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David Cox (artist)
David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter." His son, known as David Cox the Younger (1809–1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer an ...
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William Radclyffe
William Radclyffe (20 October 1783 – 29 December 1855) was an English engraver and painter. Born in Birmingham and self-educated, he was apprenticed to a letter engraver and studied drawing under Joseph Barber with his cousin John Pye. Both planned to move to London when their apprenticeships were complete in 1801, but Radclyffe remained in Birmingham for financial reasons and set up as an engraver and copperplate printer. Radclyffe became well known as an engraver of landscapes, making prints after David Cox, J. M. W. Turner and Peter De Wint and illustrating numerous works of travel literature The genre of travel literature encompasses outdoor literature, guide books, nature writing, and travel memoirs. One early travel memoirist in Western literature was Pausanias, a Greek geographer of the 2nd century CE. In the early modern pe .... He taught James Tibbits Willmore. Radclyffe's son was the painter Charles Walter Radclyffe. References External links ...
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Forge
A forge is a type of hearth used for heating metals, or the workplace (smithy) where such a hearth is located. The forge is used by the smith to heat a piece of metal to a temperature at which it becomes easier to shape by forging, or to the point at which work hardening no longer occurs. The metal (known as the "workpiece") is transported to and from the forge using tongs, which are also used to hold the workpiece on the smithy's anvil while the smith works it with a hammer. Sometimes, such as when hardening steel or cooling the work so that it may be handled with bare hands, the workpiece is transported to the slack tub, which rapidly cools the workpiece in a large body of water. However, depending on the metal type, it may require an oil quench or a salt brine instead; many metals require more than plain water hardening. The slack tub also provides water to control the fire in the forge. Types Coal/coke/charcoal forge A forge typically uses bituminous coal, indu ...
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Cox - Travellers
Cox may refer to: * Cox (surname), including people with the name Companies * Cox Enterprises, a media and communications company ** Cox Communications, cable provider ** Cox Media Group, a company that owns television and radio stations ** Cox Automotive, an Atlanta-based business unit of Cox Enterprises * Cox Models, aka Cox Hobbies * Cox Sports, a regional sports network that served the United States New England region until 2012 Places Antarctica * Cox Glacier * Cox Nunatak * Cox Peaks * Cox Point * Cox Reef United States * Cox, Florida * Cox, Missouri * Cox College (Georgia), a defunct private women's college located in College Park, Georgia * Cox College (Missouri), a private college in Springfield, Missouri * Cox Furniture Store, c. 1890, a historic site in Gainesville, Florida * Cox Furniture Warehouse, a historic site in Gainesville, Florida * Cox Run, a tributary of Little Muncy Creek in Lycoming County, Pennsylvania * Cox site Elsewhere * Cox Island, Cana ...
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Dulwich
Dulwich (; ) is an area in south London, England. The settlement is mostly in the London Borough of Southwark, with parts in the London Borough of Lambeth, and consists of Dulwich Village, East Dulwich, West Dulwich, and the Southwark half of Herne Hill (which is often referred to as the North Dulwich triangle). Dulwich lies in a valley between the neighbouring districts of Camberwell (to the west), Crystal Palace, Denmark Hill, Forest Hill, Peckham, Sydenham Hill, and Tulse Hill. For the last four centuries Dulwich has been centred on the College of God's Gift, also known as the "Old College", which owned most of the land in the area today known as the Dulwich Estate. The College, founded with educational and charitable aims, established three large independent schools in the 19th century (Dulwich College, Alleyn's School and James Allen's Girls' School). In recent decades four large state secondary schools have opened in the area (The Charter School East Dulwich, The Chart ...
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Watercolours
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyr ...
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Astley's Amphitheatre
Astley's Amphitheatre was a performance venue in London opened by Philip Astley in 1773, considered the first modern circus ring. It was burned and rebuilt several times, and went through many owners and managers. Despite no trace of the theatre remaining today, a memorial plaque was unveiled in 1951 at its site at 225 Westminster Bridge Road. History The Amphitheatre opened in 1773. The structure was burned down in 1794, then rebuilt in less than seven months before being destroyed by fire again in 1803. The Amphitheatre was again rebuilt, this time in the style of rival Charles Hughes's Royal Circus with lavish decorations and reputedly the largest stage in London. With increasing prosperity and rebuilding after successive fires, it grew to become Astley's Royal Amphitheatre and this was the home of the circus. The location of the theatre was Westminster Bridge Road in Lambeth. The theatre continued to be popular long after Astley's death in 1814. His brother John succeeded ...
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Lambeth
Lambeth () is a district in South London, England, in the London Borough of Lambeth, historically in the County of Surrey. It is situated south of Charing Cross. The population of the London Borough of Lambeth was 303,086 in 2011. The area experienced some slight growth in the medieval period as part of the manor of Lambeth Palace. By the Victorian era the area had seen significant development as London expanded, with dense industrial, commercial and residential buildings located adjacent to one another. The changes brought by World War II altered much of the fabric of Lambeth. Subsequent development in the late 20th and early 21st centuries has seen an increase in the number of high-rise buildings. The area is home to the International Maritime Organization. Lambeth is home to one of the largest Lusophone, Portuguese-speaking communities in the UK, and is the second most commonly spoken language in Lambeth after English language, English. History Medieval The origins of the ...
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Philip Astley
Philip Astley (8 January 1742 – 20 October 1814) was an English equestrian, circus owner, and inventor, regarded as being the " father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the success of trick-riding displays given by him and his wife Patty Jones in 1768. Astley's first competitor was equestrian Charles Hughes, who had previously worked with Astley. Together with Charles Dibdin, a famous author of pantomimes, Hughes opened a rival amphitheatre in London, which Dibdin called the Royal Circus and Equestrian Philharmonic Academy. Astley and his wife put on the first circus show on Easter Monday, 4 April 1768. Extending the equestrian performance with exhibitions of warlike sabre-work and sword-play. The initial performances were done in the open air at Ha'penny (= Halfpen ...
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Theatre Royal, Birmingham
The Theatre Royal, until 1807 the New Street Theatre, or, colloquially, New Theatre, was a 2000-seat theatre located on New Street in Birmingham, England. It was erected in 1774 and demolished in 1956. The theatre was damaged by fire in 1792 (as a result of arson) and again in 1820, after which it was rebuilt. In 1897, W. S. Gilbert's ''The Fortune Hunter'' premiered at the theatre. The theatre was rebuilt again in 1902, designed by Ernest Runtz, reopening in 1904 with 2200 seats. This building lasted until 1956 when it was closed and demolished. The Woolworth Building was then constructed on the site, seen today as the location of a branch of Boots and Bella Italia. Two large coade stone medallions, from the front of the theatre, depicting David Garrick (on the viewer's left) and William Shakespeare, survive and are now displayed in the Library of Birmingham A library is a collection of materials, books or media that are accessible for use and not just for display pu ...
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William Macready The Elder
William Macready the Elder (1755–1829) was an Irish actor-manager. Early life The son of a Dublin upholsterer, Macready started his career playing in Irish country towns. He joined the Capel Street Theatre in Dublin in 1782, and the Crow Street Theatre later during the 1782–3 season. The next season, he was brought to the Mill Gate Theatre, by Michael Atkins. He was in 1785 a member of the company at Smock Alley Theatre, Dublin. On the introduction of Charles Macklin, Macready went to Liverpool, and to Manchester under George Mattocks at the beginning of 1786. The London stage Macready appeared at Covent Garden Theatre, 18 September 1786, as Flutter in the '' Belle's Stratagem'', and remained there ten years, playing parts such as Gratiano, Paris, Young Marlow, Figaro, Fag, and Tattle in ''Love for Love'', and producing two plays by himself. He returned to Dublin to take summer parts, to the early 1790s. At Covent Garden Macready took only supporting roles, to 1797: he wa ...
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Snuffbox
A decorative box is a form of packaging that is generally more than just functional, but also intended to be decorative and artistic. Many such boxes are used for promotional packaging, both commercially and privately. Historical objects are usually called caskets if larger than a few inches in more than one dimension, with only smaller ones called boxes. Gift box Traditionally gift boxes used for promotional and seasonal gifts are made from sturdy paperboard or corrugated fiberboard. These boxes normally consist of a base and detachable lid and are made by using a die cutting process to cut the board. The box is then covered with decorative paper. Gift boxes can be dressed with other gift packaging material, such as decorative ribbons and gift tissue paper. Work box The most common type of decorative box is the feminine work box. It is usually fitted with a tray divided into many small compartments for needles, reels of silk and cotton, and other necessaries for stitchery. ...
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Portrait Miniature
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married. The first miniaturists used watercolour to paint on stretched vellum, or (especially in England) on playing cards trimmed to the shape required. The ...
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