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Dubravka (drama)
''Dubravka'' is a drama of mythological-pastoral content and allegorical meaning written in the mid-third decade of the 17th century by the Croatian author Ivan Gundulić. It consists of three acts with a total of 28 scenes and 1,696 verses, written in double rhymed dodecasyllables and octosyllables. Time and set The plot of the entire play is set in the pastoral Dubrava in a mythical, pagan time of happiness and well-being, at the time that by its nature reminiscent the golden age of mankind. Historians of literature agree that Dubrava allegorically represents the city of Dubrovnik and/or the Republic of Ragusa as a country with a long tradition of independence and freedom, which cultivated since medieval times. Although Dubrava is some mythical country from the distant past, it represents the Republic of Ragusa because it values freedom as the highest human value, the biggest ideal and virtue that man can reach during his transient life. The story begins at dawn, symbolically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Gundulić
Dživo Franov Gundulić ( it, Gianfrancesco Gondola; 8 January 1589 – 8 December 1638), better known today as Ivan Gundulić, was the most prominent Baroque poet from the Republic of Ragusa (now in Croatia). He is regarded as the Croatian national poet. His work embodies central characteristics of Roman Catholic Counter-Reformation: religious fervor, insistence on "vanity of this world" and zeal in opposition to "infidels". Gundulić's major works—the epic poem ''Osman'', the pastoral play '' Dubravka'', and the religious poem '' Tears of the Prodigal Son'' (based on the Parable of the Prodigal Son) are examples of Baroque stylistic richness and, frequently, rhetorical excess. Life and works Gundulić was born in Dubrovnik into a wealthy Ragusan noble family (''see'' House of Gundulić) on 8 January 1589. Son of Francesco di Francesco Gundulić (Frano Franov Gundulić, senator and diplomat, once the Ragusan envoy to Constantinople and councilor of the Republic to the Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festivity Of Saint Blaise, The Patron Of Dubrovnik
Festivity of Saint Blaise, the patron of Dubrovnik ( hr, Festa Svetog Vlaha, zaštitnika Dubrovnika) is a festivity organized on February 3 continuously since the year 972 AD in the City of Dubrovnik, Croatia on the occasion of the celebration of Saint Blaise's day. The festivity is based on the legend of the appearance of St. Blaise, who helped the people of Dubrovnik in defending their town against the Republic of Venice. It is attended by many people, including residents of the city, surrounding areas, other parts of Croatia, and neighboring countries, tourists, and representatives of state and local authorities of the Roman Catholic Church. It was recognized as a UNESCO Intangible Cultural Heritage in 2009. The Croatian Ministry of Culture describes the festivity with these words: "Besides the spiritual significance, Festivity in particular forms social relations and rules as well as the quality of government. The Festivity as an expression of worship of a saint marked the whol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franjo Marković
Franjo Marković (or Franjo pl. Marković; July 26, 1845 in Križevci – September 15, 1914 in Zagreb) was a Croatian philosopher and writer. He was an academician, the first professor of philosophy at the renovated University of Zagreb in 1874. The defender of the identity of philosophy as a metaphysical discipline, as opposed to scholasticism on one side, and positivism and materialism on the other side. His greatest philosophical work is the ''Razvoj i sustav obćenite estetike'' ("The development and the system of general aesthetics"), which heavily influenced the development of Croatian philosophical thought due to its extensive and all-encompassing overview of the history of aesthetics in Croatian, and the introduction of new philosophic terms. He is the founder of the research of Croatian philosophic heritage. As a writer, he is noted for his lyric-reflexive poetry, epic compositions and dramas. He is a characteristic Romanticist ("national-romantic spirit"), and in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Literature
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcadia (poem)
''Arcadia'' is a pastoral poem written around 1480 by Jacopo Sannazaro and published in 1504 in Naples. Sannazaro's ''Arcadia'' influenced the literature of the 16th and 17th centuries (e.g., William Shakespeare, Philip Sidney, Marguerite de Navarre, Jorge de Montemayor, Garcilaso de la Vega and John Milton). Form ''Arcadia'' by Sannazaro could be considered a prosimetrum – a combination of prose and verse. The alternation of prose and verse is consistent, but each varies considerably. Many portions of the prose are merely descriptive. Others sections, especially in the second half of the poem, are more narrative. Like the prose, the poetry is varied with a number of different poetical forms, including frottola, barzelletta, madrigal, and canzona. Because of the pastoral subject and the sections in prose, Arcadia could also be considered an example of the Pastoral novel genre. Sannazaro can be considered the founder of this literary genre, another well known example is ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sannazaro
Jacopo Sannazaro (; 28 July 1458 – 6 August 1530) was an Italian poet, humanist and epigrammist from Naples. He wrote easily in Latin, in Italian and in Neapolitan, but is best remembered for his humanist classic '' Arcadia'', a masterwork that illustrated the possibilities of poetical prose in Italian, and instituted the theme of Arcadia, representing an idyllic land, in European literature. Sannazaro's elegant style was the inspiration for much courtly literature of the 16th century, including Sir Philip Sidney's ''Arcadia''. Biography He was born in 1458 at Naples of a noble family of the Lomellina, that claimed to derive its name from a seat in Lombard territory, at San Nazaro near Pavia. His father died ''ca'' 1462, during the boyhood of Jacopo, who was brought up at Nocera Inferiore and at San Cipriano Piacentino (hosted at the home of Family Sabato, located in Via Santilli) whose rural atmosphere colored his poetry. In 1483–85 he campaigned twice with Alfonso agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aminta
''Aminta'' is a play written by Torquato Tasso in 1573, represented during a garden party at the court of Ferrara. Both the actors and the public were noble persons living at the Court, who could understand subtle allusions the poet made to that style of life, in contrast with the life of shepherds, represented in an idyllic way. Text The text is written in hendecasyllabic and septenary verses; it is divided into five acts. The play has a pastoral theme, and is set in the time of Alexander the Great. The characters are shepherds and nymphs. The story is about Aminta's love for the beautiful nymph Silvia, who does not return his attentions and prefers hunting. She risks rape at the hands of a Satyr but Aminta saves her; however, again she flees from him. Aminta, finding her blood-stained veil, attempts to kill himself. Now Silvia is remorseful, comes back to cry over Aminta's body who is still alive, and the two can happily marry, following the advice that older and wiser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pastor Fido
''Il pastor fido'' (''The Faithfull Shepherd'' in Richard Fanshawe's 1647 English translation) is a pastoral tragicomedy set in Arcadia by Giovanni Battista Guarini, first published in 1590 in Venice. Plot summary To redress an ancient wrong, the gods of Arcadia every year demand the sacrifice of a virgin. According to the oracle, this curse can only be lifted when a young man and a young woman, each of godly descent, are wed. In Arcadia there are now only two that can claim such lineage: the young Silvio (the son of the priest Montano, and a descendant of Hercules) and the nymph Amarilli (the daughter of Titiro, and a descendant of Pan). Thus the two have been promised to each other in marriage. The play unfolds a double plot. One storyline follows Silvio, who cares only for the hunt and gives no thought to love or to his impending marriage. Silvio is pursued by a nymph named Dorinda. She tries to win his love in several ways, but he scorns her affections. One day Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guarino Guarini
Camillo Guarino Guarini (17 January 1624 – 6 March 1683) was an Italian architect of the Piedmontese Baroque, active in Turin as well as Sicily, France, and Portugal. He was a Theatine priest, mathematician, and writer.. Biography Guarini was born in Modena in 1624. Following the chosen path of his eldest brother Eugenio, Guarino entered the Theatine Order as a novitiate on the twenty-seventh of November, 1639 at the age of fifteen. He spent his novitiate at the monastery of San Silvestro al Quirinale in Rome, where he studied architecture, theology, philosophy and mathematics.Lawrence Gowing, ed., Biographical Encyclopedia of Artists, v.2 (Facts on File, 2005): 291. During Guarini's Roman years, Francesco Borromini and Gian Lorenzo Bernini created the buildings and sculpture which defined the Roman Baroque style. From Borromini, Guarini learned the use of complex geometry as a basis for floor plans. Borromini's second Roman church, Sant'Ivo alla Sapienza, was a star hexago ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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