The Teng Chun
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The Teng Chun
The Teng Chun (; 18 June 1902 – 25 February 1977), also known by his Indonesian name Tahjar Ederis, was a Chinese Indonesian film producer. Born to a rich businessman, The became interested in film while still a youth. After a period as an exporter, in 1930 he established Cino Motion Picture to produce films in the Dutch East Indies. In a little over a decade he and his company had released at least 31 films, including some of the country's first talkies. Although he experienced a brief resurgence during the 1950s, after Indonesia became independent, he spent the last years of his life as an English teacher. Biography He was born in Batavia, Dutch East Indies (modern day Jakarta, Indonesia) on 18 June 1902 to a rich businessman name The Kim Ie. As a child he studied at a Tiong Hoa Hwe Koan school. The studied economics in the United States beginning in 1920. However, instead of following his father's footsteps The studied filmmaking at the Palmer Play Theater; ...
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Batavia, Dutch East Indies
Batavia was the capital of the Dutch East Indies. The area corresponds to present-day Jakarta, Indonesia. Batavia can refer to the city proper or its suburbs and hinterland, the Ommelanden, which included the much-larger area of the Residency of Batavia in the present-day Indonesian provinces of Jakarta, Banten and West Java. The founding of Batavia by the Dutch in 1619, on the site of the ruins of Jayakarta, led to the establishment of a Dutch colony; Batavia became the center of the Dutch East India Company's trading network in Asia. Monopolies on local produce were augmented by non-indigenous cash crops. To safeguard their commercial interests, the company and the colonial administration absorbed surrounding territory. Batavia is on the north coast of Java, in a sheltered bay, on a land of marshland and hills crisscrossed with canals. The city had two centers: Oud Batavia (the oldest part of the city) and the relatively-newer city, on higher ground to the south. It was ...
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Great Depression
The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagion began around September and led to the Wall Street stock market crash of October 24 (Black Thursday). It was the longest, deepest, and most widespread depression of the 20th century. Between 1929 and 1932, worldwide gross domestic product (GDP) fell by an estimated 15%. By comparison, worldwide GDP fell by less than 1% from 2008 to 2009 during the Great Recession. Some economies started to recover by the mid-1930s. However, in many countries, the negative effects of the Great Depression lasted until the beginning of World War II. Devastating effects were seen in both rich and poor countries with falling personal income, prices, tax revenues, and profits. International trade fell by more than 50%, unemployment in the U.S. rose to 23% and ...
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Matjan Berbisik
''Matjan Berbisik'' (Indonesian for ''Whispering Tiger''; Perfected Spelling: ''Macan Berbisik'', also known by the Dutch title ''De Fluisterende Tijger'') is a 1940 film from the Dutch East Indies which was directed by Tan Tjoei Hock and produced by The Teng Chun. Starring Hadidjah and Mohamad Mochtar, the film follows two men who are raised as brothers and compete for the love of the same woman. A copy of the black-and-white film, which featured ''keroncong'' music, is stored at Sinematek Indonesia. Plot Djaja (Bissoe) has disappeared, leaving his son Hamid with Sanip (Said) in a rural village. The boy is raised together with Sanip's son Usman, two years older. When the two are adults, Usman falls for Zainab (Hadidjah). She, however, prefers Hamid (Mohamad Mochtar). Jealous, Usman convinces his friends to rough up Hamid, who ultimately falls off a cliff. Thinking Hamid dead, Usman continues to woo Zainab. However, when it appears she will accept him, Hamid returns. The film climaxe ...
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Melati Van Agam (1940 Film)
''Melati van Agam'' (Indonesian for ''Jasmine of Agam'') is a 1940 romance film directed by Tan Tjoei Hock and produced by The Teng Chun. Starring S. Soekarti and A.B. Rachman, the film follows young lovers named Norma and Idrus. The film may be lost. Plot Norma is known throughout her hometown of Fort de Kock (now Bukittinggi) for her beauty, and as a result is known as the "Jasmine of Agam". Although she is in love with a man named Idrus, who is a miner at Sawahlunto, she is forced to marry a school headmaster named Nazzaruddin, a man they consider more befitting their noble descent. Norma is distressed, both because her husband, Joe Dawson is much older than her and because she had previously vowed her eternal love to Idrus, and dreamt of having a home with him. After her marriage Norma goes with Nazzaruddin to Kota Raja, Aceh (now Banda Aceh), where she must raise Nazzaruddin's children from a previous marriage. Their marriage becomes increasingly unhappy: Nazzaruddin is un ...
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Roesia Si Pengkor
''Roesia si Pengkor'' (; Perfected Spelling: ''Rusia si Pengkor'', Indonesian for ''Secret of the Clubfoot''), also known as ''Hadji Saleh'', is a 1939 film from the Dutch East Indies (now Indonesia) which was directed and produced by The Teng Chun for his Java Industrial Films. Starring Da'ing, Bissu, and Hadidjah, this black-and-white film followed a young woman who is saved from deceptive suitors by her beloved and a man known as "Si Pengkor". Plot Hadji Saleh goes on a pilgrimage to a sacred mountain, leaving behind his wife and daughter Suti. Owing to her beauty, Suti receives many suitors. She, however, only loves Saari. Because of this love, Saari's friend Lihin (a spurned suitor) manipulates the police into imprisoning Saari. Upon his release, after being found not guilty, Saari must fight a would-be suitor named Usin before ultimately being recognised as Suti's husband-to-be. After the climax, it is revealed that Suti was often protected without her knowledge by her father, ...
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Oh Iboe
''Oh Iboe'' (Perfected Spelling: ''Oh Ibu''; literally ''Oh Mother'') is a 1938 film from the Dutch East Indies. Directed by The Teng Chun and starring Lo Tjin Nio and Bissu, it followed a suffering of a family after the matriarch dies. The film was one of several produced by The which dealt with modern stories, following '' Gadis jang Terdjoeal'' the year before. It is likely lost. Plot Tjoa Kim Liong remarries after the death of his wife; his daughter, Loan, does not like her new step-mother. Tjoa becomes increasingly addicted to gambling, devoting all of his time to the habit. His business is surrendered to his Kian Hwat, who uses this newfound power to steal all of Tjoa's wealth. Years later Loan and her fiancé, Goan Hin, are able to recover the funds. Production ''Oh Iboe'' was directed and produced by The Teng Chun under his production house Java Industrial Film. Beginning with '' Sam Pek Eng Tay'' in 1932 they had directed commercially successful films based on Chinese l ...
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Gadis Jang Terdjoeal
''Gadis jang Terdjoeal'' is a 1937 film from the Dutch East Indies (now Indonesia). It was directed by The Teng Chun, his first film to recognise native interests. Plot Han Nio is in love with Oey Koen Beng. However, Han Nio's mother – hoping for a rich son-in-law to feed her gambling habit – arranges for Han Nio to marry a rich young man named Lim Goan Tek. Though they have a daughter, their life together is unhappy, and ultimately Goan Tek accuses of Han Nio of stealing from him and runs her out of the house. She falls ill and dies soon afterwards, but not before meeting Koen Beng. Learning of how his former lover had been treated, Koen Beng seeks out Goan Tek. However, before he can have his revenge, Han Nio's brother Eng Swan – the real thief – shoots Goan Tek, killing him. Production ''Gadis jang Terdjoeal'' was produced and directed by The Teng Chun for his company, Java Industrial Film. He had made his directorial debut in 1931 with the film '' Bo ...
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Ouw Peh Tjoa
''Ouw Peh Tjoa'' (; Hokkien for ''Black and White Snakes''), also known by the Malay-language title ''Doea Siloeman Oeler Poeti en Item'' (meaning ''Two Snakes, One White and One Black''), is a 1934 film from the Dutch East Indies (now Indonesia). It was directed and produced by The Teng Chun. Adapted from ''Legend of the White Snake'', a Chinese folktale, it follows a magical snake who passes as a human but ultimately dies. The film, now possibly lost, was followed by one sequel, ''Anaknja Siloeman Oeler Poeti'', in 1936. Plot After meditating for several hundred years, a magical white snake transforms into a beautiful woman. Her competitor, a black snake, does likewise. The two compete for the love of a man named Khouw Han Boen. Ultimately Khouw agrees to marry the (former) white snake, but when her true identity is revealed he attempts to cancel their wedding. The snake-woman, crying, tells Khouw's boss that they are to be married, and ultimately Khouw is guilted into marrying ...
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Indonesian National Revolution
The Indonesian National Revolution, or the Indonesian War of Independence, was an armed conflict and diplomatic struggle between the Republic of Indonesia and the Dutch Empire and an internal social revolution during Aftermath of WWII, postwar and Dutch East Indies#World War II and independence, postcolonial Indonesia. It took place between Indonesian Declaration of Independence, Indonesia's declaration of independence in 1945 and the Netherlands' Dutch–Indonesian Round Table Conference, transfer of sovereignty over the Dutch East Indies to the Republic of the United States of Indonesia at the end of 1949. The four-year struggle involved sporadic but bloody armed conflict, internal Indonesian political and communal upheavals, and two major international diplomatic interventions. Dutch military forces (and, for a while, the forces of the World War II Allies, World War II allies) were able to control the major towns, cities and industrial assets in Republican heartlands on Ja ...
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Proclamation Of Indonesian Independence
The Proclamation of Indonesian Independence ( id, Proklamasi Kemerdekaan Indonesia, or simply ''Proklamasi'') was read at 10:00 on Friday, 17 August 1945 in Jakarta. The declaration marked the start of the diplomatic and armed resistance of the Indonesian National Revolution, fighting against the forces of the Netherlands and pro-Dutch civilians, until the latter officially acknowledged Indonesia's independence in 1949. The document was signed by Sukarno (who signed his name "Soekarno" using the Van Ophuijsen orthography) and Mohammad Hatta, who were appointed president and vice-president respectively the following day. The date of the Proclamation of Indonesian Independence was made a public holiday by a government decree issued on 18 June 1946. Background The beginnings of the independence movement In 1918, the Dutch authorities in the Dutch East Indies established a partly-elected People's Council, the ''Volksraad'', which for the first time gave Indonesian nationalists a ...
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Japanese Occupation Of Indonesia
The Empire of Japan occupied the Dutch East Indies (now Indonesia) during World War II from March 1942 until after the end of the war in September 1945. It was one of the most crucial and important periods in modern Indonesian history. In May 1940, Germany occupied the Netherlands, and martial law was declared in the Dutch East Indies. Following the failure of negotiations between the Dutch authorities and the Japanese, Japanese assets in the archipelago were frozen. The Dutch declared war on Japan following the 7 December 1941 Attack on Pearl Harbor. The Japanese invasion of the Dutch East Indies began on 10 January 1942, and the Imperial Japanese Army overran the entire colony in less than three months. The Dutch surrendered on 8 March. Initially, most Indonesians welcomed the Japanese as liberators from their Dutch colonial masters. The sentiment changed, however, as between 4 and 10 million Indonesians were recruited as forced labourers ('' romusha'') on economic dev ...
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Pareh
''Pareh'' (Sundanese for "rice"), released internationally as ''Pareh, Song of the Rice'', is a 1936 film from the Dutch East Indies (modern day Indonesia). Directed by the Dutchmen Albert Balink and Mannus Franken, it featured an amateur native cast and starred Raden Mochtar and Soekarsih. The story follows the forbidden love between a fisherman and a farmer's daughter. Balink began work on the film in 1934, working with the Wong brothers, who served as cinematographers. They gathered a budget of 75,000 gulden – several times the budget of other local productions – and brought Franken from the Netherlands to assist in production. The film was edited in the Netherlands after being shot in the Indies. The film was a commercial and critical success with European audiences, but disliked by native ones; despite this success, ''Pareh'' bankrupted its producers. ''Pareh'' resulted in a change in the cinema of Dutch East Indies, which had been Chinese-oriented for seve ...
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