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MIDI Controller
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features. Features MIDI controllers usually do not create or produce musical sounds by themselves. MIDI controllers typically have some type of interface that the performer presses, strikes, ...
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Roland AX-1 Keytar Midi Controller
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even further ...
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Expression Pedal
An expression pedal is an important control found on many musical instruments including organs, electronic keyboards, and pedal steel guitar. The musician uses the pedal to control different aspects of the sound, commonly volume. Separate expression pedals can often be added to a guitar amplifier or effects unit and used to control many different aspects of the tone. Because the source of power with a pipe organ and electronic organs is not generated by the organist, the volume of these instruments has no relationship with how hard its keys or pedals are struck; i.e., the organ produces the same volume whether the key or pedal is depressed gently or firmly. Moreover, the tone will remain constant in pitch, volume, and timbre until the key or pedal is lifted, at which point the sound stops. The expression pedal gives the organist control over the external source of power, and thus the volume, of the instrument, while leaving the user's hands free. This system of dynamic control ...
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Sustain Pedal
A sustain pedal or sustaining pedal (also called damper pedal, loud pedal, or open pedal) is the most commonly used pedal in a modern piano. It is typically the rightmost of two or three pedals. When pressed, the sustain pedal "sustains" all the damped strings on the piano by moving all the dampers away from the strings and allowing them to vibrate freely. All notes played will continue to sound until the vibration naturally ceases, or until the pedal is released. This lets the pianist sustain notes that would otherwise be out of reach, for instance in accompanying chords, and accomplish ''legato'' passages (smoothly connected notes) that would have no possible fingering otherwise. Pressing the sustain pedal also causes all the strings to vibrate sympathetically with whichever notes are being played, which greatly enriches the piano's tone. History A device similar to the sustain pedal in effect was invented by the piano pioneer Gottfried Silbermann; it was operated by the ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit (Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C, D, E ...
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Remote 25
Remote may refer to: Arts, entertainment, and media * ''Remote'' (1993 film), a 1993 movie * ''Remote'' (2004 film), a Tamil-language action drama film * ''Remote'' (album), a 1988 album by Hue & Cry * Remote (band), ambient chillout band * ''Remote'' (manga), a 2002 manga * Remote broadcast, commonly known in broadcasting as a person or a live remote Computing and technology * Remote (Apple software), software application made by Apple Inc. for the iOS * Remote control, commonly known as a remote * Remote control car, a car that can be controlled from a distance * Remote desktop or operating system, can be controlled by another system device * Remote operation Places * Remote, Oregon * Remote Peninsula, Canada * Remote Western Australia Other uses * Remote and isolated community, a community in a remote location * Remote learning, distance learning * Remote, to implement a remotion, withdrawal of a ''privatdozent'' academic teaching license See also * Remote access (disa ...
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Show Control
Show control is the use of automation technology to link together and operate multiple entertainment control systems in a coordinated manner. It is distinguished from an entertainment control system, which is specific to a single theatrical department, system or effect, one which coordinates elements within a single entertainment discipline such as lighting, sound, video, rigging, or pyrotechnics. A typical entertainment control system would be a lighting control console. An example of show control would be linking a video segment with a number of lighting cues, or having a sound cue trigger animatronic movements, or all of these combined. Shows with or without live actors can almost invariably incorporate entertainment control technology and usually benefit from show control to operate these subsystems independently, simultaneously, or in rapid succession. Show control networks Show control networks have largely supplanted older show control typologies. This is primarily due to t ...
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MIDI Show Control
MIDI Show Control, or MSC, is a significant Real Time System Exclusive extension of the international Musical Instrument Digital Interface (MIDI) standard. MSC enables all types of entertainment equipment to easily communicate with each other through the process of show control. The MIDI Show Control protocol is an industry standard ratified by the MIDI Manufacturers Association in 1991 which allows all types of entertainment control devices to talk with each other and with computers to perform show control functions in live and canned entertainment applications. Just like musical MIDI, MSC does not transmit the actual show media - it simply transmits digital information about a multimedia performance. How MSC works When any cue is called by a user (typically a ''stage manager'') and/or preprogrammed timeline in a show control software application, the ''show controller'' transmits one or more MSC messages from its 'MIDI Out' port. A typical MSC message sequence is: # ''the us ...
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MIDI Machine Control
MIDI Machine Control, or MMC, a subset of the MIDI specification, provides specific commands for controlling recording equipment such as multi-track recorders. MMC messages can be sent along a standard MIDI cable for remote control of such functions as Play, Fast Forward, Rewind, Stop, Pause, and Record. These are " System Exclusive" (SysEx) messages, specifically Real Time Universal SysEx messages. MIDI Universal Real Time SysEx Message Format MIDI includes System Exclusive messages that are extensions of the MIDI format implemented by MIDI manufacturers. Some of the extensions, the "Universal" ones, are a set of the same functions that different manufacturers can implement differently in detail. Some of them are Non Real Time, with no reliable delivery timing. Others are Real Time, including MMC, so they are more reliably delivered when expected. SysEx messages start with (hexadecimal) F0 and end with F7. Universal Real Time SysEx messages start with F0, followed by 7F, then incl ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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