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Doepfer
Doepfer Musikelektronik GmbH is a German manufacturer of audio hardware, mostly synthesizer modules (modular synthesizer), based in Gräfelfing, Upper Bavaria and founded by Dieter Döpfer. The product range covers analog modular systems, MIDI controllers, MIDI hardware sequencers, MIDI-to-CV/Gate/Sync Interfaces, MIDI master keyboards and special MIDI equipment. Dieter Döpfer began developing audio hardware with a Voltage Controlled Phaser module for the Formant, a do-it-yourself-kit analog synthesizer from ''Elektor'' magazine in 1977. Several legendary modular synths followed while Döpfer also focused on the development of MIDI equipment during the 1980s. In 1992, Doepfer Musikelektronik GmbH released the MIDI analog sequencer MAQ16/3 which was designed in cooperation with Kraftwerk. In the beginning, the company had direct sales and interested musicians would receive a demonstration by visiting other customers since the modular systems were deemed too difficult for typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doepfer Ms404
Doepfer Musikelektronik GmbH is a German manufacturer of audio hardware, mostly synthesizer modules (modular synthesizer), based in Gräfelfing, Upper Bavaria and founded by Dieter Döpfer. The product range covers analog modular systems, MIDI controllers, MIDI hardware sequencers, MIDI-to-CV/Gate/Sync Interfaces, MIDI master keyboards and special MIDI equipment. Dieter Döpfer began developing audio hardware with a Voltage Controlled Phaser module for the Formant, a do-it-yourself-kit analog synthesizer from ''Elektor'' magazine in 1977. Several legendary modular synths followed while Döpfer also focused on the development of MIDI equipment during the 1980s. In 1992, Doepfer Musikelektronik GmbH released the MIDI analog sequencer MAQ16/3 which was designed in cooperation with Kraftwerk. In the beginning, the company had direct sales and interested musicians would receive a demonstration by visiting other customers since the modular systems were deemed too difficult for typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doepfer A-100
The Doepfer A-100 is an analog modular synthesizer system introduced by German audio manufacturer Doepfer in 1995. Although only 10 module types were at time of release, it currently has more than 120 modules plus several different enclosures and accessories. Design A-100 modules are designed to be rackmounted, each being 3U tall and a multiple of 2HP wide, and a variety of cases are available to house them. This type of racking system, Eurorack, has been adopted by many other manufacturers of synthesiser modules. Modules are patched using standard mono miniature (3.5 mm) leads. This combination of 3U height, multiples of 2HP width, and 3.5 mm leads is known more generally as the Eurorack standard, and is in contrast to the older combination of 5U height and 6.35 mm width pioneered by Moog. Other companies such as Analogue Solutions, Analogue Systems, Roland, Moog and Cwejman have also adopted the Eurorack standard, making it relatively easy to integrate thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modular Synthesizers
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators. History The first modular synthesizer was developed by German engineer Harald Bode in the late 1950s. The 1960s saw the introduction of the Moog synthesizer and the Buchla Modular Electronic Music System, created around the same period. The Moog was composed of separate modules which created and shaped sounds, such as envelopes, noise generators, filters, and sequencers, connected by patch cords. The Japanese company Roland released the Roland System 100 in 1975, followed by the System 700 in 1976 and the System 100m in 1979. In the late 1970s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modular Synthesizer
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators. History The first modular synthesizer was developed by German engineer Harald Bode in the late 1950s. The 1960s saw the introduction of the Moog synthesizer and the Buchla Modular Electronic Music System, created around the same period. The Moog was composed of separate modules which created and shaped sounds, such as envelopes, noise generators, filters, and sequencers, connected by patch cords. The Japanese company Roland released the Roland System 100 in 1975, followed by the System 700 in 1976 and the System 100m in 1979. In the late 1970s, mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MS-404
The Doepfer MS-404 is a MIDI analog synthesizer made by the German audio manufacturer Doepfer. History In summer 1994 Dieter Doepfer's main intention was to create an analog synth for his personal pleasure and he created a simple clone of the Roland TB-303. The MS-404 launched in December 1994. It was a monophonic MIDI controlled analog synthesizer with a 24db resonant filter. At first, 50 to 100 items were planned for the market launch, but then they received almost 500 orders in the first two months in 1995. At the end of 1997 Doepfer had sold 3000 items. Also in 1997 approximately 100 limited edition synths (featuring a green faceplate) were sold as a 25th anniversary special for Music Store of Cologne, Germany. The last MS-404 was sold in March 2001, as the amount of inquiries was falling (from 100 items per month to hardly 10 items per month at the end of 2000). Doepfer still offers technical support for the unit. Further reading *{{cite magazine, title=Doepfer MS-404, page ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CV/Gate
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Controller
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features. Features MIDI controllers usually do not create or produce musical sounds by themselves. MIDI controllers typically have some type of interface that the performer presses, strikes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektor
:''Elektor (ἠλέκτωρ) is also an ancient Greek name or epithet of the Sun, see Helios.'' ''Elektor'', also known as ''Elektor Magazine'', is a monthly magazine about all aspects of electronics, originally published in the Netherlands as ''Elektronica Wereld'' in 1961 and latterly ''Elektuur'' in 1964, and now published worldwide in many languages including English, German, Dutch, French, Greek (September 1982 to May 2008), Spanish, Swedish, Portuguese (European and Brazilian) and Italian with distribution in over 50 countries. The English language edition of ''Elektor'' was launched in 1975 and is read worldwide. ''Elektor'' (in Dutch: ''Elektuur'', in Greek: ''ελέκτορ'') was founded in 1960 by the Dutch Bob W. van der Horst. It was and still is a leading publisher with a vast loyal group of readers around the world. Not only hobbyists but also professionals. ''Elektor'' publishes a vast range of electronic projects, background articles and designs aimed at engine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gräfelfing
Gräfelfing is a municipality in the district of Munich, in Bavaria, Germany. It is located 1 km west of Munich. The name "Gräfelfing" first appears as "Grevolvinga", which as per one hypothesis could possibly name a tribe leader named "grey wolf" ("*Grevol" -> German "grau(er)" -> English "grey"; "*vinga" -> German "Wolf" -> English "wolf"). Gräfelfing is ranked 5th of the wealthiest municipalities in Germany (2021). Transport The municipality has two railway stations: and . Both are served by the Munich S-Bahn The Munich S-Bahn (german: S-Bahn München) is an Railway electrification system, electric rail transit system in Munich, Germany. "S-Bahn" is the German abbreviation for ''Stadtschnellbahn'' (literally, "urban rapid rail"), and the Munich S-Bahn .... References Munich (district) {{Munichdistrict-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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