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Walter Plinge
Walter Plinge is a pseudonym, used in British theatres since the 19th century on occasions when it is not possible or desirable to make an actor's real name known. Name and usage Walter Plinge is a pseudonym traditionally used in British theatres when a part has not been cast, an actor is playing two parts, or an actor does not want their name in the programme. The name has also been used in radio and television credits. ''Who's Who in the Theatre'' has this entry for the name: In 1939 Alfred Wareing, a former member of Benson's company, wrote in ''The Stage'' that the real Walter Plinge had been the landlord of the public house in Wellington Street near the stage door of the Lyceum Theatre, London. Wareing recalled that Plinge was not entirely pleased at having his name used by Benson, particularly as the company already had other pseudonyms in use when needed. These included "R. Sherard" and "T. Ashman" – the latter used by among others Oscar Asche when doubling roles, altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Asche
John Stange(r) Heiss Oscar Asche (24 January 1871 – 23 March 1936), better known as Oscar Asche, was an Australian actor, director, and writer, best known for having written, directed, and acted in the record-breaking musical ''Chu Chin Chow'', both on stage and film, and for acting in, directing, or producing many Shakespeare plays and successful musicals."Oscar Asche (1871-1936)" National Library of Australia, accessed 5 April 2015 After studying acting in Norway and London, Asche made his London stage debut in 1893 and soon joined the F R Benson Company, where he remained for eight years, playing more than a hundred roles including important Shakespearean parts. He married the actress |
Anonymity Pseudonyms
Anonymity describes situations where the acting person's identity is unknown. Some writers have argued that namelessness, though technically correct, does not capture what is more centrally at stake in contexts of anonymity. The important idea here is that a person be non-identifiable, unreachable, or untrackable. Anonymity is seen as a technique, or a way of realizing, a certain other values, such as privacy, or liberty. Over the past few years, anonymity tools used on the dark web by criminals and malicious users have drastically altered the ability of law enforcement to use conventional surveillance techniques. An important example for anonymity being not only protected, but enforced by law is the vote in free elections. In many other situations (like conversation between strangers, buying some product or service in a shop), anonymity is traditionally accepted as natural. There are also various situations in which a person might choose to withhold their identity. Acts of cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Agnew
"David Agnew" is a pen name that was employed on BBC television drama programmes of the 1970s as a scriptwriting credit. Conditions of use The pseudonym "David Agnew" was most often used when the original freelance scriptwriter was unable to accommodate fundamental changes requested by the production staff, who therefore had to perform a significant rewrite themselves. BBC rules prevented the production staff from taking screen credit without a time-consuming, bureaucratic appeals process, meaning that the quickest way for the project to continue under the BBC system was to use the name of a non-existent writer. Sometimes production staff were directly ordered by BBC management to use the credit. Examples The name was first used in 1971, when Anthony Read's script for the ''Play for Today'' episode "Hell's Angel" was broadcast under the pseudonym. Read's work on the 1975 ''BBC2 Playhouse'' episode "Diane" was likewise credited to "David Agnew". The pseudonym entered into use on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Smithee
Alan Smithee (also Allen Smithee) is an official pseudonym used by film directors who wish to disown a project. Coined in 1968 and used until it was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when directors, dissatisfied with the final product, proved to the satisfaction of a guild panel that they had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the movie or even to acknowledge being the project's director. History Before 1968, DGA rules did not permit directors to be credited under a pseudonym. This was intended to prevent producers from forcing them upon directors, which would inhibit the development of their résumés. The guild also required that the director be credited, in support of the auteur theory, which posits that the director is the primary creative force behind a film. The Smithee pseudonym was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Spelvin
George Spelvin, Georgette Spelvin, and Georgina Spelvin are traditional pseudonyms used in programs in American theater. "Georgina Spelvin" has fallen out of general use since it was adopted as a screen name by pornographic actress Shelley Graham, who was credited by that name in ''The Devil in Miss Jones'' (1973) and her subsequent films. Reasons for use The reasons for the use of an alternate name vary. Actors who do not want to be credited, or whose names would otherwise appear twice because they are playing more than one role in a production, may adopt a pseudonym. Actors who are members of the trade unions (such as the Actors' Equity Association) but are working under a non-union contract for a given production may use pseudonyms to avoid fines or other penalties by their union. In some plays, this name has appeared in cast lists as the name of an actor (or actress) portraying a character who is mentioned in the dialogue but never turns up onstage: with the role credited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Hampden
Walter Hampden Dougherty (June 30, 1879 in Brooklyn – June 11, 1955 in Los Angeles), known professionally as Walter Hampden, was an American actor and theatre manager. He was a major stage star on Broadway in New York who also made numerous television and film appearances. Life and career Walter Hampden was the son of John Hampden Dougherty and Alice Hill. He was a younger brother of the American painter Paul Dougherty. He went to England for apprenticeship for six years. He graduated from what is now NYU Poly in 1900. Under Otho Stuart and Oscar Asche's co-management of the Adelphi Theatre in 1904 he appeared in ''The Prayer of the Sword'' and ''The Taming of the Shrew''. Later he played Hamlet, Henry V and Cyrano de Bergerac on Broadway. In 1925, he became actor-manager at the Colonial Theatre on Broadway, which was renamed Hampden's Theatre from 1925 to 1931. He became noted for his Shakespearean roles as well as for Cyrano, which he played in several productions betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancestry
An ancestor, also known as a forefather, fore-elder or a forebear, is a parent or (recursively) the parent of an antecedent (i.e., a grandparent, great-grandparent, great-great-grandparent and so forth). ''Ancestor'' is "any person from whom one is descended. In law, the person from whom an estate has been inherited." Two individuals have a genetic relationship if one is the ancestor of the other or if they share a common ancestor. In evolutionary theory, species which share an evolutionary ancestor are said to be of common descent. However, this concept of ancestry does not apply to some bacteria and other organisms capable of horizontal gene transfer. Some research suggests that the average person has twice as many female ancestors as male ancestors. This might have been due to the past prevalence of polygynous relations and female hypergamy. Assuming that all of an individual's ancestors are otherwise unrelated to each other, that individual has 2''n'' ancestors in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who's Who In The Theatre
''Who's Who in the Theatre'' is a British reference work, first published in 1912 with sixteen new editions from then until its last issue in 1981. The book was a successor to ''The Green Room Book'', of which four editions were published between 1906 and 1909. Both works presented brief biographies of well-known members of the theatrical profession, listing all the productions they had appeared in, written, produced or been associated with. ''Who's Who in the Theatre'' aimed from the outset to cover Broadway theatre as well as that of the West End and, to a lesser extent, the British provinces. The editor from 1912 to 1952 was John Parker, a successful businessman, who in addition to his commercial activities was a well-known theatre critic. He was succeeded for a single edition by his son, and then from 1961 to 1968 by Freda Gaye, a former actress and first curator of the British Theatre Museum, and finally by Ian Herbert who was in charge of the last three editions. As wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyceum Theatre, London
The Lyceum Theatre ( ) is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works. From 1871 to 1902, Henry Irving appeared at the theatre, especially in Shakespeare productions, usually starring opposite Ellen Terry. In 1904 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wellington Street, London
Wellington Street is a street located in Covent Garden, Westminster, London. It connects Bow Street, Russell Street, Tavistock Street, Exeter Street, Strand and Lancaster Place. The street takes its name from Arthur Wellesley, 1st Duke of Wellington. Location Wellington Street runs south east to north west from Strand to Bow Street. The nearest tube station is Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si .... Buildings Lyceum Theatre is located on Wellington Street.Pope, W. Macqueen and Ronald Mayes"The Lyceum Theatre, Wellington Street, London" Arthur Lloyd, accessed 16 October 2015 References Streets in the City of Westminster Covent Garden {{London-road-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
