically ''composed'' for presentation using speakers, as opposed to a live performa ...
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Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ...
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Birmingham ElectroAcoustic Sound Theatre
Birmingham ElectroAcoustic Sound Theatre, or as it is more commonly known, BEAST, is a sound diffusion system specifically designed for the performance of electroacoustic music. It is a long-running project of the Electroacoustic Music Studios at the University of Birmingham, founded in 1982 under the directorship of Jonty Harrison. Since 2014 BEAST has been directed by Scott Wilson, along with Annie Mahtani and James Carpenter as technical director. Simply put, it consists of a set of loudspeakers connected to a computer, usually controlled by a diffusion console. The loudspeakers BEAST can consist of up to over 100 channels of loudspeakers, often arranged largely in pairs or rings,, and includes ultra-low frequency loudspeakers (''bins'') and custom-built trees of high frequency speakers (''tweeter trees'') which can be suspended above an audience. The minimum set-up that BEAST would ordinarily use for stereo diffusion comprises a set of loudspeakers which Jonty Harrison terms ...
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Groupe De Recherches Musicales
A group is a military unit or a military formation that is most often associated with military aviation. Air and aviation groups The terms group and wing differ significantly from one country to another, as well as between different branches of a national defence force. Air groups vary considerably in size and status, but generally take two forms: * A unit of two to four squadrons, commanded by a lieutenant colonel, colonel, commander, naval captain or an equivalent rank. The United States Air Force (USAF), ''groupes'' of the French ''Armée de l'air'', ''gruppen'' of the German ''Luftwaffe'', United States Marine Corps Aviation, British Fleet Air Arm and some other naval air services usually follow this pattern. * A larger formation, often comprising more than 10 squadrons, commanded by a major general, brigadier general, commodore, rear admiral, air commodore or air vice-marshal. The air forces of many Commonwealth countries, such as the British Royal Air Force (R ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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Institute Of Contemporary Arts
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar. Bengi Unsal became the director in 2022. History The ICA was founded by Roland Penrose, Peter Watson, Herbert Read, Peter Gregory, Geoffrey Grigson and E. L. T. Mesens in 1946. The ICA's founders intended to establish a space where artists, writers and scientists could debate ideas outside the traditional confines of the Royal Academy. The model for establishing the ICA was the earlier Leeds Arts Club, founded in 1903 by Alfred Orage, of which Herbert Read had been a leading member. Like the ICA, this too was a centre for multi-disciplinary debate, combined with avant-garde art exhibition and performances, within a framework that emphasised a radical social outlook. The ...
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Acousmatic Music
Acousmatic music (from Greek ἄκουσμα ''akousma'', "a thing heard") is a form of electroacoustic music that is specifically ''composed'' for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the introduction of musique concrète (a form of musique expérimentale) in the late 1940s. Unlike musical works that are realised using sheet music exclusively, compositions that are purely acousmatic (in listening terms) often exist solely as fixed media audio recordings. The compositional practice of acousmatic music features acousmatic sound as a central musical aspect. Other aspects traditionally thought of as 'musical' such as melody, harmony, rhythm, metre may be present but more often consideration is given to sound-based characteristics such as timbre and spectrum. Compositional materials can include sounds derived from musical instruments, voice, electronically generated sound, audio that has been ...
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