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Dein Lob, Herr, Ruft Der Himmel Aus
"" (Your Praise, Lord, Heaven proclaims) is a German Catholic hymn. Adolf Lohmann adapted a 1659 hymn by the Jesuit astronomer Albert Curtz, who paraphrased Psalm 19. The melody appeared in Augsburg in 1669. It was No. 1 in the 1938 hymnal ''Kirchenlied'' and is part of the German Catholic hymnal ''Gotteslob'' as GL 381. History Adolf Lohmann wrote the song "" as a revision of a hymn by the Jesuit astronomer Albert Curtz, published in 1659 as a paraphrase of Psalm 19 (The heavens declare the glory of God). The melody was taken from an Augsburg hymnal from 1669. The song expresses the praise of the created world for the Creation. The song was included as No. 1 in the 1938 hymnal ''Kirchenlied'' by Georg Thurmair and Lohmann, leading the first section of praise, titled "Großer Gott, wir loben dich". In the first common Catholic hymnal, the 1975 ''Gotteslob'', the song appeared as GL 263.
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Kirchenlied
''Kirchenlied'' ("Church song") is a German Catholic hymnal published in 1938. It was a collection of 140 old and new songs, including hymns by Protestant authors. It was the seed for a common Catholic hymnal which was realised decades later, in the ''Gotteslob'' (1975). History ''Kirchenlied'' was published in 1938 by , Adolf Lohmann and Georg Thurmair. It was a collection of 140 songs from different periods, starting in the 16th century, and it included several Protestant songs as well as ten of Thurmair's own songs. Known as the "Standard Songbook", it was designed to be a common hymnal for German-speaking Catholics. ''Kirchenlied'' was published first by the , subtitled ''Eine Auslese geistlicher Lieder für die Jugend'' ("A selection of sacred songs for youth"). The hymnal, unlike other publications by Thurmair, was not immediately banned by the Nazis, because of its many Protestant songs. From the fourth edition, the subtitle was shortened to "Eine Auslese geistlicher Lied ...
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Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal '' Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and '' Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her "Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as "Komm, Heilger Geist, der Leben schafft", f ...
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Catholic Hymns In German
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the one ...
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Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ...
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Quarter Note
A quarter note (American) or crotchet ( ) (British) is a note (music), musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem (music), stem. The stem usually points upwards if it is below the middle line of the musical staff, staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (music), rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK ...
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Half Note
''Half Note'' is a live album by saxophonist Clifford Jordan which was recorded in 1974 and first released on the SteepleChase label in 1985.Clifford Jordan discography
accessed April 9, 2014


Reception

In his review on , Scott Yanow notes that this is "An good example of Jordan's music"


Track listing

''All compositions by Clifford Jordan except as indicated'' # "Holy Land" (Cedar Walton) - 8:41 # "The Glass Bead Games" - 5:38 # " St. Thomas" (
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Triple Meter
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with , , and being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. It features in a good amount of music by artists such as The Chipmunks, Louis Armstrong or Bob Dylan. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's albu ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Holy God, We Praise Thy Name
"Holy God, We Praise Thy Name" (original German: "Großer Gott, wir loben dich") is a Christian hymn, a paraphrase of the Te Deum. The German Catholic priest Ignaz Franz wrote the original German lyrics in 1771 as a paraphrase of the Te Deum, a Christian hymn in Latin from the 4th century. It became an inherent part of major Christian ceremonial occasions, mainly as a conclusion song. Due to its memorable melody and theme, it is one of the most popular hymns and prevalent in German-speaking communities. As a result of German emigration in the 19th century, the song became known in the United States. It was translated into English by Clarence A. Walworth in 1858 (except verse 7, translated by Hugh T. Henry), which accounted for its wide spread around the country. History The first printing of the hymn was in Vienna in 1776, where it became part of the Catholic hymnal (''Katholisches Gesangsbuch'') upon the order of Her Apostolic Majesty Maria Theresa. Since then, different va ...
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Adolf Lohmann
Adolf Lohmann (10 January 1907 – 19 October 1983) was a German music educator and a composer of sacred music. Several of his hymn melodies are part of the Catholic hymnal ''Gotteslob''. Career Born in Düsseldorf, Lohmann worked there as a music teacher and ''Fachberater für Schulmusik'' (advisor for school music). In 1937, he was moved to Goch by the Nazi ''Kultusbehörde''.Adolf Lohmann
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He returned to Düsseldorf in 1949. Lohmann conducted several choirs, including youth choirs. He organizes continued education in music and training of choral conductors, often at . He composed melodies for several hymns by