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De Graeff
De Graeff (; also: '' De Graef, Graef, Graeff, Graaff'', Graaf and ''De Graeff van Polsbroek'') is an old Dutch patrician and noble family, The Amsterdam line of the family played an important role during the Dutch Golden Age. They were at the centre of Amsterdam and Holland public life and oligarchy from 1578 until 1672, and belonged to the Dutch States Party. During that time, members of the De Graeff family were also important patrons of art and artists such as Rembrandt, Govaert Flinck, Gerard ter Borch, Jacob van Ruisdael, Caspar Netscher, Gerard de Lairesse, Artus Quellinus and Joost van den Vondel. In 1677 they were made knights of the Holy Roman Empire. Since 1885 that line has been part of the Dutch nobility with the honorific of jonkheer. Origin According to an unconfirmed family tradition, the family descends from the Austrian Lords Von Graben. Allegedly one Wolfgang von Graben came 1483 to Holland. It is said that the family was founded by Pieter Graeff (born aroun ...
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Dutch Golden Age
The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and Dutch art, art and the Dutch military were among the most acclaimed in Europe. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century, when costly conflicts, including the Franco-Dutch War and War of the Spanish Succession fuelled economic decline. The transition by the Netherlands to becoming the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Causes of the Golden Age In 1568, the Dutch Republic, Seven Provinces that later signed the Union of Utrecht ( nl, Unie van Utrecht) started a rebellion against Philip II of Spain, Philip II of Spain that led to the Ei ...
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Jonkheer
(female equivalent: ; french: Écuyer; en, Squire) is an honorific in the Low Countries denoting the lowest rank within the nobility. In the Netherlands, this in general concerns a prefix used by the untitled nobility. In Belgium, this is the lowest title within the nobility system, recognised by the Court of Cassation (Belgium), Court of Cassation. It is the cognate and equivalent of the German noble honorific , which was historically used throughout the German-speaking part of Europe, and to some extent also within Scandinavia. The abbreviation of the honorific is ''jhr.'', and that of the female equivalent ''jkvr.'', which is placed before the given name and titles. Honorific of nobility or is literally translated as 'young lord' or 'young lady'. In the Middle Ages, such a person was a young and unmarried child of a high-ranking knight or nobleman. Many noble families could not support all their sons to become a knight, because of the expensive equipment. So the eldest ...
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Honorific
An honorific is a title that conveys esteem, courtesy, or respect for position or rank when used in addressing or referring to a person. Sometimes, the term "honorific" is used in a more specific sense to refer to an honorary academic title. It is also often conflated with systems of honorific speech in linguistics, which are grammatical or morphological ways of encoding the relative social status of speakers. Honorifics can be used as prefixes or suffixes depending on the appropriate occasion and presentation in accordance with style and customs. Typically, honorifics are used as a style in the grammatical third person, and as a form of address in the second person. Use in the first person, by the honored dignitary, is uncommon or considered very rude and egotistical. Some languages have anti-honorific (''despective'' or ''humilific'') first person forms (expressions such as "your most humble servant" or "this unworthy person") whose effect is to enhance the relative honor a ...
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Dutch Nobility
The Dutch nobility is a small elite social class constisting of individuals or families recognized as noble, and with or without a title of nobility in the Kingdom of the Netherlands. The existence of nobility was established in the Constitution of the Netherlands of 1814. Those who belong to the nobility were entitled to certain privileges, in particular to take a seat in the "Ridderschap", a former executive and legislative assembly at the regional or provincial level, and herewith the power to select members for the States-Provincial. With the constitutional reform of 1848, all these privileges were abolished and the nobles lost their constitutional roles. Since then, the only privileges that the Dutch nobility still enjoy are the legal use of titles and the grant of coats of arms by royal decree. The nobility are currently regulated by the Nobility Act, passed into law on 1 August 1994, and is overseen by the , an official state institution of the Kingdom of the Netherlands ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ...
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Joost Van Den Vondel
Joost van den Vondel (; 17 November 1587 – 5 February 1679) was a Dutch poet, writer and playwright. He is considered the most prominent Dutch poet and playwright of the 17th century. His plays are the ones from that period that are still most frequently performed, and his epic ''Joannes de Boetgezant'' (1662), on the life of John the Baptist, has been called the greatest Dutch epic. Vondel's theatrical works were regularly performed until the 1960s. The most visible was the annual performance, on New Year's Day from 1637 to 1968, of '' Gijsbrecht van Aemstel''. Vondel remained productive until a very old age. Several of his most notable plays like ' and ' were written after 1650, when he was already 65, and his final play ', written at the age of eighty, is considered one of his finest. Early life Vondel was born on 17 November 1587 on the Große Witschgasse in Cologne, Holy Roman Empire. His parents, Joost van den Vondel the Elder and Sara (née Kranen), were Mennonites of ...
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Artus Quellinus The Elder
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn (20 or 30 August 1609, Antwerp  – 23 August 1668, Antwerp) was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.Hans Vlieghe and Iris Kockelbergh. "Quellinus."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014


Life

Artus Quellinus the Elder was born into an artistic family. He was the son of the respected Antwerp sculptor
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Gerard De Lairesse
Gerard or Gérard (de) Lairesse (11 September 1641 – June 1711) was a Dutch Golden Age painter and art theorist. His broad range of skills included music, poetry, and theatre. De Lairesse was influenced by the Perugian Cesare Ripa and French classicist painters such as Charles le Brun, Simon Vouet and authors such as Pierre Corneille and Jean Racine. His importance grew in the period following the death of Rembrandt. His treatises on painting and drawing, ''Grondlegginge Ter Teekenkonst'' (1701), Lairesse, Gérard de, ''Grondlegginge ter teekenkonst''
1701, full digital copy

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Caspar Netscher
Caspar (or Gaspar) Netscher (1639 – January 15, 1684) was a Dutch portrait and genre painter. He was a master in depicting oriental rugs, silk and brocade and introduced an international style to the Northern Netherlands. Life According to Arnold Houbraken's 17th-century biographical study of Dutch painters he was born in Heidelberg or Prague.Gasper Netscher biography
in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the
His father ...
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Jacob Van Ruisdael
Jacob Isaackszoon van Ruisdael (;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdael ...
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Gerard Ter Borch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a pic ...
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