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Djaoeh Dimata
''Djaoeh Dimata'' (; EYD, Perfected Spelling: ''Jauh di Mata''; Indonesian for ''Out of Sight'') is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmara and Ali Joego, it follows a woman who moves to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, ''Djaoeh Dimata'' took two to three months to film and cost almost 130,000 Netherlands Indies gulden, gulden. The first list of films of the Dutch East Indies, domestically produced feature film to be released in five years, ''Djaoeh Dimata'' received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's ''Air Mata Mengalir di Tjitarum'' (released soon after). The film's cast remained active in the Indonesian film industry, some for another 30 years, and SPFC produced six more works before closing in 1949. A copy of the film is stored at Sinematek Indonesia. Plot A ...
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Surabaya
Surabaya ( jv, ꦱꦸꦫꦧꦪ or jv, ꦯꦹꦫꦨꦪ; ; ) is the capital city of the Provinces of Indonesia, Indonesian province of East Java and the List of Indonesian cities by population, second-largest city in Indonesia, after Jakarta. Located on the northeastern border of Java island, on the Madura Strait, it is one of the earliest port cities in Southeast Asia. According to the Government of Indonesia, National Development Planning Agency, Surabaya is one of the Regions of Indonesia#Development regions, four main central cities of Indonesia, alongside Jakarta, Medan, and Makassar. The city has a population of 2.87 million within its city limits at the 2020 census and 9.5 million in the extended Surabaya metropolitan area, making it the List of metropolitan areas in Indonesia, second-largest metropolitan area in Indonesia. The city was settled in the 10th century by the Janggala, Kingdom of Janggala, one of the two Javanese kingdoms that was formed in 1045 when ...
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Nippon Eigasha
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ...
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Dialogue Coach
A dialect coach is an acting coaching, coach who helps an actor design the voice and speech of a character in the context of an on-camera (film, television or commercial), stage (theatre, musical theatre, opera, etc.), radio or animation voiceover production. The dialect coach often does original research on dialects and speech patterns, prepares training materials, provides instruction and works on lines with the actor. A dialect coach will give the actor feedback focusing on issues of credibility, consistency, and clarity. A dialect coach may also be employed to help comedians hone impressions of celebrities, to train non-actor public speakers in vocal character and delivery, or to help singers improve in diction and attain a balance between tone and articulation, especially when singing in a second language. Terminology The term ''dialect coach'' persists as the primary designation for an accent or language coach in the US and Canadian entertainment businesses. However, other des ...
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The Teng Chun
The Teng Chun (; 18 June 1902 – 25 February 1977), also known by his Indonesian name Tahjar Ederis, was a Chinese Indonesian film producer. Born to a rich businessman, The became interested in film while still a youth. After a period as an exporter, in 1930 he established Cino Motion Picture to produce films in the Dutch East Indies. In a little over a decade he and his company had released at least 31 films, including some of the country's first talkies. Although he experienced a brief resurgence during the 1950s, after Indonesia became independent, he spent the last years of his life as an English teacher. Biography He was born in Batavia, Dutch East Indies (modern day Jakarta, Indonesia) on 18 June 1902 to a rich businessman name The Kim Ie. As a child he studied at a Tiong Hoa Hwe Koan school. The studied economics in the United States beginning in 1920. However, instead of following his father's footsteps The studied filmmaking at the Palmer Play Theater; ...
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Netherlands Indies Civil Administration
The Netherlands Indies Civil Administration (abbreviated NICA; nl, Nederlandsch-Indische Civiele Administratie) was a semi-military organisation, established April 1944, tasked with the restoration of civil administration and law of Dutch colonial rule after the capitulation of the Japanese occupational forces in the Netherlands East Indies (present-day Indonesia) after World War II. In January 1946 the name was changed to Allied Military Administration-Civil Affairs Branch (AMACAB). After the British departure from the Indonesian arena and the disbandment of the SEAC in June 1946, the name was changed into Tijdelijke Bestuursdienst (Temporary Administrative Service). Foundation The NICA was established on April 3, 1944, in Australia and operated as a link between the Netherlands East Indies Government in exile and the Allied high command in the command area of the Southwest Pacific Area (SWPA). Based in (Camp Colombia) Brisbane it originally reported into the Allied command st ...
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Fictional Film
Narrative film, fictional film or fiction film is a motion picture that tells a fictional or fictionalized story, event or narrative. Commercial narrative films with running times of over an hour are often referred to as feature films, or feature-length films. The earliest narrative films, around the turn of the 20th century, were essentially filmed stage plays and for the first three or four decades these commercial productions drew heavily upon the centuries-old theatrical tradition. In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real. Lighting and camera movement, among other cinematic elements, have become increasingly important in these films. Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the classical style of screenplay writing to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, ...
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Newsreels
A newsreel is a form of short documentary film, containing news stories and items of topical interest, that was prevalent between the 1910s and the mid 1970s. Typically presented in a cinema, newsreels were a source of current affairs, information, and entertainment for millions of moviegoers. Newsreels were typically exhibited preceding a feature film, but there were also dedicated newsreel theaters in many major cities in the 1930s and ’40s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day. By the end of the 1960s television news broadcasts had supplanted the format. Newsreels are considered significant historical documents, since they are often the only audiovisual record of certain cultural events. History Silent news films were shown in cinemas from the late 19th century. In 1909 Pathé started producing weekly newsreels in Europe. Pathé began producing newsreels for the UK in 1910 and ...
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Proclamation Of Indonesian Independence
The Proclamation of Indonesian Independence ( id, Proklamasi Kemerdekaan Indonesia, or simply ''Proklamasi'') was read at 10:00 on Friday, 17 August 1945 in Jakarta. The declaration marked the start of the diplomatic and armed resistance of the Indonesian National Revolution, fighting against the forces of the Netherlands and pro-Dutch civilians, until the latter officially acknowledged Indonesia's independence in 1949. The document was signed by Sukarno (who signed his name "Soekarno" using the Van Ophuijsen orthography) and Mohammad Hatta, who were appointed president and vice-president respectively the following day. The date of the Proclamation of Indonesian Independence was made a public holiday by a government decree issued on 18 June 1946. Background The beginnings of the independence movement In 1918, the Dutch authorities in the Dutch East Indies established a partly-elected People's Council, the ''Volksraad'', which for the first time gave Indonesian nationalists a ...
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Berita Film Indonesia
Berita Film Indonesia (abbreviated BFI; "Indonesian News Films") was the first government-owned film production company of Indonesia. BFI was formally established on 6 October 1945, after the Japanese occupation army surrendered, using the same equipment and studio as the Japanese studio ''Nippon Eigasha''. The company, under RM Soetarto and Rd Ariffien, was soon forced to leave Jakarta for Surakarta and later Yogyakarta owing to the ongoing revolution against the former Dutch colonists. After the Netherlands recognised Indonesia's independence in December 1949, BFI was merged with the Dutch-owned Regerings Film Bedrijf. The newsreels and documentaries produced by BFI covered numerous events in Indonesian history and have been reused for further works. In 1985 the company's history was dramaticised as ''Film dan Peristiwa'' (''Film and Events'') by Usman Effendy. History During the Japanese occupation of the Dutch East Indies, the Japanese appropriated the Dutch-owned Multi ...
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Native Indonesian
Native Indonesians, also known as ''Pribumi'' (), are Indonesians whose ancestral roots lie mainly in the archipelago, distinguished from Indonesians of known (partial) foreign descent, like Chinese Indonesians (Tionghoa), Arab Indonesians, Indian Indonesians and Indo people, Indo-Europeans (Eurasians). Etymology and historical context The term was popularized after Indonesian independence as a respectful replacement for the Dutch colonial term (normally translated as "native" and seen as derogatory). It derives from Sanskrit terms ''pri'' (before) and ''bhumi'' (earth). Before independence the term (Malay language, Malay: son of the soil) was more commonly used as an equivalent term to ''pribumi''. Following independence, the term was normally used to distinguish indigenous Indonesians from citizens of foreign descent (especially Chinese Indonesians). Common usage distinguished between ''pribumi'' and ''non-pribumi''. Although the term is sometimes translated as "indigenou ...
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Surrender Of Japan
The surrender of the Empire of Japan in World War II was announced by Emperor Hirohito on 15 August and formally signed on 2 September 1945, bringing the war's hostilities to a close. By the end of July 1945, the Imperial Japanese Navy (IJN) had become incapable of conducting major operations and an Allied invasion of Japan was imminent. Together with the United Kingdom and China, the United States called for the unconditional surrender of the Japanese armed forces in the Potsdam Declaration on 26 July 1945—the alternative being "prompt and utter destruction". While publicly stating their intent to fight on to the bitter end, Japan's leaders (the Supreme Council for the Direction of the War, also known as the "Big Six") were privately making entreaties to the publicly neutral Soviet Union to mediate peace on terms more favorable to the Japanese. While maintaining a sufficient level of diplomatic engagement with the Japanese to give them the impression they might be wi ...
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Japanese Propaganda During World War II
Propaganda in Imperial Japan, in the period just before and during World War II, was designed to assist the regime in governing during that time. Many of its elements were continuous with pre-war themes of Shōwa statism, including the principles of ''kokutai, hakkō ichiu'', and ''bushido''. New forms of propaganda were developed to persuade occupied countries of the benefits of the Greater Asia Co-Prosperity Sphere, to undermine American troops' morale, to counteract claims of Japanese atrocities, and to present the war to the Japanese people as victorious. It started with the Second Sino-Japanese War, which merged into World War II. It used a large variety of media to send its messages. Nature of Japanese propaganda Propaganda is non-objective information intended to promote a particular political cause or view. In that sense, Japanese propaganda was no different from other nations' propaganda, but it had some defining elements, such as nationalism. Japanese wartime propaga ...
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