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David Agnew
"David Agnew" is a pen name that was employed on BBC television drama programmes of the 1970s as a scriptwriting credit. Conditions of use The pseudonym "David Agnew" was most often used when the original freelance scriptwriter was unable to accommodate fundamental changes requested by the production staff, who therefore had to perform a significant rewrite themselves. BBC rules prevented the production staff from taking screen credit without a time-consuming, bureaucratic appeals process, meaning that the quickest way for the project to continue under the BBC system was to use the name of a non-existent writer. Sometimes production staff were directly ordered by BBC management to use the credit. Examples The name was first used in 1971, when Anthony Read's script for the ''Play for Today'' episode "Hell's Angel" was broadcast under the pseudonym. Read's work on the 1975 ''BBC2 Playhouse'' episode "Diane" was likewise credited to "David Agnew". The pseudonym entered into use on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen Name
A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of a number of reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. Etymology The French-language phrase is occasionally still seen as a synonym for the English term "pen name", which is a "back-translation" and originated in England rather than France. H. W. Fowler and F. G. Fowler, in ''The King's English'' state that the term ''nom de plume'' evolv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Adams
Douglas Noel Adams (11 March 1952 – 11 May 2001) was an English author and screenwriter, best known for ''The Hitchhiker's Guide to the Galaxy''. Originally a 1978 BBC radio comedy, ''The Hitchhiker's Guide to the Galaxy'' developed into a "trilogy" of five books that sold more than 15 million copies in his lifetime. It was further developed into a television series, several stage plays, comics, a video game, and a 2005 feature film. Adams's contribution to UK radio is commemorated in The Radio Academy's Hall of Fame. Adams also wrote ''Dirk Gently's Holistic Detective Agency'' (1987) and ''The Long Dark Tea-Time of the Soul'' (1988), and co-wrote ''The Meaning of Liff'' (1983), ''The Deeper Meaning of Liff'' (1990), and ''Last Chance to See'' (1990). He wrote two stories for the television series ''Doctor Who'', co-wrote ''City of Death'' (1979), and served as script editor for its seventeenth season. He co-wrote the sketch "Patient Abuse" for the final episode of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Television Writers
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Spelvin (pseudonym)
George Spelvin, Georgette Spelvin, and Georgina Spelvin are traditional pseudonyms used in programs in American theater. "Georgina Spelvin" has fallen out of general use since it was adopted as a screen name by pornographic actress Shelley Graham, who was credited by that name in ''The Devil in Miss Jones'' (1973) and her subsequent films. Reasons for use The reasons for the use of an alternate name vary. Actors who do not want to be credited, or whose names would otherwise appear twice because they are playing more than one role in a production, may adopt a pseudonym. Actors who are members of the trade unions (such as the Actors' Equity Association) but are working under a non-union contract for a given production may use pseudonyms to avoid fines or other penalties by their union. In some plays, this name has appeared in cast lists as the name of an actor (or actress) portraying a character who is mentioned in the dialogue but never turns up onstage: with the role credited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Smithee
Alan Smithee (also Allen Smithee) is an official pseudonym used by film directors who wish to disown a project. Coined in 1968 and used until it was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when directors, dissatisfied with the final product, proved to the satisfaction of a guild panel that they had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the movie or even to acknowledge being the project's director. History Before 1968, DGA rules did not permit directors to be credited under a pseudonym. This was intended to prevent producers from forcing them upon directors, which would inhibit the development of their résumés. The guild also required that the director be credited, in support of the auteur theory, which posits that the director is the primary creative force behind a film. The Smithee pseudonym was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Plinge
Walter Plinge is a pseudonym, used in British theatres since the 19th century on occasions when it is not possible or desirable to make an actor's real name known. Name and usage Walter Plinge is a pseudonym traditionally used in British theatres when a part has not been cast, an actor is playing two parts, or an actor does not want their name in the programme. The name has also been used in radio and television credits. ''Who's Who in the Theatre'' has this entry for the name: In 1939 Alfred Wareing, a former member of Benson's company, wrote in ''The Stage'' that the real Walter Plinge had been the landlord of the public house in Wellington Street near the stage door of the Lyceum Theatre, London. Wareing recalled that Plinge was not entirely pleased at having his name used by Benson, particularly as the company already had other pseudonyms in use when needed. These included "R. Sherard" and "T. Ashman" – the latter used by among others Oscar Asche when doubling roles, altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Pit
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mockumentary
A mockumentary (a blend of ''mock'' and ''documentary''), fake documentary or docu-comedy is a type of film or television show depicting fictional events but presented as a documentary. These productions are often used to analyze or comment on current events and issues by using a fictional setting, or to parody the documentary form itself. While mockumentaries are usually comedic, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Also, docudrama is different from docufiction, a genre in which documentaries are contaminated with fictional elements. Mockumentaries are often presented as historical documentaries, with B roll and talking heads discussing past events, or as '' cinéma vérité'' pieces following people as they go through various events. Examples emerged during the 1950s when archival film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Elusive David Agnew
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Short Trips
The BBC ''Short Trips'' books are a collection of short story anthology, anthologies published by BBC Books based on the television series ''Doctor Who'', following a pattern established by Virgin Publishing's ''Virgin Decalog, Decalog'' collections. Three volumes were published between March 1998 and March 2000, before the BBC decided to stop publishing the books. The ''Short Trips'' name was later adopted for Big Finish Short Trips, hardback collections published by Big Finish Productions and licensed from the BBC. The books Short Trips The first volume of stories is ''Short Trips'' (BBC Books, 1998), edited by Stephen Cole (writer), Stephen Cole. It contains the following stories: More Short Trips The next volume is ''More Short Trips'' (BBC Books, 1999), again edited by Stephen Cole. It contains the stories: Short Trips and Sidesteps The final Short Trips collection is ''Short Trips and Sidesteps'' (BBC Books, 2000), and was joint edited by Jacqueline Rayner and Steph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Camfield
Douglas Gaston Sydney Camfield (8 May 1931 – 27 January 1984) was a British television director, active from the 1960s to the 1980s. Early life Camfield studied at the York School of Art and aimed to work for The Walt Disney Company. He was commissioned into the Royal Army Service Corps in 1951 during his national service. Later that year, he transferred to the West Yorkshire Regiment ( Territorial Army). He was promoted to lieutenant in 1952 and was training to be in the Special Air Service, but due to an injury he pulled out of the application process. It has often been noted by those who worked with him that Camfield always retained an affection for the army and brought military standards of organisation to the programmes he subsequently directed. Career His directing credits included ''Doctor Who,'' ''Z-Cars'', ''Paul Temple'', ''Public Eye'', '' The Lotus Eaters'', ''Van der Valk'', ''The Sweeney'', ''The Onedin Line'', ''Blake's 7'', '' Shoestring'', '' The Professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Marshall (screenwriter)
Roger Marshall (15 March 1934 – 1 April 2020) was an English television screenwriter, known as co-creator of the series ''Public Eye''. He was born in March 1934 in Leicester, England and educated at Gonville and Caius College, Cambridge.Gilbert, Pat ''Shut It! The Inside Story of the Sweeney'' Aurum Press 2010 Roger Marshall, television dramatist who created the gritty crime series Public Eye – obituary ''Daily Telegraph''. 5 June 2020. Retrieved 9 September 2021. After leaving university, he embarked on a writing career that included '' The Avengers'', '' |
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