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Deutsches Nationaltheater And Staatskapelle Weimar
The (DNT) is a German theatre and musical organisation based in Weimar. It is a twin institution, consisting of the theatrical (German National Theatre, now solely based in Weimar) and the symphony orchestra known as the . It has a total of six stages across the city and also hosts touring orchestras and theatre companies, as well as making appearances in electronic media. Venues # Main House ('), traditional main stage on Theaterplatz (music and theatre) # Foyer and Studio Stage ('), within the main house on Theaterplatz (music and theatre; cabaret) # ''E-Werk Weimar'', a former industrial site with two venues, ' and ' (music and theatre) # ' (concerts by the Staatskapelle Weimar) The Staatskapelle Weimar History The precursor ensemble of Staatskapelle Weimar dates from 1482, with the formation of a musical ensemble in service of the Weimar ''Fürsten'' (Princes). In 1602, the ensemble attained resident status at the Weimar court, as the ''Herzoglichen Hofkapelle'' (Ducal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar Theater
The (DNT) is a German theatre and musical organisation based in Weimar. It is a twin institution, consisting of the theatrical (German National Theatre, now solely based in Weimar) and the symphony orchestra known as the . It has a total of six stages across the city and also hosts touring orchestras and theatre companies, as well as making appearances in electronic media. Venues # Main House ('), traditional main stage on Theaterplatz (music and theatre) # Foyer and Studio Stage ('), within the main house on Theaterplatz (music and theatre; cabaret) # ''E-Werk Weimar'', a former industrial site with two venues, ' and ' (music and theatre) # ' (concerts by the Staatskapelle Weimar) The Staatskapelle Weimar History The precursor ensemble of Staatskapelle Weimar dates from 1482, with the formation of a musical ensemble in service of the Weimar ''Fürsten'' (Princes). In 1602, the ensemble attained resident status at the Weimar court, as the ''Herzoglichen Hofkapelle'' (Ducal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazi Party
The Nazi Party, officially the National Socialist German Workers' Party (german: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP), was a far-right politics, far-right political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party (; DAP), existed from 1919 to 1920. The Nazi Party emerged from the Extremism, extremist German nationalism, German nationalist, racism, racist and populism, populist paramilitary culture, which fought against the communism, communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeoisie, bourgeois, and anti-capitalism, anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s, the party's main focus shifted to Antisemitism, antisemitic and Criticism of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Praetorius
Ernst Praetorius (20 September 1880 – 27 March 1946) was a German conductor, General Music Director, university lecturer and music historian. Life Born in Berlin, Praetorius was the son of Orientalist Franz Praetorius and his wife Johanna Praetorius, ''née'' Blanck. He received violin lessons at an early age (1887-1892) with Emil Köhler in Breslau, from 1892 to 1899 with Arno Helf in Leipzig), and composition lessons with Otto Reubke in Halle. In addition to their practical exercise, Praetorius also dealt with music theory. From 1899 to 1905, he studied musicology and music history at the Humboldt University of Berlin with Carl Stumpf among others. He received his doctorate in 1905 with a thesis on ''The Mensural Theory of Franchinus Gaffurius'' and was director of the Museum of Musical Instruments of Leipzig University, then in Cologne, Worringerstrasse, between 1906 and 1909. From 1909 to 1912, Praetorius worked as répétiteur and Kapellmeister at the Cologne Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Empire
The German Empire (),Herbert Tuttle wrote in September 1881 that the term "Reich" does not literally connote an empire as has been commonly assumed by English-speaking people. The term literally denotes an empire – particularly a hereditary empire led by an emperor, although has been used in German to denote the Roman Empire because it had a weak hereditary tradition. In the case of the German Empire, the official name was , which is properly translated as "German Empire" because the official position of head of state in the constitution of the German Empire was officially a "presidency" of a confederation of German states led by the King of Prussia who would assume "the title of German Emperor" as referring to the German people, but was not emperor of Germany as in an emperor of a state. –The German Empire" ''Harper's New Monthly Magazine''. vol. 63, issue 376, pp. 591–603; here p. 593. also referred to as Imperial Germany, the Second Reich, as well as simply Germany, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Raabe
Peter Raabe (27 November 1872 – 12 April 1945) was a German composer and conductor. Biography Raabe graduated from 3 schools: the Higher Musical School in Berlin; and the universities of Munich; and Jena. In 1894–98 Raabe worked in Königsberg and Zwickau. In 1899–1903 he worked in the Dutch Opera-House (Amsterdam). In 1907–1920, Raabe was the 1st Court Conductor in Weimar. Raabe performed in the United Kingdom, Belgium, and the Netherlands, among other locations. On 19 July 1935 Raabe superseded Richard Strauss as the president of ''Reichsmusikkammer'', the Nazi State Music Institute. For almost ten years, Raabe directed the music activity of the Third Reich. Raabe wrote the first complete chronology of the works of Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänsel Und Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engelbert Humperdinck (composer)
Engelbert Humperdinck (; 1 September 1854 – 27 September 1921) was a German composer. He is known widely for his opera ''Hansel and Gretel (opera), Hansel and Gretel'' (1893). Biography Humperdinck was born at Siegburg in the Rhine Province in 1854. After receiving piano lessons, he produced his first composition at the age of seven. His first attempts at works for the stage were two singspiele written when he was 13. His parents disapproved of his plans for a career in music and encouraged him to study architecture. But he began taking music classes under Ferdinand Hiller and Isidor Seiss at the Cologne Conservatory in 1872. In 1876, he won a scholarship that enabled him to go to Munich, where he studied with Franz Lachner and later with Josef Rheinberger. In 1879, he won the first Mendelssohn Scholarship, Mendelssohn Award given by the Mendelssohn Scholarship, Mendelssohn Stiftung (foundation) in Berlin. He went to Italy, where he became acquainted with composer Richard Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guntram (opera)
''Guntram'' ( Op. 25) is an opera in three acts by Richard Strauss with a German libretto written by the composer. The second act of the opera was composed in Ramacca, Sicily.Antonio Cucuzza"Wagner a Ramacca?" ''Agorà'' XVI (a. V – January–March 2004), pp. 52–53. (In Italian) It was Strauss' first opera and shows a strong Wagnerian influence. The music of Guntram is quoted in Strauss's tone poem ''Ein Heldenleben''. The composer revised the score in 1940. Performance history The opera was not very successful, and was only staged a few times during Strauss' lifetime: The first performance took place on 10 May 1894 at the Grossherzogliches Hoftheater in Weimar. The soprano role of Freihild was sung by Pauline de Ahna, Strauss's future wife. Later performances conducted by Strauss included those in Munich on 16 November 1895 and in Prague on 9 October 1901. A performance in Frankfurt was given on 9 March 1910 conducted by Ludwig Rottenberg. The revised version was first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (opera)
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Saint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
