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Dora Labbette
Dora Labbette (4 March 1898 – 3 September 1984) was an English soprano. Her career spanned the concert hall and the opera house. She conspired with Sir Thomas Beecham to appear at the Royal Opera House masquerading as an Italian singer by the name of Lisa Perli. Away from professional concerns she had an affair with Beecham, with whom she had a son. Biography Labbette was born Dorothy Bella Labbett in the London suburb of Purley, the daughter of a railway porter. She studied at the Guildhall School of Music, where she won the Melba scholarship, the Knill challenge cup for the best student of the year, and the Heilbut scholarship. She also studied with Liza Lehmann, who took her to sing to the music publisher and impresario William Boosey, who gave her a contract to sing songs published by his company, at "Ballad concerts, Promenades and Sunday evening concerts". She made her Wigmore Hall début in 1917,Jefferson, AlanDora Labbette ''New Grove Dictionary of Opera'', accessed 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora Labbette
Dora Labbette (4 March 1898 – 3 September 1984) was an English soprano. Her career spanned the concert hall and the opera house. She conspired with Sir Thomas Beecham to appear at the Royal Opera House masquerading as an Italian singer by the name of Lisa Perli. Away from professional concerns she had an affair with Beecham, with whom she had a son. Biography Labbette was born Dorothy Bella Labbett in the London suburb of Purley, the daughter of a railway porter. She studied at the Guildhall School of Music, where she won the Melba scholarship, the Knill challenge cup for the best student of the year, and the Heilbut scholarship. She also studied with Liza Lehmann, who took her to sing to the music publisher and impresario William Boosey, who gave her a contract to sing songs published by his company, at "Ballad concerts, Promenades and Sunday evening concerts". She made her Wigmore Hall début in 1917,Jefferson, AlanDora Labbette ''New Grove Dictionary of Opera'', accessed 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barbirolli
Sir John Barbirolli ( Giovanni Battista Barbirolli; 2 December 189929 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bordeaux
Bordeaux ( , ; Gascon oc, Bordèu ; eu, Bordele; it, Bordò; es, Burdeos) is a port city on the river Garonne in the Gironde department, Southwestern France. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department. Its inhabitants are called ''"Bordelais"'' (masculine) or ''"Bordelaises"'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 260,958 in 2019 within its small municipal territory of , With its 27 suburban municipalities it forms the Bordeaux Metropolis, in charge of metropolitan issues. With a population of 814,049 at the Jan. 2019 census. it is the fifth most populated in France, after Paris, Lyon, Marseille and Lille and ahead of Toulouse. Together with its suburbs and exurbs, except satellite cities of Arcachon and Libourne, the Bordeaux metropolitan area had a population of 1,363,711 that same year (Jan. 2019 census), ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vichy
Vichy (, ; ; oc, Vichèi, link=no, ) is a city in the Allier Departments of France, department in the Auvergne-Rhône-Alpes region of central France, in the historic province of Bourbonnais. It is a Spa town, spa and resort town and in World War II was the seat of government, capital of Vichy France from 1940 to 1944. The term ''Vichyste'' indicated collaboration with the Vichy regime, often carrying a pejorative connotation. In 2021, the town became part of the transnational World Heritage Site, UNESCO World Heritage Site under the name "Great Spa Towns of Europe" because of its famous baths and its architectural testimony to the popularity of spa towns in Europe from the 18th through 20th centuries. Name Vichy is the French form of the Occitan language, Occitan name of the town, ', of uncertain etymology. Albert Dauzat, Dauzat & al. have proposed that it derived from an unattested Latin name (') referencing the most important regional landowner (presumably a "Vippius") d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas And Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The work never achieved great success on the stage, apart from in the operatic setting by Claude Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, Jean Sibelius, and Mel Bonis. Synopsis Golaud finds Mélisande by a stream in the woods. She has lost her crown in the water but does not wish to retrieve it. They marry, and she instantly wins the favor of Arkël, Golaud's grandfather and king of Allemonde, who is ill. She begins to be drawn to Pelléas, Golaud's brother. They meet by the fountain, where Mélisande loses her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and discov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Manchester Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neville Cardus
Sir John Frederick Neville Cardus, CBE (2 April 188828 February 1975) was an English writer and critic. From an impoverished home background, and mainly self-educated, he became ''The Manchester Guardian''s cricket correspondent in 1919 and its chief music critic in 1927, holding the two posts simultaneously until 1940. His contributions to these two distinct fields in the years before the Second World War established his reputation as one of the foremost critics of his generation. Cardus's approach to cricket writing was innovative, turning what had previously been largely a factual form into vivid description and criticism; he is considered by contemporaries to have influenced every subsequent cricket writer. Although he achieved his largest readership for his cricket reports and books, he considered music criticism as his principal vocation. Without any formal musical training, he was initially influenced by the older generation of critics, in particular Samuel Langford and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elijah (oratorio)
''Elijah'' (german: Elias), Op. 70, MWV A 25, is an oratorio by Felix Mendelssohn depicting events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Testament. It premiered on 26 August 1846. Music and its style This piece was composed in the spirit of Mendelssohn's Baroque predecessors Bach and Handel, whose music he greatly admired. In 1829 Mendelssohn had organized the first performance of Bach's '' St Matthew Passion'' since the composer's death and was instrumental in bringing this and other Bach works to widespread popularity. By contrast, Handel's oratorios never went out of fashion in England. Mendelssohn prepared a scholarly edition of some of Handel's oratorios for publication in London. ''Elijah'' is modelled on the oratorios of these two Baroque masters; however, in its lyricism and use of orchestral and choral colour the style clearly reflects Mendelssohn's own genius as an early Romantic composer. The work is scored for eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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