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Guntram (opera)
''Guntram'' ( Op. 25) is an opera in three acts by Richard Strauss with a German libretto written by the composer. The second act of the opera was composed in Ramacca, Sicily.Antonio Cucuzza"Wagner a Ramacca?" ''Agorà'' XVI (a. V – January–March 2004), pp. 52–53. (In Italian) It was Strauss' first opera and shows a strong Wagnerian influence. The music of Guntram is quoted in Strauss's tone poem ''Ein Heldenleben''. The composer revised the score in 1940. Performance history The opera was not very successful, and was only staged a few times during Strauss' lifetime: The first performance took place on 10 May 1894 at the Grossherzogliches Hoftheater in Weimar. The soprano role of Freihild was sung by Pauline de Ahna, Strauss's future wife. Later performances conducted by Strauss included those in Munich on 16 November 1895 and in Prague on 9 October 1901. A performance in Frankfurt was given on 9 March 1910 conducted by Ludwig Rottenberg. The revised version was first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Kuhn
Gustav Kuhn (born 28 August 1945) is an Austrian conductor and manager, also a composer, and a teacher and author. During his international conducting career, he founded the later "Accademia di Montegral" for young musicians and singers in 1987, held the artistic directorship of the , which he founded, for over 20 years and was artistic director of the international singing competition "Neue Stimmen" of the Bertelsmann Foundation since the competition was founded in 1987. Due to the accusations against Kuhn, he ended the collaboration in September 2018. Life Born in Turrach, Styria and raised in Salzburg, Kuhn received violin and piano lessons as a child and studied conducting at the conservatories of Vienna and Salzburg with Gerhard Wimberger, Hans Swarowsky, Bruno Maderna and Herbert von Karajan. In 1970, he was awarded the ''Lilli Lehmann Medal'' at the Mozarteum University Salzburg. He was awarded a doctorate in philosophy at the University of Salzburg. At the age of 24, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eve Queler
Eve Queler (born January 11, 1931) is an American conductor and the '' emerita'' Artistic Director of the Opera Orchestra of New York (OONY). She founded the OONY in 1971, after having worked on the staff of the Metropolitan Opera and the New York City Opera. She is notable for her advocacy for, and conducting of, lesser known and less-frequently performed operas, such as ''Rienzi'' and ''Jenůfa''. Born Eve Rabin in New York City, Queler attended The High School of Music & Art, graduating in 1948. She then matriculated in the Mannes School of Music, where she studied piano and conducting. A Martha Baird Rockefeller Fund grant enabled her to pursue further studies in conducting with Joseph Rosenstock and accompaniment with Paul Ulanowsky and Paul Berl. She also participated in master classes with Walter Susskind and Leonard Slatkin in St. Louis and Igor Markevich and Herbert Blomstedt in Europe. Although primarily dedicated to the OONY, she has appeared as a guest conductor wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Symphony Orchestra
The BBC Symphony Orchestra (BBC SO) is a British orchestra based in London. Founded in 1930, it was the first permanent salaried orchestra in London, and is the only one of the city's five major symphony orchestras not to be self-governing. The BBC SO is the principal broadcast orchestra of the British Broadcasting Corporation (BBC). The orchestra was originally conceived in 1928 as a joint enterprise by the BBC and the conductor Sir Thomas Beecham, but the latter withdrew the next year and the task of assembling and training the orchestra fell to the BBC's director of music, Adrian Boult. Among its guest conductors in its first years was Arturo Toscanini, who judged it the finest orchestra he had ever conducted. During and after the Second World War, Boult strove to maintain standards, but the senior management of the post-war BBC did not allocate the orchestra the resources to meet competition from new and well-funded rivals. After Boult's retirement from the BBC in 1950, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Pritchard (conductor)
Sir John Michael Pritchard, (born Stanley Frederick Pritchard, 5 February 1918 – 5 December 1989) was an English conductor. He was known for his interpretations of Mozart operas and for his support of contemporary music. Life and career Pritchard was born in Walthamstow, Essex, to a musical family. His father, Albert Edward Pritchard, was a violinist with the London Symphony Orchestra. The young Pritchard was educated at the Monoux School and studied violin, piano, and conducting in Italy.Ponsonby, Robert"Pritchard, Sir John Michael (1918–1989)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, accessed 4 November 2007 Pritchard, as a conscientious objector, refused to serve in the Second World War, but was in any case unfit on medical grounds. In 1943 he took over the semi-professional Derby String Orchestra and was its principal conductor until 1951. He joined the music staff of Glyndebourne Festival Opera in 1947 and was appointed chorus mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tomlinson (bass)
Sir John Rowland Tomlinson (born 22 September 1946) is an English Bass (voice type), bass. Tomlinson was born in Oswaldtwistle, Lancashire, England. He trained as a civil engineer at Manchester University before deciding on a career in opera at age 21. He studied with Patrick McGuigan at the Royal Northern College of Music and with Otakar Kraus. He is now President of the RNCM. Whilst studying at the RNCM, he was a member of the Manchester Universities Gilbert and Sullivan Society (MUGSS). He sings regularly with the Royal Opera, London, Royal Opera and English National Opera, and has appeared with all the major British opera companies. He sang at the Bayreuth Festival in Germany every year from 1988 to 2006, as Wotan, the Wanderer, King Marke, Titurel, Gurnemanz, Hagen and the Dutchman. In 2008, he created the title role in Harrison Birtwistle's opera The Minotaur (opera), ''The Minotaur'' at the Royal Opera House. Honours * He was given an Honorary title (academic), Honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guntram Of Burgundy
Saint Gontrand (c. 532 in Soissons – 28 March 592 in Chalon-sur-Saône), also called Gontran, Gontram, Guntram, Gunthram, Gunthchramn, and Guntramnus, was the king of the Kingdom of Orléans from AD 561 to AD 592. He was the third eldest and second eldest surviving son of Chlothar I and Ingunda. On his father's death in 561, he became king of a fourth of the Kingdom of the Franks, and made his capital at Orléans. The name "Gontrand" denotes " War Raven". Personal life King Gontrand had something of that fraternal love which his brothers lacked; the preeminent chronicler of the period, St. Gregory of Tours, often called him "good king Gontrand", as noted in the quotation below from the former's ''Decem Libri Historiarum'', in which St. Gregory discussed the fate of Gontrand's three marriages: The good king Gontrand first took a concubine Veneranda, a slave belonging to one of his people, by whom he had a son Gundobad. Later he married Marcatrude, daughter of Magnar, and sent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merovingian
The Merovingian dynasty () was the ruling family of the Franks from the middle of the 5th century until 751. They first appear as "Kings of the Franks" in the Roman army of northern Gaul. By 509 they had united all the Franks and northern Gaulish Romans under their rule. They conquered most of Gaul, defeating the Visigoths (507) and the Burgundians (534), and also extended their rule into Raetia (537). In Germania, the Alemanni, Bavarii and Saxons accepted their lordship. The Merovingian realm was the largest and most powerful of the states of western Europe following the breaking up of the empire of Theodoric the Great. The dynastic name, medieval Latin or ("sons of Merovech"), derives from an unattested Frankish form, akin to the attested Old English , with the final -''ing'' being a typical Germanic patronymic suffix. The name derives from King Merovech, whom many legends surround. Unlike the Anglo-Saxon royal genealogies, the Merovingians never claimed descent from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnesinger
(; "love song") was a tradition of lyric- and song-writing in Germany and Austria that flourished in the Middle High German period. This period of medieval German literature began in the 12th century and continued into the 14th. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The name derives from ''minne'', the Middle High German word for love, as that was ''Minnesang'''s main subject. The ''Minnesänger'' were similar to the Provençal troubadours and northern French ''trouvères'' in that they wrote love poetry in the tradition of courtly love in the High Middle Ages. Social status In the absence of reliable biographical information, there has been debate about the social status of the ''Minnesänger''. Some clearly belonged to the higher nobility – the 14th century Codex Manesse includes songs by dukes, counts, kings, and the Emperor Henry VI. Some ''Minnesänger'', as indicated by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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